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Alexander Shannon escaped a shady past to enjoy a glittering career in the army, only to end up back in the thick of criminal activity. Shannon's time as a soldier saw him posted to the Falklands, Northern Ireland and war-torn Bosnia. The rigours of army life took their toll and he found himself drawn into a series of ruthless gang wars. He used the skills he'd learned in the forces to hide weapons, work for drugs racketeers and plot a massacre, and he was offered a fortune to work as a Mafia-style contract assassin. He was questioned over brutal killings and accused of a triple murder attempt, yet his dedication and determination to succeed in the army brought him accolades and a series of promotions. In The Underworld Captain, Shannon explains how he managed to combine a successful army career with dangerous gangland dealings for so long and how he finally broke free for good.
Originally commissioned as the libretto for a work by composer John Psathas for the 50th birthday celebration of the Orpheus Choir, this book-length poem offers fresh perspectives on the familiar story of Cook's Pacific explorations. Employing a broad bicultural approach to reinterpret the Orpheus myth for the South Pacific, Sullivan uses a wide range of styles—from 18th-century dialogue to 21st-century hip hop cadences—to create a revisionist Cook who must accept responsibility for the damage his expeditions have inflicted on the indigenous peoples of the Pacific.
Criminals are being targeted by a mysterious murderer called the Scourge! Multiple villains have been gunned down, and no one seems to know what's happening or why! Captain America and USAgent dig deep into the roots of the mystery, finding clues that tie back to one of Marvel's oldest heroes. Collecting: Marvel Fanfare #29; Amazing Spider-Man Ė Captain America #318-320, #358-362; USAgent #1-4
A look at Celaena Sardothien's life before the events of Throne of Glass. When the King of the Assassins gives Celaena Sardothien a special assignment that will help fight slavery in the kingdom, she jumps at the chance to strike a blow against an evil practice. The misson is a dark and deadly affair that takes Celaena from the rooftops of the city to the bottom of the sewer-and she doesn't like what she finds there.
Hades, god of the dead, welcomes readers on a dangerous tour of his underworld kingdom, filled with monsters, furies, giants, and vampire demons. Along the way, he reveals ancient death rites and sinister curses, tells hair-raising stories, and cracks jokes to die for. With his witty voice and ghoulish sense of humor, Hades is the perfect guide through this fresh and imaginative work of nonfiction that reads like a novel. Includes a glossary, bibliography, and index.
She has tempted many men…but never found her equal. Until now. Though she has lived for centuries, Anya, goddess of anarchy, has never known pleasure. Until Lucien, the incarnation of death—a warrior eternally doomed to take souls to the hereafter. He draws her like no other. And Anya will risk anything to have him. But when the merciless Lord of the Underworld is ordered by the gods to claim Anya herself, their uncontrollable attraction becomes an anguished pursuit. Now they must defeat the unconquerable forces that control them, before their thirst for one another demands a sacrifice of love beyond imagining…. And don't miss the latest book in the irresistibly seductive Lords of the Underworld series, The Darkest Torment, featuring the fierce warrior Baden who will stop at nothing to claim the exquisite human with the power to soothe the beast inside him… Previously published.
Perpetual scaredy-cat Conor O'Neill has the fright of his life when a banshee girl named Ashling shows up in his bedroom. Ashling is--as all banshees are--a harbinger of death, but she's new at this banshee business, and first she insists on going to middle school. As Conor attempts to hide her identity from his teachers, he realizes he's going to have to pay a visit to the underworld if he wants to keep his family safe. "Got your cell?" "Yeah . . . . Don't see what good it'll do me." "I'll text you if anything happens that you should know." "Text me? Javier, we'll be in the afterlife." "You never know. Maybe they get a signal." Discover why Kirkus has called Booraem's work "utterly original American fantasy . . . frequently hysterical." This totally fresh take on the afterlife combines the kid next door appeal of Percy Jackson with the snark of Artemis Fowl and the heart of a true middle grade classic.
The world's #1 female Super Hero, Wonder Woman, is back in another breathtaking adventure! This time, Diana will travel to the Underworld to take on Hades--but will she make it out alive? After Diana thwarts a stunning attempt to defeat the Amazons and Themyscira for good, she has finally been granted permission to start training as a warrior! Except, the goddess Artemis brings news that children all over are disappearing without a trace. Diana is the only one who can be trusted to save them--even if she must confront Hades, Persephone, and all of the undead souls and mythical creatures of the Underworld. That is, until she discovers that a far more sinister villain is out to capture her--and will do whatever it takes to find her. With her warrior training barely underway, will young Wonder Woman be able to rely on her strength from within to save the missing children and defeat Hades? Or will she instead be dragged to the Underworld--forever?
Anna Claire has written these poems with older schoolchildren in mind, hoping they will encourage lively debate and reflection. Many of the poems are personal, and some are tragic but they are based on situations and circumstances that most of us encounter or face at some point during our lifetime. Reflection enables us to respond to others with understanding, and perhaps with the benefit of doing so, we are better equipped to deal with that which might otherwise overwhelm oneself, or those close to us. The human spirit is strong and has amazing abilities to overcome difficulties.
This book challenges the widely held view that inmates create prison gangs to promote racism and violence. On the contrary, gangs form to create order. Most people assume that violent inmates left to themselves will descend into a chaotic anarchy, but that's not necessarily the case. This book studies the hidden order of the prison underworld to understand how order arises among outlaws. It uses economics to explore the secret world of the convict culture, inmate hierarchy, and prison gang politics. Inmates engaged in illegal activity cannot rely entirely on state-based governance institutions, such as courts of law and the police, to create order. Correctional officers will not resolve a dispute over a heroin deal gone wrong or help kill a predatory rapist. Yet, the inmate social system is relatively orderly and underground markets flourish. In today's prisons, gangs play a pivotal role in protecting inmates and facilitating illicit commerce. They have sophisticated internal structures and often rely on elaborate written constitutions. To maintain social order, gangs adjudicate conflicts and orchestrate strategic acts of violence to negotiate the competing demands of inmates, gang members, and correctional officers. This book uses economics to explain why prison gangs form, how formal institutions affect them, and why they have a powerful influence even over crime beyond prison walls. Economics explains the seemingly irrational, truly astonishing, and often tragic world of life among the society of captives.