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Zach Kinkaid's routine New York City subway ride takes on a terrifying turn when he ends up lost on a mysterious train filled with bloodthirsty vampires. Is Zach riding toward disaster on the Undead Express? With color photos from the Showtime original movie.
In his new novel, John Ajvide Lindqvist does for zombies what his previous novel, Let the Right One In, did for vampires. Across Stockholm the power grid has gone crazy. In the morgue and in cemeteries, the recently deceased are waking up. One grandfather is alight with hope that his grandson will be returned, but one husband is aghast at what his adored wife has become. A horror novel that transcends its genre by showing what the return of the dead might really mean to those who loved them.
Paris, 1914. American adventurer Sam Carter boards the Orient Express, departing France in style after an impulsive decision to desert the Foreign Legion. British diplomat Lucas Avery is already nursing a drink in the smoking car, resenting his assignment to the distant Ottoman Empire. Neither man expects anything more from the next three days and three thousand miles than rich food, expensive champagne and fine cigars.But something dangerous is lurking aboard the train, hiding in plain sight among French aristocrats and German businessmen. Through fire and darkness, through blood and ice, the Orient Express is bearing an ancient evil across the continent - and not all its passengers will live to see Constantinople...
The nightmare of the dead rising from their graves and sucking the blood of the living has haunted us since prehistory. Legends, literature and terrifying case histories trace the survival of vampires from antiquity to the gaslit streets of London. From age to age, the same terrifying myth has adapted itself to the beliefs of the time. Today it is kept alive through fiction and the cinema, which have distilled our worst fears and most secret desires. The world of the undead lives on.
This book explores vampire narratives that have been expressed across multiple media and new technologies. Stories and characters such as Dracula, Carmilla and even Draculaura from Monster High have been made more "real" through their depictions in narratives produced in and across different platforms. This also allows the consumer to engage on multiple levels with the "vampire world," blurring the boundaries between real and imaginary realms and allowing for different kinds of identity to be created while questioning terms such as "author," "reader," "player" and "consumer." These essays investigate the consequences of such immersion and why the undead world of the transmedia vampire is so well suited to life in the 21st century.
One bad corpse can ruin your whole day. Rhiannon's Law, Book 1 After leaving the flash and sass of Miami for the no-nonsense groove of New York, Rhiannon Murphy is eager for a clean slate and fresh start. A bartender by trade, a loud mouth by choice, and a necromancer by chance, she's managed to keep her nasty habit of seeing dead people hidden from those around her-until now. The dangerous and deliciously sexy vampire, Disco, knows her secret. When he strolls into her club to ask for help investigating the mysterious disappearances of his kind, she quickly gets the vibe that he's not exactly the kind of guy you tell no. Yet in a world where vampires peddle their blood as the latest and greatest drug of choice, it's only a matter of time before the next big thing hits the market. Someone is killing vampires to steal their hearts and, unlike Rhiannon, this isn't their first stroll around the undead block. Warning: Includes violence, strong language, and references to sexual abuse that may disturb some readers. Oblique references to '80s films are hidden here and there, which could result in tickling your geek-like fancy.
Since 'The Night of the Living Dead, ' screen Zombies have become increasingly bizarre, bloodthirsty, yes even cannibalistic. A complete film guide to all your favorite undead, zombie, and the living dead films. Interesting stories behind the scenes and a list of my favorite zombie films. One thing is for sure - Zombies in various forms remain very much alive, in the movies and in audiences' imagination - like yours and mine! I want to eat your brains!
Celebrates zombie pop culture that has evolved since "Night of the Living Dead," tracing early mythological origins in African folklore and Haitian voodoo as well as modern incarnations in film, literature, and video gaming.
The legend returns . . . - It is seven years since a stake was driven through the heart of the infamous Count Dracula. Seven years which have not eradicated the terrible memories for Jonathan and Mina Harker, who now have a young son. To lay their memories to rest they return to Transylvania, and can find no trace of the horrific events. But, beneath the earth, Draculas soul lies in limbo, waiting for the Lifeblood that will revive him . . .
The academy and pop culture alike recognize the great symbolic and teaching value of the undead, whether vampires, zombies, or other undead or living-dead creatures. This has been explored variously from critiques of consumerism and racism, through explorations of gender and sexuality, to consideration of the breakdown of the nuclear family. Most academic examinations of the undead have been undertaken from the perspectives of philosophy and political theory, but another important avenue of exploration comes through theology. Through the vampire, the zombie, the Golem, and Cenobites, contributors address a variety of theological issues by way of critical reflection on the divine and the sacred in popular culture through film, television, graphic novels, and literature.