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Identifies some 1,700 works about African Americans. Entries include full bibliographic information as well as Library of Congress call numbers and location in 11 major university libraries. Entries are arranged by subjects such as art, civil rights, folk tales, history, legal status, medicine, music, race relations, and regional studies. First published in 1970 by the Library of Congress.
LatinX Voices is the first undergraduate textbook that includes an overview of Hispanic/LatinX Media in the U.S. and gives readers an understanding of how media in the United States has transformed around this audience. Based on the authors’ professional and research experience, and teaching broadcast media courses in the classroom, this text covers the evolving industry and offers perspective on topics related to Latin-American areas of interest. With professional testimonials from those who have left their mark in print, radio, television, film and new media, this collection of chapters brings together expert voices in Hispanic/LatinX media from across the U.S., and explains the impact of this population on the media industry today.
The book provides a sound mathematical base for life insurance mathematics and applies the underlying concepts to concrete examples. Moreover the models presented make it possible to model life insurance policies by means of Markov chains. Two chapters covering ALM and abstract valuation concepts on the background of Solvency II complete this volume. Numerous examples and a parallel treatment of discrete and continuous approaches help the reader to implement the theory directly in practice.
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This new collection from acclaimed novelist and poet Judson Mitcham features poems from the last twenty-five years, including forty new works and poems from his previously published collections, Somewhere in Ecclesiastes (1991) and This April Day (2003). Wise, witty, and deceptively plainspoken, Mitcham’s poems show how the moments that truly save us--that make us human--are necessarily the most fleeting. It is up to us, he reminds us, to create meaning from those moments, and in doing so to create our own salvation. The transitory nature of human experience is both the boon and the bane of the existence of the speakers in these poems, and every poem seems to recognize its own temporality, trying to find meaning rather than a definitive answer to the questions it raises. The tone of these poems combines a strong sense of humor with a pervasive feeling of loss, both celebrating and mourning that “a true note is still so hard to hit.” These voices revel in the human condition even as they are often saddened by it. While Mitcham’s background and settings are distinctly southern, his interests extend far beyond the regional. He intimately understands the problems and the people of the South but recognizes that these are, above all, human problems and human beings. His poems evoke Flannery O’Connor, Otis Redding, the Bible, and the Baptist Church, but they also respond to Walt Whitman, Wallace Stevens, and the death of Jacques Derrida.
This guide presents information on planning and managing microfilming projects, incorporating co-operative programmes, service bureaux and the impact of automation for library staff with deteriorating collections.
In his highly anticipated second novel, Judson Mitcham, with plain but elegant language, creates an emotional impact rivaled only by his critically acclaimed debut novel, The Sweet Everlasting (Georgia). Sabbath Creek is the story of Lewis Pope, a fourteen-year-old boy thrust into an adult world of heartache and brokenness. When his beautiful but distant mother takes him on an aimless journey through south Georgia, the cerebral and sensitive Lewis is forced to confront latent fears--scars left from the emotional abuse of an alcoholic father and the lack of comfort from a preoccupied mother--that crowd his interior world. At the heart of the journey, and the novel itself, is Truman Stroud, the quick-witted, cantankerous owner of the crumbling Sabbath Creek Motor Court, where Lewis and his mother are stranded by car trouble. His budding friendship with the ninety-three-year-old black man is his only reprieve from the mysteries that haunt him. Despite his prickly personality and the considerable burden of his own personal tragedies, Stroud becomes the boy’s best hope for a father figure as he teaches Lewis the secrets of baseball and the secrets of life. Sabbath Creek is more than a coming-of-age novel. And while Mitcham provides a nuanced look at the relationship between a white adolescent boy and a black old-timer, his second novel transcends the tired theme of race relations in the South. This compassionate, smart, powerful work of fiction touches the pulse of the human spirit. It travels from the ruined landscape of south Georgia and takes us all the way through the ruined landscape of a broken heart.
At seventy-four, Ellis Burt looks back on a life lived against the traumatic backdrop of the American South, from the Great Depression to the Civil Rights Movement, wherein he sired a son and inadvertently brought ruin on his own family. Reprint.