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On the evening of 9 March 1566, a raiding party forced their way into the palace of Holyrood House and stabbed Italian secretary, David Rizzio to death while he was at supper with Mary, Queen of Scots. The attack was savage and brutal - Rizzio was stabbed over fifty times - and Mary's husband, Darnley, was among the conspirators. David Rizzio came to Scotland in 1561. There, he rose to power and influence in the court of Mary, Queen of Scots. He was her secretary, chief minister and the architect of her plan to avoid Scotland turning into a Calvanist republic. It was also rumoured that he was her lover and father of her child, James VI and I. David Tweedie explains how Rizzio so enraged the Scots lords that they plotted his murder. He points to the complicity of Elizabeth and her ministers and shows that Rizzio's murder was a serious political event, since with his death, died the possibility of religious counter-reformation in Scotland. While the other men in Mary's life have received their dur from the historians, Rizzio remains a shadowy figure. This book restores the balance and explores one of the most shocking events of Mary's colourful reign.
Originally published in 1971, this book gives the real substance of Scotland at the time of Mary Queen of Scots. It describes in extensive and colourful detail the way people of all ranks of society lived, their homes, their food and amusements, the ways they earned their living, cared for the sick and punished offenders. Family life, religion, the structure and activities of the clans and the state of the arts are all discussed. The book gives a true picture of a disturbed and remote country in the sixteenth century – a picture of contrasts and contradictions, as Scotland at that time was a country in transition between the medievalism of the Roman Catholic Church and the new Scotland with a rising merchant class.
This book investigates the political, legal, historical circumstances under which the ‘tyrant’ of early Tudor drama becomes conflated with the ‘usurper-tyrant’ of the commercial theatres of London, and how the usurpation plot emerges as one of the central preoccupations of early modern drama.
Author John Staines here argues that sixteenth- and seventeenth-century writers in England, Scotland, and France wrote tragedies of the Queen of Scots - royal heroine or tyrant, martyr or whore - in order to move their audiences towards political action by shaping and directing the passions generated by the spectacle of her fall. In following the retellings of her history from her lifetime through the revolutions and political experiments of the seventeenth century, this study identifies two basic literary traditions of her tragedy: one conservative, sentimental, and royalist, the other radical, skeptical, and republican. Staines provides new readings of Spenser and Milton, as well as of early modern dramatists, to compile a comprehensive study of the writings about this important historical and literary figure. He charts developments in public rhetoric and political writing from the Elizabethan period through the Restoration, using the emotional representations of the life of this tragic woman and queen to explore early modern experiments in addressing and moving a public audience. By exploring the writing and rewriting of the tragic histories of the Queen of Scots, this book reveals the importance of literature as a force in the redefinition of British political life between 1560 and 1690.
The lives of the Scottish queens, both those who ruled in their own right, and also the consorts, have largely been neglected in conventional history books. One of the earliest known Scottish queens was none other than the notorious Lady MacBeth. Was she really the wicked woman depicted in Shakespeare's famous play? Was St Margaret a demure and obedient wife? Why did Margaret Logie exercise such an influence over her husband, David II, and have we underestimated James VI's consort, Anne of Denmark, frequently written off as a stupid and wilful woman? These are just a few of the questions addressed by Dr Marshall in her entertaining, impeccably researched book.
George Buchanan (1506-82) was the most distinguished Scottish humanist of the sixteenth century with an unparalleled contemporary reputation as a Latin poet, playwright, historian and political theorist. However, while his contemporary importance as the scourge of Mary Queen of Scots and advocate of popular rebellion has long been recognised, this volume represents the first attempt to explore the subsequent influence of his ideas and his contested reputation as a political ideologue and cultural icon. Featuring a wide-ranging selection of essays by an international cast of established and younger scholars, the volume explores Buchanan's legacy as an historian and political theorist in Britain and Europe in the two centuries following his death, with particular emphasis on the reception of his remarkably radical views on popular sovereignty and political assassination. Divided into four parts, the volume covers the immediate impact and reception of his writings in sixteenth- and early seventeenth-century Britain; the wider Northern European context in which his thought was influential; the engagement with his political ideas in the course of the seventeenth-century British constitutional struggles; and the influence of his ideas as well as the changing nature of his reputation through the eighteenth century and beyond. The introduction to the volume not only reviews the material in the body of the collection, but also reflects on the use and abuse of Buchanan's ideas in the early modern period and the methodological issues of influence and reputation raised by the contributors. Such a reassessment of Buchanan and his legacy is long overdue and this volume will be welcomed by all scholars with an interest in the political and cultural history of early modern Britain and Europe.
This work is an engaging exploration of the process of historical research, following historians as they search for solutions to the greatest mysteries of all time. Award-winning author Paul Aron takes readers on a journey through great historical mysteries through the ages. Entertaining in themselves, the stories also show that history is not merely living, but lively. The reader who comes to the book thinking history is boring will leave with a changed outlook with regard to both the subject matter and the process of writing history. Each chapter is a carefully and thoroughly researched presentation not of popularized accounts but of valid historical scholarship. Chronologically arranged, the essays show the historical process in action. For each disputed historical point, theories arise, become standard wisdom, and then are revised as additional information becomes available. This book reveals the mechanics of that process, including spirited debate, swashbuckling archaeology, and the application of modern science to ancient questions.