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Inspired by visionaries such as Moses, William Blake, and Joseph Smith, San Francisco-based writer Dodie Bellamy spent five months in 2009 receiving transmissions from her television set and writing brief commentaries on each. In the present volume, her TV Sutras and their commentaries are but the beginning of an intensive investigation into the nature of religious experience. What are cults? Are they limited to wacko marginal communities,or do we enter one every time we go to work or step into a polling place? What is charisma and why are we addicted to it? Bellamy speaks candidly and intimately to her own experience as a woman, a writer, and former cult member. It's a commingling of memoir, fiction, collage, and essay that makes room for horny gurus, visitors from outer space, the tenderness of group life, and maybe the beginnings of a hard-won individualism.
How to reckon with the staggering volume of television materials, past and present? And how to comprehend all the potential, complex scales at which to grapple with television, from its tiniest units of audiovisual content to its most massive industrial coordinates and beyond? In TELEVISION SCALES, Nick Salvato demonstrates how the problem of scale in the field of television may be turned into a resource and a method for a television studies that would pay better attention to messy medial complexities, peripatetic critical practices, and vulgar psychogeographies. Modeling his investigative practice on the meta-critical writing of social anthropologist Marilyn Strathern in "Partial Connections" and elsewhere, Salvato composes surprising, partial constellations of television's elements. In the process, his consideration ranges from classic television sitcoms like "I Love Lucy" to contemporary reality series such as "The Biggest Loser," "Iron Chef," and "House Hunters International." He simultaneously pores over a number of key television phenomena, including technological mystification, performers' charismatic displays, binge viewing, and devoted fandom. An experiment in style and form, TELEVISION SCALES maps, weighs, and rules television, while also undoing these very strategies for evaluating the medium. ABOUT THE AUTHOR NICK SALVATO is Professor and Chair of Performing and Media Arts at Cornell University. He is the author of "Uncloseting Drama: American Modernism and Queer Performance" (Yale, 2010), "Knots Landing" (Wayne State, 2015), and "Obstruction" (Duke, 2016). His essays have appeared in numerous venues, including Camera Obscura, Critical Inquiry, and Discourse.
A young man's transformation from Army Reserve volunteer to Buddhist conscientious objector and critic of the war in Iraq The Sutras of Abu Ghraib is the story of a soldier who refused to succumb to violence. In chronicling the struggles of military life and the dehumanizing effects of war, Aidan Delgado examines the attitudes that make prisoner abuse possible and explores his own developing Buddhist beliefs against a brutal backdrop. It is a tale of physical bravery, moral courage, and the cost of holding on to your identity while everyone around you is losing theirs. The son of a diplomat, Delgado grew up in various countries, including Thailand, where he was introduced to Buddhism, and Egypt, where he learned Arabic. In 2001, after his first year of college, he enlisted in the U.S. Army Reserve, and in 2003 he was deployed as a specialist in Nasiriyah and at Abu Ghraib. When his colleagues learned that he spoke some Arabic and enjoyed meeting Iraqis, they made use of him but also began to mistrust him. As Delgado witnessed more and more American racism, arrogance, and abuse of unarmed Iraqis, his opposition mounted. Concluding that war ran counter to his Buddhist principles, he sought conscientious objector status and, after finishing his tour of duty, was honorably discharged. The following year, Bob Herbert wrote in the New York Times, "The public at large and especially the many soldiers who have behaved honorably in Iraq deserve an honest answer . . . Mr. Delgado's complaints and the entire conduct of this wretched war should be thoroughly investigated."
The Yoga Sutras of Patanjali are the foundational texts of the science of yoga. In this book, Sri Sri Ravi Shankar, a master of yoga for the 21st century, offers his own commentary on this fundamental work. "The aim of Patanjali Yoga is to set man free from the cage of matter. Mind is the highest form of matter and man freed from this dragnet of Chitta or Ahankara (mind or ego) becomes a pure being." - H. H. Sri Sri Ravi Shankar
The larger sutra on Amitāyus (Taishō volume 12, number 360) -- The sutra on contemplation of Amitāyus (Taishō volume 12, number 365) -- The smaller sutra on Amitāyus (Taishō volume 12, number 366).
Ability is an important tool in life. Ability without commitment and awareness is like a vehicle without the engine. The Shiva Sutra enhances one’s awareness in a way one sees an opportunity in a difficulty and not a difficulty in an opportunity. There is an ‘outside reality’ and an ‘inside reality’ of one’s mind. There is also another dimension called ‘spiritual reality’. To harmonize all of them is a great awakening. Ordinary being loves one’s own ‘psycho dramas’ of justification, proving one’s point of view, blaming, being helpless... and this leads one to a state of inner poverty. To free oneself from these lower states of poverty and see them as ‘errors in one’s thinking’ is part of being effective and experiencing inner prosperity. The profound teaching of Lord Shiva introduces us to A Bigger Container where one learns to be charitable to one’s own self. This practice of making A Bigger Container is essentially spiritual. Dive deep into these mystic teachings. —Swami Sukhabodhananda
In Breathing Aesthetics Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air. Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration. They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman. In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vérité, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards. In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
A writer takes on subjects as varied as vomit, Kathy Acker's wardrobe, and Occupy Oakland, in lyric explorations of illness, health, and the body. A moving meld of essay, memoir, and story, When the Sick Rule the World collects Dodie Bellamy's new and recent lyric prose. Taking on topics as eclectic as vomit, Kathy Acker's wardrobe, and Occupy Oakland, Bellamy here examines illness, health, and the body—both the social body and the individual body—in essays that glitter with wit even at their darkest moments. In a safe house in Marin County, strangers allergic to the poisons of the world gather for an evening's solace. In Oakland, protesters dance an ecstatic bacchanal over the cancerous body of the city-state they love and hate. In the elegiac memoir, “Phone Home,” Bellamy meditates on her dying mother's last days via the improbable cipher of Steven Spielberg's E.T. the Extra-Terrestrial. Finally, Bellamy offers a piercing critique of the displacement and blight that have accompanied Twitter's move into her warehouse-district neighborhood, and the pitiless imperialism of tech consciousness. A participant in the New Narrative movement and a powerful influence on younger writers, Bellamy views heteronormativity and capitalism as plagues, and celebrates the micro-revolts of those on the outskirts. In its deft blending of forms, When the Sick Rule the World resiliently and defiantly proclaims the “undeath of the author.” In the realm of sickness, Bellamy asserts, subjectivity is not stable. “When the sick rule the world, mortality will be sexy,” Bellamy prophesies. Those defined by society as sick may, in fact, be its saviors.
Unlocking the Secrets of Patanjali’s Yoga A path-breaking guide for mind-body balance Author Nicolai Bachman skillfully demystifies the practices of the 2000-year-old Patanjali yoga tradition for modern readers. The book covers five sections on the central teachings of Patanjali addressing concerns pertaining to the mind and body. Each sutra beautifully explains the yoga philosophy of the asanas with practical examples that can be applied in the fabric of our lives. From emotional afflictions and preservation of energy to optimal focus for heart-mind balance, the book is meticulously researched to broaden our understanding of the yoga philosophy. Bachman enlightens us on the ancient knowledge of Patanjali with contemporary wisdom and depth for lay readers as well as yoga practitioners. The Path of the Yoga Sutras is for anyone who believes in integrating yogic philosophy with practice for a holistic life experience. Nicolai Bachman has been teaching Sanskrit, Ayurveda, chanting, and yoga-related topics for over 15 years. He is the author of several book-and-CD learning tools, including The Path of the Yoga Sutras, the first home-study course of its kind.