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The connoisseur's guide to the typewriter, entertaining and practical What do thousands of kids, makers, poets, artists, steampunks, hipsters, activists, and musicians have in common? They love typewriters—the magical, mechanical contraptions that are enjoying a surprising second life in the 21st century, striking a blow for self-reliance, privacy, and coherence against dependency, surveillance, and disintegration. The Typewriter Revolution documents the movement and provides practical advice on how to choose a typewriter, how to care for it, and what to do with it—from National Novel Writing Month to letter-writing socials, from type-ins to typewritten blogs, from custom-painted typewriters to typewriter tattoos. It celebrates the unique quality of everything typewriter, fully-illustrated with vintage photographs, postcards, manuals, and more.
As a vehicle for outstanding creativity, the typewriter has been taken for granted and was, until now, a blind spot in the history of writing practices.
Harry Chapman is not well, and he doesn't like hospitals. Furthermore, Dr Pereira's wonder drug is causing some strange side effects: he can hear more than the usual quotient of voices. First, it is his mother, acerbic and disappointed in him as ever, but then more and more voices add their differing notes and stories to the chorus, squabbling, cajoling and commenting. Friends from childhood, lovers, characters from novels and poetry, Virginia Woolf and a man who wants to sell him T.S Eliot's teeth. Written with a gentle, effortless generosity, full of delicate observation, Chapman's Odyssey is the work of a master; a superbly rendered act of storytelling and ventriloquism that is both witty and deeply moving.
At 2 a.m. on 10 March 1983, Carmen Bugan’s father left the family home, alone. That afternoon, Carmen returned from school to find secret police in her living room. Her father’s protest against the regime had changed her life for ever. This is her story.
A collection of confessional, hilarious, heartbreaking notes written anonymously on a public typewriter for fans of PostSecret and Other People's Love Letters. When Michael Gustafson and his wife Hilary opened Literati Bookstore in Ann Arbor, Michigan, they put out a typewriter for anyone to use. They had no idea what to expect. Would people ask metaphysical questions? Write mean things? Pour their souls onto the page? Yes, no, and did they ever. Every day, people of all ages sit down at the public typewriter. Children perch atop grandparents' knees, both sets of hands hovering above the metal keys: I LOVE YOU. Others walk in alone on Friday nights and confess their hopes: I will find someone someday. And some leave funny asides for the next person who sits down: I dislike people, misanthropes, irony, and ellipses ... and lists too. In Notes From the Public Typewriter Michael and designer Oliver Uberti have combined their favorite notes with essays and photos to create an ode to community and the written word that will surprise, delight, and inspire.
Focusing on the period from the 1850s through the 1930s, the contributors show how issues of labor and class have been far more important in the formation of media institutions than previous accounts concede. These essays recover the history of ethnic and cultural diversity--including the contributions of women--that have enriched the process of communication.