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The Great Proletarian Cultural Revolution occurred in the second decade after Mao Zedong and his comrades came to power in 1949. A comprehensive narrative account of this colossal event, written by Yan Jiaqi, one of the principal leaders of China's pro-democracy movement, and his wife, Gao Gao, a noted sociologist, appeared in Hong Kong in 1986 and was quickly banned by the Communist government. Not surprisingly, censorship and restricted circulation in China resulted in underground reproduction and serialization. The work was thus widely read, coveted, and appreciated by a populace who had just freed itself from the cultural drought and political dread of the event. Yan and Gao later spent two years revising and expanding their work. The present volume, Turbulent Decade: A History of the Cultural Revolution, is based on the revised edition and has been masterfully edited and translated by D. W. Y. Kwok in consultation with the authors. Following Professor Kwok's eloquent introduction and a short foreword in which the authors analyze the basic causes of the Cultural Revolution, Part One of the narrative focuses on the years 1965-1967. In two short years, Mao managed to turn public opinion against Liu Shaoqi, president of the Republic, and launch the Cultural Revolution. The reader is introduced to the Red Guards and encounters the cult of personality, the first resistance to the Cultural Revolution, the attack on Zhou Enlai, and the persecution and death of Liu Shaoqi. Part Two examines the rise and fall of Lin Biao during the years 1959-1971. Lin's bid for power, which began with the consolidation of his personal clique in the army and mass-level persecution in the late stages of theCultural Revolution, ended in a failed coup and his death in an air crash. Part Three follows Jiang Qing from 1966 to her arrest in 1976 for her part in instigating mass violence and the persecution of key figures, including Zhou Enlai. During this period, the political fortunes of Deng Xiaoping rose and fell for a second time, the first protest at Tiananmen Square in 1976 ended in a bloody suppression, and that same year the Gang of Four were arrested. Unlike social scientific treatments of political phenomena, Turbulent Decade includes little discussion of economics, still less of international relations, and no institutional analysis. Instead, the authors' fervent belief in the truthful telling of history through its leading personalities pervades the work.
This is an interdisciplinary study of the major cultural and political scenes of a decade marked by dramatic -and sometimes traumatic--change.
Chronicles the decade with photographs and accompanying text on John F. Kennedy, Lyndon B. Johnson, Woodstock, Vietnam, Martin Luther King, Muhammad Ali, the Beatles, the Rolling Stones, Bob Dylan, and Jimi Hendrix.
Winner of the Pulitzer Prize, the National Book Critics Circle Award, the Robert F. Kennedy Book Award, and the American Book Award, the bestselling Common Ground is much more than the story of the busing crisis in Boston as told through the experiences of three families. As Studs Terkel remarked, it's "gripping, indelible...a truth about all large American cities." "An epic of American city life...a story of such hypnotic specificity that we re-experience all the shades of hope and anger, pity and fear that living anywhere in late 20th-century America has inevitably provoked." —Christopher Lehmann-Haupt, The New York Times
Ogata recounts her experiences and the lessons she learned as U.N. high commissioner for refugees during the 1990s. A tireless advocate for the victims of war, Ogata tells the on-the-ground story of four crises in which she directed relief: Iraq, the Balkans, the African Great Lakes region, and Afghanistan.
"The essays contained in this book have been selected from the Global investment review (GIR) of Marathon Asset Management Ltd ..."--Page xix Includes bibliographical references and index. Introduction -- Ch. 1. Capital thoughts -- Ch. 2. The rise of shareholder value -- Ch. 3. The two-tier market -- Ch. 4. Blind capital -- Ch. 5. Fibre-optical illusions -- Ch. 6. The croupier's take -- Ch. 7. Making up the numbers -- Ch. 8. Mismanagement -- Appendix: Valuing the dream -- Glossary -- Index.
One day in November 2001, Mukesh Ambani, Chairman of Reliance Group, the largest private sector enterprise in India, mandated K.V. Subramaniam to build a life sciences business from scratch. With no formal education in biology, he was initially at sea. But, endowed with a corporate business development background and a do-or-die spirit, he set out to systematically understand and create a research-driven, biotechnology-leveraged company with a differentiated footprint and a distinct culture. In the process, in an environment that is severe on performance, which Reliance Group is known for, he defied detractors, fixed snags and surmounted both personal and business setbacks to ring in a successful technology business with sustained high growth, profitability and stature. Apart from giving insights into the Reliance way of building and managing businesses, K.V. Subramaniam goes beyond the narrative of nurturing a life sciences company to step back and derive messages and morals that are applicable to any technology-driven venture.This candid, conversational account of his encounters and excitements holds valuable lessons for those who are either starting a new business or managing an existing one.
The 1960s provides Warlaumont with the backdrop for examining the struggle of advertising during the anti-establishment movement in one of America's most colorful but turbulent decades. Targeted by the counterculture, threatened with government regulation, criticized as a waste maker by social critics, weakened by internal strife between the liberal and traditional forces within the industry, and faced with the consumption-weary public, advertising faced one of its most challenging times. Yet surprisingly, it made history with its unprecedented creativity and innovation during the 60s. Distancing itself from the Establishment, advertising, as a wolf in sheep's clothing, joined the cultural revolution, changed the way it related to its audience, and attempted to seduce consumers with humor, resonance, candidness, and a power-to-the-people approach. Masking its ultimate goal to maintain, preserve, and promote the consumption ethic and business elite, advertising joined an infectious wave to overturn the old and stodgy ways. Becoming a turncoat by appearing to abandon its traditional materialistic and authoritarian stance—even mimicking it in some instances—advertising became a cause celebre with its colorful and humorous campaigns, validating itself while under fire. Using the 60s as a backdrop, Warlaumont examines the struggle of a traditional institution during one of America's most turbulent decades. Scholars, students, and researchers involved with business, communications, and advertising history as well as the general public interested in the 1960s will find this study fascinating.
Chapters by scholars of Chinese history and art and by artists whose careers were shaped by the Cultural Revolution decode the rhetoric of China's turbulent decade. The many illustrations in the book, some familiar and some never seen before, also offer new insights into works that have transcended their times."--BOOK JACKET.
Challenges the notion that the theater of the 1960s falls neatly into two categories, mainstream or experimental