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Her father's violence and her new classmate's hostility force Hyacinth, eleven, to try to forget her new home in England by dreaming about her old one in Jamaica.
This is a moving story of self-discovery and survival. It tells of an 11 year old girl, who finds herself in a land of strangers with hers the only black face in a sea of white, after being summoned to Britain by the father she has never known.
"Summoned to Britain by a father she has never known, eleven-year-old Hyacinth finds that she has exchanged the warmth and exuberance of the backstreets of Kingston, Jamaica, for the gloom of British inner-city life, finding herself in a land of strangers with hers the only black face in a sea of white. But Hyacinth is not a victim as, through academic achievement and dreams of her homeland, she survives and triumphs against the hostility of her classmates and threatened violence at home from her father, sustained forever by the sure knowledge that her dreams hold the truth." --Cover page 4.
Where do those relegated to the margins find belonging?In her luminous debut Unbelonging, Gayatri Sethi deftly interweaves verse, memoir, and a bold call to action as she recounts her experience searching for home in the diaspora. Drawing upon her life story as a Tanzanian-born-Punjabi turned American educator and mother of multiracial children, Sethi tells an intimate tale of stepping into her power while confronting misogyny, racism, and empire. Spanning decades and continents- from Partition to the Black Lives Matter movement, Southern Africa to Muscogee Lands- Unbelonging tells urgent truths, inspires critical self-reflection, and emboldens its readers to pursue radical forms of justice, compassion, and solidarity.
Images of loss and yearning played a crucial role in literary texts written in the later part of the twentieth century. Despite deep cultural differences, novelists from Africa, the Caribbean, Great Britain, and the United States share a sense that the economic, social, and political forces associated with late modernity have evoked widespread nostalgia within the communities in which they write. In this original and wide-ranging study, John J. Su explores the relationship between nostalgia and ethics in novels across the English-speaking world. He challenges the tendency in literary studies to characterise memory as positive and nostalgia as necessarily negative. Instead, this book argues that nostalgic fantasies are crucial to the ethical visions presented by topical novels. From Jean Rhys to Wole Soyinka and from V. S. Naipaul to Toni Morrison, Su identifies nostalgia as a central concern in the twentieth-century novel.
DIVA theoretical troubling of the assumptions of uniformity in Blackness, comparing writings by and about African diasporic subjects from the U.S., Britain, France, and Germany./div
A compelling and untold bunch of short non-fiction, essays and poems that address the issues faced by the North-Eastern states of India. The North-East is a complex mosaic of multiple ethnicities, languages, religions and tribes. Apart from the groups that lay claim to indigeneity, there are minorities here from communities that are majorities elsewhere in the Indian mainland. These are people who are typically viewed as outsiders in the North-East, though they may have been living there for generations. Theirs is something of a mirror image of the experience of North-Easterners in mainland Indian cities such as Delhi, who have often had to deal with an outsider tag they did not relish, in the capital of a country against which many of the picturesque, remote hills and valleys they called home saw armed insurgencies. These shared twin experiences of being simultaneously insiders and outsiders is the subject of this anthology. There are scholarly essays as well as personal accounts and a few poems. The result is a delightful mix that opens up a window to a part of the world that is still little-known and poorly understood, whose experiences may shed some light on global issues of migration and citizenship as embodied in the lives of ordinary people.
Beyond the obvious and enduring socio-economic ravages it unleashed on indigenous cultures, white settler colonization in Australasia also inflicted profound damage on the collective psyche of both of the communities that inhabited the contested space of the colonial world. The acute sense of alienation that colonization initially provoked in the colonized and colonizing populations of Australia and New Zealand has, recent studies indicate, developed into an endemic, existential pathology. Evidence of the psychological fallout from the trauma of geographical deracination, cultural disorientation and ontological destabilization can be found not only in the state of anomie and self-destructive patterns of behaviour that now characterize the lives of indigenous Australian and Maori peoples, but also in the perpetually faltering identity-discourse and cultural rootlessness of the present descendants of the countries’ Anglo-Celtic settlers. It is with the literary expression of this persistent condition of alienation that the essays gathered in the present volume are concerned. Covering a heterogeneous selection of contemporary Australasian literature, what these critical studies convincingly demonstrate is that, more than two hundred years after the process of colonisation was set in motion, the experience that Germaine Greer has dubbed 'the pain of unbelonging' continues unabated, constituting a dominant thematic concern in the writing produced today by Australian and New Zealand authors.