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An account of the artist Dan Rakgoathe's search of his soul through his work as a print-maker, study and writing, blindness and meditation. This illustrated biography explores the story of the artist's life and discusses his art.
Salk suggests how ways of thinking that make use of the extensive biological knowledge at the molecular, cellular, and organismic levels we have acquired during recent decades can be extended and applied to some of the vital social, psychological and ethical problems we face.
“[A] much-anticipated, wickedly funny and sharply observed political satire…This novel of politics and family brings readers to the fault line of American politics.” —The New York Times Book Review “Beyond being good or bad, the characters in this impressive book are, above all things, unpredictable.”—Wall Street Journal One family will remake America. Even if they fall apart trying. A.M. Homes delivers us back to ourselves in this stunning alternative history that is both terrifyingly prescient, deeply tender and devastatingly funny. The Big Guy loves his family, money and country. Undone by the results of the 2008 presidential election, he taps a group of like-minded men to reclaim their version of the American Dream. As they build a scheme to disturb and disrupt, the Big Guy also faces turbulence within his family. His wife, Charlotte, grieves a life not lived, while his 18-year-old daughter, Meghan, begins to realize that her favorite subject—history—is not exactly what her father taught her. In a story that is as much about the dynamics within a family as it is about the desire for those in power to remain in power, Homes presciently unpacks a dangerous rift in American identity, prompting a reconsideration of the definition of truth, freedom and democracy—and exploring the explosive consequences of what happens when the same words mean such different things to people living together under one roof. From the writer who is always “razor sharp and furiously good” (Zadie Smith), a darkly comic political parable braided with a Bildungsroman that takes us inside the heart of a divided country.
Blending the spirit of Eats, Shoots & Leaves with the science of The Language Instinct, an original inquiry into the development of that most essential-and mysterious-of human creations: Language "Language is mankind's greatest invention-except, of course, that it was never invented." So begins linguist Guy Deutscher's enthralling investigation into the genesis and evolution of language. If we started off with rudimentary utterances on the level of "man throw spear," how did we end up with sophisticated grammars, enormous vocabularies, and intricately nuanced degrees of meaning? Drawing on recent groundbreaking discoveries in modern linguistics, Deutscher exposes the elusive forces of creation at work in human communication, giving us fresh insight into how language emerges, evolves, and decays. He traces the evolution of linguistic complexity from an early "Me Tarzan" stage to such elaborate single-word constructions as the Turkish sehirlilestiremediklerimizdensiniz ("you are one of those whom we couldn't turn into a town dweller"). Arguing that destruction and creation in language are intimately entwined, Deutscher shows how these processes are continuously in operation, generating new words, new structures, and new meanings. As entertaining as it is erudite, The Unfolding of Language moves nimbly from ancient Babylonian to American idiom, from the central role of metaphor to the staggering triumph of design that is the Semitic verb, to tell the dramatic story and explain the genius behind a uniquely human faculty.
First published in 1970, The Unfolding of The Seasons provides an interpretation and evaluation of James Thomson’s poem The Seasons. Professor Cohen urges its reconsideration as a major Augustan poem, arguing that Thomson’s unity, diction and thought combine with a conception of man, nature and God which is poetically tenable and distinctive. The case for The Seasons as an important work of art depends upon its effectiveness as a moving vision of human experience, and Professor Cohen believes that many critics have not felt this effectiveness because they have misconceived Thomson’s vision and misunderstood his idiom. His study aims to persuade them to return to the poem and to examine it within the context of an Augustan tradition. Professor Cohen shows that Thomson’s great achievement is to have fashioned a conception which, by bringing nature to the forefront of his poem, became a new poetic way of defining human experience. Thomson was not the first nature poet in English, but he was the first to provide an effective idiom in which science, orthodox religion, natural description, and classical allusions blended to describe the glory, baseness and uncertainty of man’s earthly environment, holding forth the hope of heavenly love and wisdom. This study shows that Thomson found a personal idiom by means of which he created an artistic vision. It will appeal to those with an interest in English literature and in philosophy.