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A riveting profile of William Randolph Hearst's astonishing rise in the golden age of newspaper journalism. ''Exhaustively researched and elegantly written . . . brims with charming characters and stories. It deftly captures the bygone era of Gilded Age new papering . valuable contribution to the literature of Hearst and the history of journalism.''
If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Now Jeffrey Magee offers a fascinating account of Henderson's musical career, throwing new light on the emergence of modern jazz and the world that created it. Drawing on an unprecedented combination of sources, including sound recordings and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses. Whether placing Henderson's life in the context of the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era. "An invaluable survey of Henderson's life and music." --Don Heckman, Los Angeles Times "Magee has written an important book, illuminating an era too often reduced to its most familiar names. Goodman might have been the King of Swing, but Henderson here emerges as that kingdom's chief architect." --Boston Globe "Excellent.... Jazz fans have waited 30 years for a trained musicologist...to evaluate Henderson's strengths and weaknesses and attempt to place him in the history of American music." --Will Friedwald, New York Sun
Plantagenet is the name given to the English royal house descended from the union of Queen Matilda of England and her second husband Geoffrey of Anjou. The name derived from Geoffrey's nickname, which came from the sprig of broom (planta genet) which he wore in his hat. The Plantagenets ruled England for more than three hundred years, from the accession of reign of the dynasty's founder, Matilda and Geoffrey's son, Henry II, in 1154, to the death of the last Plantagenet, Richard III, at the Battle of Bosworth in 1485. The Plantagenets: The Kings That Made Britain is a compelling, year-by-year chronology of a tumultuous and critical period in the development of the English nation. Each year is covered by a concise, informative and accessible narrative, amplified by extensive quotation from contemporary sources and accompanied by generously captioned and stunning images of the period-including illuminations, portraits, maps, royal seals, tapestries and other artifacts. Authoritative, informative and sumptuous, and compiled by a scholar who is steeped in knowledge of the period, The Plantagenets: The Kings That Made Britain brings a critical era of English history dramatically and vividly to life. It is the perfect gift book for anyone with a love of, or fascination for, medieval English history.
This book is a comprehensive reference on the history of Arabic Language and script, which goes beyond the sole discussion of technical matters. It studies objectively the evidence presented by modern-day western archeological discoveries together with the evidence presented by the indispensable scholarly work and research of the past Islamic Arab civilization era. The book scrutinizes modern western theories about the history of the Arabs and Arabic language and script in connection with the roles played by Western Near East scholarship, religion and colonial history in the formation of current belief system vs. Arab history and language, which is an essential step to study this correlated and complex topic objectively. In his book, the author explores the relevant facts of history and geography as crucial defining factors in the study of history of Arabic language and script. He offers a brief balanced account on the important topic of Muhammad leadership and Islam in the formation of Arabia, and investigates the Quran as a key evidence and reference of the Arabic language and script. As a research tool, this book presents in-depth tracings and readings of the most relevant inscriptions and the findings accumulated by the author over one and a half year of research. Particularly, it presents new comprehensive readings of the important Umm al-Jimal and al-Namarah Nabataean Arabic inscriptions. The al-Namarah stone which was discovered by French archeologist Dussaud in 1901 (displayed today on a wall in the Louvre Museum of Paris) was assumed for more than a century to be the tombstone of the prominent pre-Islamic Arab king, Umru' al-Qays bin 'Amru. After re-tracing and re-reading its complex inscription, the author concluded it was actually about a previously unknown personality named 'Akdi, possibly a high ranking Arab soldier in the Roman army or an Arab tribal leader, not the burial stone of King Umru' al-Qays or even about him. Similarly, the author proves beyond doubt that the important Umm al-Jimal Nabataean Arabic inscription was not the burial stone of Faihru bin Sali, but Faru' bin Sali. The two inscriptions are among only four Nabataean inscriptions believed by Western scholars to be written in the old Arabic language. These are referenced heavily today as evidence linking the Arabic script to the Nabataean Aramaic script. Utilizing classic Arabic and grammar tools and challenging their accuracy at times, the author findings in this book could potentially amend several historical and linguistic facts as told today by history textbooks. In his book, the author, a known Arabic type designer, studies with an investigative expert eye the early shapes of the pre-Islamic Arabic script and compares them to those of Musnad Arabic and late Nabataean Aramaic inscriptions, in addition to those of the early Islamic Arabic manuscripts and papyri. He concludes that the early Arabic script was not an evolved Nabataean script, but likely an independently derived script of the old Musnad Arabic script, with clear Nabataean influence. Although this book is conceived as a reference tool for scholars and researchers, other readers may find its topics and captivating arguments valid enough to debate and to study further. All chapters can be read independently. There are more than 40 figures and illustrations to aid the reader throughout the book. The first two chapters are intended as introductory essays regarding the history of Arabia (people and language) and the role of Western scholarship. To facilitate the selective and independent reading of the last three chapters, which presents the author research findings and conclusions, the book included (in addition to the chapter-specific references already offered throughout the whole book) chapter-specific introductions and conclusions.
This is the fascinating biography of a bright young working man, Tom Hickey, who came to the United States from Ireland in 1892, became a machinist, and soon joined the Knights of Labor and the Socialist Labor Party. His party boss recognized the potential in this Irishman and even made him an "enforcer" against those who questioned the boss's authority. The enforcer, though, eventually found himself forced out and moved west to start a new life. Ultimately, Hickey landed in Texas and saw an opportunity to use syndicalism as an organizing tool to build a state socialist party. He did just that. Within a few years, Hickey transformed the faction-ridden Socialist Party of America in Texas into a force strong enough to threaten the Republican Party at the ballot box. He gained a large following thanks to a unique mixture of evangelical rhetoric and militant industrial unionism. As biographer Peter H. Buckingham points out, Hickey failed to deliver his people into the Promised Land. Violence, poll taxes, voter suppression, and other forces made voting for socialist candidates problematic, and the Democratic Party soon co-opted the more appealing elements of socialism into watered-down, reformist planks for the Texan voter. By the time Hickey died of throat cancer in the mid-1920s, his moment had passed. "Red Tom" Hickey is an important contribution to Texas and American history, capturing a moment in time that Buckingham argues was the second sustained crisis in American history: a democratic society wrestling with the effects of industrial capitalism.
In the political ferment of the Tudor century one family above all others was always at the troubled centre of court and council. During those years the Dudleys were never far from controversy. Three of them were executed for treason. They were universally condemned as scheming, ruthless, over-ambitious charmers, and one was defamed as a wife murderer. Yet Edmund Dudley was instrumental in establishing the financial basis of the Tudor dynasty, and John Dudley, Duke of Northumberland, led victorious armies, laid the foundations of the Royal Navy, ruled as uncrowned king and almost succeeded in placing Lady Jane Grey on the throne. The most famous of them all, Robert Dudley, Earl of Leicester, came the closest to marrying Elizabeth I, was her foremost favourite for 30 years and governed the Netherlands in her name, while his successor, Sir Robert Dudley, was one of the Queen's most audacious seadogs in the closing years of her reign, but fell foul of James I. Thus the fortunes of this astonishing family rose and fell with those of the royal line they served faithfully through a tumultuous century. see www.derekwilson.com
The second novel of the acclaimed Sun Sword series returns to a war-torn world of noble houses divided and demon lords unleashed... The King’s Challenge—it was a proving ground for warriors in the Essalieyan Empire, the hallowed contest that made legends of men. And for Valedan, last survivor of the ruling family of the Dominion, it was a declaration of his right to claim the throne stolen from the Leonne clan by treachery and assassination. Failure to earn the title of King’s Champion would not deprive Valedan of either his Dominion or Essalieyan allies, but winning would announce to the world that he was no callow boy, no mere pawn in the games of power. And the games of power were indeed being played—not only in the Empire and Dominion, but in the far more dangerous realm of the Lord of Night. As the time of the Challenge neared, Valedan and all those who guarded him would be hard-pressed to survive long enough for him to enter the competition. For the demon kin had been set to hunt him down and destroy him. They had failed before though many innocents had paid for the price. They must not fail again, for slaying Valedan was but the opening gambit in a war that would free the Lord of Night to reign over all the mortal world....
Thirteen-year-old Piro watches powerless as her father’s enemies march on his castle. A traitor whispers poison in the King’s ear, undermining his trust in her brother, Byren. Determined to prove his loyalty, Byren races across the path of the advancing army, towards the Abbey. Somehow, he must get there in time to convince the Abbot to send his warriors to defend the castle. Meanwhile, the youngest of King Rolen’s sons, Fyn, has barely begun his training as an Abbey mystic, but he wakes in a cold sweat, haunted by dreams of betrayal... INCLUDES BONUS NOVELLA THE KING’S MAN Garzik, younger son of Lord Dovecote, has been captured and sent to Merofynia as a prize of war. Now, he must set things right before he can return home. Turning his misfortune into opportunity, Garzik resolves to spy for the rightful king, Byren, who yet thinks him slain at Dovecote. With fortune on his side, he may learn something that could change the path of the war, for Garzik is and always will be the king’s man.
Winner - 2022 Richard Wall Memorial Award, Theatre Library Association Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially “American” experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood’s marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood’s global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood’s Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power.