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A novelization of the third season of the popular historical drama based on the life of Henry VIII traces his marriages to Jane Seymour and Anne of Cleves, a period marked by the birth of his first legitimate son, tenacious political alliances, and a continuing estrangement from the Roman Catholic church. Original.
NEW YORK TIMES BESTSELLER • For the first time in decades comes a fresh look at the fabled Tudor dynasty, comprising some of the most enigmatic figures ever to rule a country. “A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated Press In 1485, young Henry Tudor, whose claim to the throne was so weak as to be almost laughable, crossed the English Channel from France at the head of a ragtag little army and took the crown from the family that had ruled England for almost four hundred years. Half a century later his son, Henry VIII, desperate to rid himself of his first wife in order to marry a second, launched a reign of terror aimed at taking powers no previous monarch had even dreamed of possessing. In the process he plunged his kingdom into generations of division and disorder, creating a legacy of blood and betrayal that would blight the lives of his children and the destiny of his country. The boy king Edward VI, a fervent believer in reforming the English church, died before bringing to fruition his dream of a second English Reformation. Mary I, the disgraced daughter of Catherine of Aragon, tried and failed to reestablish the Catholic Church and produce an heir. And finally came Elizabeth I, who devoted her life to creating an image of herself as Gloriana the Virgin Queen but, behind that mask, sacrificed all chance of personal happiness in order to survive. The Tudors weaves together all the sinners and saints, the tragedies and triumphs, the high dreams and dark crimes, that reveal the Tudor era to be, in its enthralling, notorious truth, as momentous and as fascinating as the fictions audiences have come to love. Praise for The Tudors “A rich and vibrant tapestry.”—The Star-Ledger “A thoroughly readable and often compelling narrative . . . Five centuries have not diminished the appetite for all things Tudor.”—Associated Press “Energetic and comprehensive . . . [a] sweeping history of the gloriously infamous Tudor era . . . Unlike the somewhat ponderous British biographies of the Henrys, Elizabeths, and Boleyns that seem to pop up perennially, The Tudors displays flashy, fresh irreverence [and cuts] to the quick of the action.”—Kirkus Reviews “[A] cheeky, nuanced, and authoritative perspective . . . brims with enriching background discussions.”—Publishers Weekly “[A] lively new history.”—Bloomberg
A new, transformative history – in Tudor times there were Black people living and working in Britain, and they were free ‘This is history on the cutting edge of archival research, but accessibly written and alive with human details and warmth.’ David Olusoga, author of Black and British: A Forgotten History A black porter publicly whips a white Englishman in the hall of a Gloucestershire manor house. A Moroccan woman is baptised in a London church. Henry VIII dispatches a Mauritanian diver to salvage lost treasures from the Mary Rose. From long-forgotten records emerge the remarkable stories of Africans who lived free in Tudor England… They were present at some of the defining moments of the age. They were christened, married and buried by the Church. They were paid wages like any other Tudors. The untold stories of the Black Tudors, dazzlingly brought to life by Kaufmann, will transform how we see this most intriguing period of history. *** Shortlisted for the Wolfson History Prize 2018 A Book of the Year for the Evening Standard and the Observer ‘That rare thing: a book about the 16th century that said something new.’ Evening Standard, Books of the Year ‘Splendid… a cracking contribution to the field.’ Dan Jones, Sunday Times ‘Consistently fascinating, historically invaluable… the narrative is pacy... Anyone reading it will never look at Tudor England in the same light again.’ Daily Mail
Dissent rises in the kingdom of King Henry VIII of England. The king's ongoing dispute with the papacy over a desire for annulment is about to incite the Reformation, and his next step is to appoint a new archbishop in order to obtain his long-awaited marriage to Anne Boleyn. All crests that once bore the initials "H & K" are promptly replaced with an intertwining "H & A," the first of many significant changes to come. The birth of the new royal couple's first child, Princess Elizabeth, is followed by the death of Katherine of Aragon. New legislation decrees that any who dare commit an act against the king - or the kingdom's newfound beliefs - will face extreme consequences. With her husband growing increasingly impatient, it becomes apparent that the only crime Anne could commit against her king would be to deny him a male heir. As pressures rise in the kingdom, those who once found themselves in the king's good graces foresee a somber end to their reign. This rich novelization of season two of The Tudors follows the complicated relationship between Henry and Anne through to its historically significant and dramatic conclusion.
The story of the six wives of Henry VIII from the viewpoint of the women themselves
*THE SUNDAY TIMES BESTSELLER* Tudor tells a family story like no other. The Tudors are a national obsession, undoubtedly British history's most notorious family. But beyond the well-worn headlines is a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485, before speeding on to Henry VIII and the Reformation. But this leaves out the family's obscure Welsh origins; it passes by the courage of the pregnant thirteen-year-old girl who would help found the Tudor dynasty; and the childhood and painful exile of her son, the future Henry VII. It ignores the fact that the Tudors were shaped by their past - those parts they wished to remember and those they wished to forget. With this background, Leanda de Lisle enables us to see the Tudors in their own terms and presents new perspectives and revelations on key figures and events, from the princes in the Tower to the Tudor Queens. 'A lively history of the ambitious Tudor family... It casts plenty of light on the strong women in the dynasty' The Times **A Telegraph, History Today and BBC History Magazine Book of the Year**
This book offers a fresh understanding of the substance behind the rhetoric of English Renaissance monarchy. Propaganda is identified as a key factor in the intensification of the English state. The Tudor royal image is pursued in all its forms: in print and prayer, in iconography andarchitecture. The monarchy surrounded itself with the trappings of majesty at court, but in the shires it relied on different strategies of persuasion to uphold its authority. The Reformation placed the provincial pulpit at the disposal of the crown, and the church became the main conduit of royalpropaganda. Sermons taught the duty of obedience, and parish prayer was redirected from local saints towards the sovereign as the symbolic core of the nation.Dr Cooper examines the relationship between the Tudor monarchy and its subjects in Cornwall and Devon, and the complex interaction between local and national political culture. These were years of social and religious upheaval, during which the western peninsula witnessed three major rebellions,and many more riots and affrays. A vibrant popular religion was devastated by the Protestant Reformation, and foreign invasion was a frequent threat. Cornwall remained recognizably different from England in its ancient language and traditions. Yet in the midst of all this, popular allegiance tomonarchy and nation survived and prospered. The Tudors were mourned and celebrated in towns and parish churches. Loyalty was fostered by the Duchy of Cornwall and the stannaries. Regional difference, far from undermining the power of the crown, was fundamental to its success in the westcountry.This is a study of government at the dangerous edges of Tudor England, and a testament to the unifying power of propaganda.
“A sumptuous historical novel anchored by its excellent depiction of Jane Seymour, Henry the VIII’s third queen . . . This is a must for all fans of Tudor fiction and history.”—Publishers Weekly Ever since she was a child, Jane has longed for a cloistered life as a nun. But her large noble family has other plans, and as an adult, Jane is invited to the King’s court to serve as lady-in-waiting to Queen Katherine of Aragon. The devout Katherine shows kindness to all her ladies, almost like a second mother, which makes rumors of Henry’s lustful pursuit of Anne Boleyn—also lady-in-waiting to the queen—all the more shocking. For Jane, the betrayal triggers memories of a haunting incident that shaped her beliefs about marriage. But once Henry disavows Katherine and secures Anne as his new queen—forever altering the religious landscape of England—he turns his eye to another: Jane herself. Urged to return the King’s affection and earn favor for her family, Jane is drawn into a dangerous political game that pits her conscience against her desires. Can Jane be the one to give the King his long-sought-after son, or will she be cast aside like the women who came before her? Bringing new insight to this compelling story, Alison Weir marries meticulous research with gripping historical fiction to re-create the dramas and intrigues of the most renowned court in English history. At its center is a loving and compassionate woman who captures the heart of a king, and whose life will hang in the balance for it. Praise for Jane Seymour, The Haunted Queen “Bestselling [Alison] Weir’s impressive novel shows why Jane deserves renewed attention [and] illustrates Jane’s unlikely journey from country knight’s daughter to queen of England. . . . From the richly appointed decor to the religious tenor of the time, the historical ambience is first-rate.”—Booklist (starred review) “Deft, authoritative biographical fiction . . . a dramatic and empathic portrait of Jane Seymour.”—Kirkus Reviews
In the author's own words: "This is for all who stare into the darkness to better appreciate the light.” Sundown is a collection of stories selected from my (thus far) 26-year career in the field of horror fiction. Some were included in more major publications while others were published by small press anthologies and magazines." This new collection also includes poetry by the two-time Bram Stoker Award winner and features original cover art by the incomparable Cortney Skinner. Stories and poems included in this collection: Into the Encroaching Darkness…and Back Again Pinkie M is for the Many Things The Devil's Yo-Yo To Soothe the Savage Beast The Caretaker Journal of a Headhunter Dance of the Spirit Untouched Assault The Wills and the Way Come Unto Me Snow Day Hide and Go Peek Something You Need to Know Spider's Night Out