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The Ultimate Netsuke Bibliography is a comprehensive bibliography of more than 4,400 bibliographic print and non-print entries covering all aspects of Japanese netsuke, the miniature carvings which Japanese men used to suspend various items from the sash belt that fastened their kimono. It is organized into 15 major and 5 minor categories. Each category is further divided into 11 subcategories. Additional features include four indices (Author, Journal, Place, and Subject), and a variety of appendices. It contains 2,196 books, 1,861 journal articles (457 from the Netsuke Kenkyukai Study Journal), 367 from the Journal of the International Netsuke Collectors Society 1,494 auction catalogs, 431 items in French, 254 items in Japanese, 60 items prior to 1900, including 9 auction catalogs. Includes most materials published through the end of 1998. A section of Late Arrivals, including last minute submissions and items in early 1999, is listed as well. This volume is a necessity for every netsuke collector, bibliophile, art library and museum.
The last and the tenth of the series, this long-awaited, magnificent catalog showcases masterpieces of Japanese prints housed in the Baur Collection. The collection comprises more than 600 prints, spanning from the 18th century, 'classical' period, through the 19th century, with its strong holding in the 19th century triptychs. Highlights of the 18th-century prints include fine groups of compositions by Harunobu; Katsukawa school actor prints; a fair group of fashionable ladies and courtesans by Kiyonaga, Utamaro and Eishi; some large-head portraits of actors by Sharaku; and a few exceptional actor portaits by Toyokuni. For the 19th century, highlights are some rare landscape designs by Hokusai; and some extremely rare complete series such as the 'Eight Views of Edo' and the 'Views of Nikko Mountain' by Eisen, and the 'Views of Kyoto' by Hiroshige. As for the beautiful women prints, bijinga, highlights include an exceptionally large group of triptych compositions by Kunisada, Kuniyoshi and Hiroshige.
Netsuke, the carved toggles used to fasten a small container to a kimono sash, made from ivory, wood, porcelain, and more, are among the most popular Asian antiques. Over 970 vivid images of netsuke are shown, representing Japanese life, customs, religion, professions, art, history, and legends. The netsukes are organized by subject, allowing readers to rapidly find those that interest them most. The succinct text introduces, defines, and describes the various types of netsukes and helps identify the subjects represented. Additionally, important evaluating tips are provided, along with a bibliography. This book is a must for anyone interested in Oriental art
The Netsuke objects featured in this book are from one of the world's leading collections. These beguiling and fascinating works of art have become a very strong collecting subject.
Essay by Joe Earle.
Amassed over more than thirty-five years, the Werdelmann Collection is one of the most important netsuke collections in the world. It provides a unique survey of this Japanese art form which was at its height between the late 17th century and the early 20th century. Comprising more than 1100 objects, the collection
Charles Parsons is one of St. Louis's and the nation's most influential yet little-known figures. He was instrumental to the Union cause as a Civil War quartermaster and advisor to generals, politicians and presidents alike. As a world-traveling art connoisseur, he helped found the first art museum west of the Mississippi, to which he donated his remarkable collection of American, European and Asian art. To this day, his philanthropic work and dedication to education live on in some of the country's grandest institutions. Author John Launius tells the full story for the first time, from business failures in a riverside boomtown to national renown.
Buddhism, often described as an austere religion that condemns desire, promotes denial, and idealizes the contemplative life, actually has a thriving leisure culture in Asia. Creative religious improvisations designed by Buddhists have been produced both within and outside of monasteries across the region—in Nepal, Japan, Korea, Macau, Hong Kong, Singapore, Laos, Thailand, and Vietnam. Justin McDaniel looks at the growth of Asia’s culture of Buddhist leisure—what he calls “socially disengaged Buddhism”—through a study of architects responsible for monuments, museums, amusement parks, and other sites. In conversation with noted theorists of material and visual culture and anthropologists of art, McDaniel argues that such sites highlight the importance of public, leisure, and spectacle culture from a Buddhist perspective and illustrate how “secular” and “religious,” “public” and “private,” are in many ways false binaries. Moreover, places like Lek Wiriyaphan’s Sanctuary of Truth in Thailand, Suối Tiên Amusement Park in Saigon, and Shi Fa Zhao’s multilevel museum/ritual space/tea house in Singapore reflect a growing Buddhist ecumenism built through repetitive affective encounters instead of didactic sermons and sectarian developments. They present different Buddhist traditions, images, and aesthetic expressions as united but not uniform, collected but not concise: Together they form a gathering, not a movement. Despite the ingenuity of lay and ordained visionaries like Wiriyaphan and Zhao and their colleagues Kenzo Tange, Chan-soo Park, Tadao Ando, and others discussed in this book, creators of Buddhist leisure sites often face problems along the way. Parks and museums are complex adaptive systems that are changed and influenced by budgets, available materials, local and global economic conditions, and visitors. Architects must often compromise and settle at local optima, and no matter what they intend, their buildings will develop lives of their own. Provocative and theoretically innovative, Architects of Buddhist Leisure asks readers to question the very category of “religious” architecture. It challenges current methodological approaches in religious studies and speaks to a broad audience interested in modern art, architecture, religion, anthropology, and material culture. An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.