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The Shergill sisters never needed each other--until they did. Rajni, Jezmeen and Shirina Shergill have never been close but when their mother dies, she has only one request: that they take a pilgrimage across India to carry out her final rites. While an extended family holiday is the last thing they want, each sister has her own reasons to run away from her life. Rajni is the archetypal know-it-all eldest but her son dropped a bombshell before she left and, for the first time, she doesn't know what the future holds. Middle sister Jezmeen, always a loudmouth, has translated her need for attention into life as a struggling actress. But her career is on the skids after an incident went viral and now she's desperate to find her voice again. Shirina, the golden child, has confounded expectations by having an arranged marriage and moving to the other side of the world. But her perfect life isn't what it seems and time is running out to make the right choice. As the miles rack up on their jaunt across India, the secrets of the past and present are sure to spill out.
Pin must not become like her mother, but nobody will tell her why. She seeks clues in Ma’s cooking when she’s not fighting other battles—being a bursary girl at an elite school and facing racial taunts from the bus uncle. Then her meddlesome grandmother moves in, installing a portrait of a watchful Sikh guru and a new set of house rules. Old secrets begin to surface but can Pin handle learning the truth?
Reese Witherspoon’s Book Club Pick A lively, sexy, and thought-provoking East-meets-West story about community, friendship, and women’s lives at all ages—a spicy and alluring mix of Together Tea and Calendar Girls. Every woman has a secret life . . . Nikki lives in cosmopolitan West London, where she tends bar at the local pub. The daughter of Indian immigrants, she’s spent most of her twenty-odd years distancing herself from the traditional Sikh community of her childhood, preferring a more independent (that is, Western) life. When her father’s death leaves the family financially strapped, Nikki, a law school dropout, impulsively takes a job teaching a "creative writing" course at the community center in the beating heart of London’s close-knit Punjabi community. Because of a miscommunication, the proper Sikh widows who show up are expecting to learn basic English literacy, not the art of short-story writing. When one of the widows finds a book of sexy stories in English and shares it with the class, Nikki realizes that beneath their white dupattas, her students have a wealth of fantasies and memories. Eager to liberate these modest women, she teaches them how to express their untold stories, unleashing creativity of the most unexpected—and exciting—kind. As more women are drawn to the class, Nikki warns her students to keep their work secret from the Brotherhood, a group of highly conservative young men who have appointed themselves the community’s "moral police." But when the widows’ gossip offers shocking insights into the death of a young wife—a modern woman like Nikki—and some of the class erotica is shared among friends, it sparks a scandal that threatens them all.
Set in high-society Georgetown, an irresistible family drama about two sisters and the public scandal that just may lead them to rewrite the rules... Named a Best Book of the Month by Good Morning America, Bustle, Popsugar, BookBub, and Frolic “A stellar novel that celebrates sisterhood and the way women can step out of flawed men’s shadows. I delighted in every page.” —Amy Meyerson, bestselling author of The Bookshop of Yesterdays and The Imperfects No surprise is a good surprise. At least according to thirty-four-year-old Daisy Richardson. So when it’s revealed in dramatic fashion that her esteemed father had been involved in a public scandal before his untimely death, Daisy’s life becomes complicated—and fast. For one, the Richardsons must now sell the family home in Georgetown they can no longer afford, and Daisy’s mother is holding on with an iron grip. Her younger sister, Wallis, is ready to move on to bigger and better things but falls fast and hard for the most inconvenient person possible. And then there’s Atlas, Daisy’s best friend. She’s always wished they could be more, but now he’s writing an exposé on the one subject she’s been desperate to avoid: her father. Daisy’s plan is to maintain a low profile as she works to keep her family intact amid social exile, public shaming, and quickly dwindling savings. But the spotlight always seems to find the Richardsons, and when another twist in the scandal comes to light, Daisy must confront the consequences of her continued silence and summon the courage to stand up and accept the power of her own voice. “I was absolutely charmed by Ladies of the House. A wonderful debut.” —Allison Winn Scotch, bestselling author of Cleo McDougal Regrets Nothing *Don't miss Wedding of the Season, Lauren Edmondson's next family drama set in Newport, RI. On sale in February 2023 and available now to preorder!
From the author and illustrator duo who created the award-winning I Have the Right to Be a Child and I Have the Right to Save My Planet comes this beautifully illustrated third book in the series. I Have the Right to Culture explores a child’s right to be curious and to experience all of humanity’s shared knowledge, including music, art, dance and much more. When a child is born, they learn the language of their parents, they sing the songs of their grandparents and they eat the delicious food that their family prepares. They also start to wonder about the lives of other children who live far away. What languages do they speak? What songs do they sing? And what games do they play? Every child has the right to learn about the world they live in, including its history and its inventions. Every child has the right to learn about artists, about writers, about potters and photographers and architects, about musicians and dancers and poets. All of humanity’s treasures are for sharing, and every child has the right to know about what has come before them! Children have the right to partake in culture as proclaimed in the United Nations Convention on the Rights of the Child. Told from the perspective of a child, this colorful and vibrant book explores what it means to be a child who has the right to find beauty in their world. Key Text Features further reading Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RI.K.1 With prompting and support, ask and answer questions about key details in a text. CCSS.ELA-LITERACY.RI.K.6 Name the author and illustrator of a text and define the role of each in presenting the ideas or information in a text. CCSS.ELA-LITERACY.RI.K.7 With prompting and support, describe the relationship between illustrations and the text in which they appear (e.g., what person, place, thing, or idea in the text an illustration depicts). CCSS.ELA-LITERACY.RI.1.8 Identify the reasons an author gives to support points in a text.
The author of the Reese Witherspoon Book Club selection Erotic Stories for Punjabi Widows follows her acclaimed America debut with this life-affirming, witty family drama—an Indian This Is Where I Leave You—about three Punjabi sisters embarking on a pilgrimage to their homeland to lay their mother to rest. The British-born Punjabi Shergill sisters—Rajni, Jezmeen, and Shirina—were never close and barely got along growing up, and now as adults, have grown even further apart. Rajni, a school principal is a stickler for order. Jezmeen, a thirty-year-old struggling actress, fears her big break may never come. Shirina, the peacemaking "good" sister married into wealth and enjoys a picture-perfect life. On her deathbed, their mother voices one last wish: that her daughters will make a pilgrimage together to the Golden Temple in Amritsar to carry out her final rites. After a trip to India with her mother long ago, Rajni vowed never to return. But she’s always been a dutiful daughter, and cannot, even now, refuse her mother’s request. Jezmeen has just been publicly fired from her television job, so the trip to India is a welcome break to help her pick up the pieces of her broken career. Shirina’s in-laws are pushing her to make a pivotal decision about her married life; time away will help her decide whether to meekly obey, or to bravely stand up for herself for the first time. Arriving in India, these sisters will make unexpected discoveries about themselves, their mother, and their lives—and learn the real story behind the trip Rajni took with their Mother long ago—a momentous journey that resulted in Mum never being able to return to India again. The Unlikely Adventures of the Shergill Sisters is a female take on the Indian travel narrative. "I was curious about how different the trip would be if it were undertaken by women, who are vulnerable to different dangers in a male-dominated society," Balli Kaur Jaswal writes. "I also wanted to explore the tensions between tradition and modernity in immigrant communities, and particularly how those tensions play out among women like these sisters, who are the first generation to be raised outside of India." Powerful, emotionally evocative, and wonderfully atmospheric, The Unlikely Adventures of the Shergill Sisters is a charming and thoughtful story that illuminates the bonds of family, sisterhood, and heritage that tether us despite our differences. Funny and heartbreaking, it is a reminder of the truly important things we must treasure in our lives.
A deliciously gothic story of wishes and curses – a new dark fairy tale set against a Victorian backdrop full of lace and smoke. ‘Deliciously dark’ Woman Magazine
A “superbly done” novel of a woman, her family, and a village in India that “makes a vanished world feel completely authentic” (Booklist). Sivakami was married at ten, widowed at eighteen, and left with two children. According to the dictates of her caste, her head is shaved and she puts on widow’s whites. From dawn to dusk, she is not allowed to contaminate herself with human touch, not even to comfort her small children. Sivakami dutifully follows custom, except for one defiant act: She moves back to her dead husband’s house to raise her children. There, her servant Muchami, a closeted gay man who is bound by a different caste’s rules, becomes her public face. Their singular relationship holds three generations of the family together through the turbulent first half of the twentieth century, as India endures great social and political change. But as time passes, the family changes, too; Sivakami’s son will question the strictures of the very beliefs that his mother has scrupulously upheld. The Toss of a Lemon is heartbreaking and exhilarating, profoundly exotic yet utterly recognizable in evoking the tensions that change brings to every family.
A troubled boy discovers his inner hero in this hilarious, honest, and inspiring middle-grade novel by the author of Drums, Girls & Dangerous Pie. In sixth grade, bad things can happen to good kids. Bullies will find your weakness and jump on it. Teachers will say you did something wrong when really you didn’t mean to do anything wrong. The kids who joke the loudest can drown out the quieter, nicer kids. Maverick wants to change all that. One of the last things his father left him was a toy sheriff's badge, back when Maverick was little. Now he likes to carry it around to remind him of his dad—and to remind him to make school a better place for everyone . . . even if that’s a hard thing to do, especially when his own home life is falling apart. The Secret Sheriff of Sixth Grade is a story about standing up for yourself—and being a hero at home and in the halls of your school. Praise for The Secret Sheriff of Sixth Grade “A rewarding novel, lit with flashes of irrepressible humor.” —Booklist, starred review “Sonnenblick creates in Maverick an endearing protagonist to root for. Despite daunting obstacles, this terrific boy retains a strong sense of self, a sense of humor, and a big heart that impels him to do what's right, as when he defends his archnemesis.” —Kirkus Reviews “[A] winning formula . . . a child in crisis, lots of humorous situations and one-liners, and moments of genuine warmth and emotion.” —Horn Book