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Presents the first ten volumes of the "Omega: The Unknown" comic, which features the adventures of an alien superhero and an orphaned teenage boy who shares his destiny.
No, Anti-Book is not a book about books. Not exactly. And yet it is a must for anyone interested in the future of the book. Presenting what he terms “a communism of textual matter,” Nicholas Thoburn explores the encounter between political thought and experimental writing and publishing, shifting the politics of text from an exclusive concern with content and meaning to the media forms and social relations by which text is produced and consumed. Taking a “post-digital” approach in considering a wide array of textual media forms, Thoburn invites us to challenge the commodity form of books—to stop imagining books as transcendent intellectual, moral, and aesthetic goods unsullied by commerce. His critique is, instead, one immersed in the many materialities of text. Anti-Book engages with an array of writing and publishing projects, including Antonin Artaud’s paper gris-gris, Valerie Solanas’s SCUM Manifesto, Guy Debord’s sandpaper-bound Mémoires, the collective novelist Wu Ming, and the digital/print hybrid of Mute magazine. Empirically grounded, it is also a major achievement in expressing a political philosophy of writing and publishing, where the materiality of text is interlaced with conceptual production. Each chapter investigates a different form of textual media in concert with a particular concept: the small-press pamphlet as “communist object,” the magazine as “diagrammatic publishing,” political books in the modes of “root” and “rhizome,” the “multiple single” of anonymous authorship, and myth as “unidentified narrative object.” An absorbingly written contribution to contemporary media theory in all its manifestations, Anti-Book will enrich current debates about radical publishing, artists’ books and other new genre and media forms in alternative media, art publishing, media studies, cultural studies, critical theory, and social and political theory.
Catch a glimpse of what it was like to live through two World Wars through the eyes of characters including Sgt. Rock, Enemy Ace, the Boy Commandos, Blackhawk, and many others. From tales of rebellion to surviving the battlefield, this title collects some of the greatest war stories of their time. Collects Sgt. Rock Special #2, Enemy Ace: War in Heaven #1-2, Showcase #57, Our Army at War #67, #83, #233, and #235, Boy Commandos #1, Star Spangled War Stories #87 and #183, All-American Comics #48, Weird War Tales #3 (1972), G.I. Combat #87, Our Fighting Forces #49 and #102, The Losers Special #1, and Military Comics #1.
Join an oneiric odyssey through a slacker second life.
Originally published in the midst of the cold war, Is This Tomorrow is a classic example of red scare propaganda. The story envisions a scenario in which the Soviet Union orders American communists to overthrow the US Government. Charles Schulz contributed to the artwork throughout the issue. Reprinted here for the first time in 70 years.
A volume of reproductions from the influential war-comics magazine offers insight into the periodical's controversial publication of anti-war tales, in a collection that includes the classic short, "Landscape," in which a jaded Vietnamese rice farmer becomes a victim of circumstance. Reprint.
Collects Daredevil (1964) #42-63. Matt Murdock has done battle with Marvel’s most maddening villains — but when the Jester enters the fray, the rules change forever! Framing DD for murder, the Jester sets all of New York against the Man Without Fear — and the stakes get even higher when Starr Saxon discovers DD’s secret identity! Daredevil also faces off against two of Marvel’s greatest heroes, Captain America and the Black Panther — all the while struggling to rebuild his relationship with the lovely Karen Page. Then comes Death’s Head, a villain with deep connections to those closest to Daredevil. It’s a classic battle that pushes Matt Murdock to reveal his identity to Karen — but will it bring them closer together, or force them apart?
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
SARA is a gripping war story following a team of female Russian snipers as they beat back the Nazi invaders during a brutal winter campaign on the WWII Eastern Front. NAZI OCCUPIED RUSSIA, 1942. FIGHT HARD. SHOOT STRAIGHT. DO NOT LET THEM TAKE YOU ALIVE. In the cold winter of 1942, Soviet sniper Sara and her comrades fight against Nazi invaders. But as the fighting intensifies, can their squad survive? Inspired by true events. From bestselling writer Garth Ennis (Preacher, The Punisher, The Boys) and Steve Epting (Velvet, Captain America).