Download Free The Unbridled Tongue Book in PDF and EPUB Free Download. You can read online The Unbridled Tongue and write the review.

The Unbridled Tongue is a book about talking too much and why it was considered not just inadvisable but dangerous in sixteenth-century Europe. Drawing on a wide range of sources and approaches, it is the first book to address Renaissance literary portrayals of gossip and rumor in a social, religious, political, and historical frame.
The Unbridled Tongue looks at gossip, rumour, and talking too much in Renaissance France in order to uncover what was specific about these practices in the period. Taking its cue from Erasmus's Lingua, in which both the subjective and political consequences of an idle and unbridled tongue are emphasised, the book investigates the impact of gossip and rumour on contemporary conceptions of identity and political engagement. Emily Butterworth discusses prescriptive literature on the tongue and theological discussions of Pentecost and prophecy, and then covers nearly a century in chapters focused on a single text: Rabelais's Tiers Livre, Marguerite de Navarre's Heptaméron, Ronsard's Discours des misères de ce temps, Montaigne's 'Des boyteux', Brantôme's Dames galantes and the anonymous Caquets de l'accouchée. In covering the 'long sixteenth century', the book is able to investigate the impact of the French Wars of Religion on perceptions of gossip and rumour, and place them in the context of an emerging public sphere of political critique and discussion, principally through the figure of the 'public voice' which, although it was associated with unruly utterance, was nevertheless a powerful rhetorical tool for the expression of grievances. The Cynic virtue of parrhesia, or free speech, is similarly ambivalent in many accounts, oscillating between bold truth-telling (liberté) and disordered babble (licence). Drawing on modern and pre-modern theories of the uses and function of gossip, the book argues that, despite this ambivalence in descriptions of the tongue, gossip and idle talk were finally excluded from the public sphere by being associated with the feminine and the irrational.
"Does it really matter what I say?" Your greatest weapon—for good or evil—is in your mouth. From bestselling author Dr. Tony Evans comes a compelling resource to help you learn to tame your tongue. With life-changing insights shared through engaging lessons and anecdotes, you'll learn what the Bible teaches about talking: Discover the power of the spoken word to bolster your faith when you're doubting. Discern what should or shouldn't be said so that you honor God with your speech. Develop the ability to praise God and voice wisdom even in tough circumstances. Get inspired by Tony's teaching on the tongue and model with your mouth the character of God. Don't let your words bring cursing or destruction to yourself and those you love. Instead, let your words minister to and speak life into the world around you.
Life-changing encounter with the God that answers by fire through a daily devotional. It's enriching and edifying. Daily bible. reading, morning and evening prayers, all with the coloration of advanced spiritual warfare. Watch your story change by the power of the Holy Spirit as you DAILY put this devotional to use.
God has given Man a lot of powers, and one of such powers is that of the tongue. The Tongue can either produce life or death so when it becomes uncontrollable, it can be a very dangerous destroyer. How to put this powerful organ of the body to a profitable use and repair what has been damaged are demonstrated in this book.
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.