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“A brilliant debut.” —Graeme Simsion, New York Times bestselling author of The Rosie Project Full of great big heart and unexpected humor, Ludwig’s debut introduces the lovable, wholly original Ginny Moon who discovers a new meaning of family on her unconventional journey home. Ginny Moon is exceptional. Everyone knows it—her friends at school, teammates on the basketball team, and especially her new adoptive parents. They all love her, even if they don’t quite understand her. They want her to feel like she belongs. What they don’t know is that Ginny has no intention of belonging. She’s found her birth-mother on Facebook, and is determined to get back to her—even if it means going back to a place that was extremely dangerous. Because Ginny left something behind and she’s desperate to get it back, to make things right. But no one listens. No one understands. So Ginny takes matters into her own hands… Benjamin Ludwig’s whip-smart, unforgettable novel is an illuminating look at one girl’s journey to find her way home and one of the freshest debuts in years.
'Brilliant' Graeme Simsion, author of The Rosie ProjectGinny sees the world differently. Now you will too. 'Funny and wildly moving' Daily MailMy name is Ginny Moon. Ginny is fourteen years old and has autism. She likes the colour red, making lists and knowing exactly what time it is. She doesn't like hugs, surprises or people telling lies. After years in foster care, she has finally found her forever family. She has a new house, new parents and even a new name. But Ginny also has a Big Secret Plan of Escape. Every day she wakes up at nine o'clock and eats nine grapes for breakfast. Because when she was nine years old something terrible happened. Something only Ginny knows. And she's the only one who can put it right...The Original Ginny Moon is a poignant story of love and family, inspired by the author's own experiences. Perfect for fans of A Boy Made of Blocks and Shtum.
In THE LIES WE TELL by Theresa Schwegel, Chicago police detective Gina Simonetti is keeping a secret from the department: she has multiple sclerosis. Raising her young niece on her own, Gina hides her disease; she can’t afford to lose her job. Anyway, she is healthier than most of the cops she knows, and greatly appreciates the responsibility of caring for a child. But Gina's secret is threatened when a colleague calls her in to help trace a suspect: Johnny Marble has added to his rap sheet with an assault charge—this time against his mother. When Gina pays a visit to the mom in the hospital and winds up running into—and after—Marble, she finds herself in a physical confrontation she can’t possibly win. He gets away, and Gina is faced with an impossible situation. She has to find him, but knows doing so means turning in the one person who knows the true story of what happened. After all, now that he's seen her fight, Johnny Marble can reveal her deepest secret to the police department. Though alone in her struggle, Gina isn’t alone in her search: in addition to a loyal partner, there is a curious detective and an entire force of coworkers on the hunt. And she’s sympathetic to Marble’s mother, a woman who is losing her mind to Alzheimer’s. Still, Gina fears the fallout: she has no idea how will she keep her own world intact once Marble is found and the truth is out. Once again, Schwegel brings her remarkable talent to bear in this compelling crime novel about imperfect people struggling against all odds—and this time, against the very people who are supposed to help.
The acclaimed, poignant story of a boy with Williams syndrome, a condition that makes people biologically incapable of distrust, a “well-researched, perceptive exploration of a rare genetic disorder seen through the eyes of a mother and son” (Kirkus Reviews). What would it be like to see everyone as a friend? Twelve-year-old Eli D’Angelo has a genetic disorder that obliterates social inhibitions, making him irrepressibly friendly, indiscriminately trusting, and unconditionally loving toward everyone he meets. It also makes him enormously vulnerable. On the cusp of adolescence, Eli lacks the innate skepticism that will help him navigate coming-of-age more safely—and vastly more successfully. In “a thorough overview of Williams syndrome and its thought-provoking paradox” (The New York Times), journalist Jennifer Latson follows Eli over three critical years of his life, as his mother, Gayle, must decide whether to shield Eli from the world or give him the freedom to find his own way and become his own person. Watching Eli’s artless attempts to forge connections, Gayle worries that he might never make a real friend—the one thing he wants most in life. “As the book’s perspective deliberately pans out to include teachers, counselors, family, friends, and, finally, Eli’s entire eighth-grade class, Latson delivers some unforgettable lessons about inclusion and parenthood,” (Publishers Weekly). The Boy Who Loved Too Much explores the way a tiny twist in a DNA strand can strip away the skepticism most of us wear as armor, and how this condition magnifies some of the risks we all face in opening our hearts to others. More than a case study of a rare disorder, The Boy Who Loved Too Much “is fresh and engaging…leavened with humor” (Houston Chronicle) and a universal tale about the joys and struggles of raising a child, of growing up, and of being different.
From the award-winning and New York Times bestselling author of Once and for All The world is a terrible place not to have a best friend. Scarlett was always the strong one. Halley was always content to follow in her wake. Then Scarlett’s boyfriend died, and Scarlett learned that she was pregnant. Now Halley has to find the strength to take the lead and help Scarlett get through it. Because true friendship is a promise you keep forever. * “Dessen has written a powerful, polished story.”—School Library Journal, starred review Sarah Dessen is the winner of the Margaret A. Edwards Award for her contributions to YA literature, as well as the Romantic Times Career Achievement Award. Books by Sarah Dessen: That Summer Someone Like You Keeping the Moon Dreamland This Lullaby The Truth About Forever Just Listen Lock and Key Along for the Ride What Happened to Goodbye The Moon and More Saint Anything Once and for All
A New York Times Book Review Notable Book of the Year • A New York Times Book Review Editors' Choice • Winner of the Alex Award and the Massachusetts Book Award • Named a Best Book of the Year by NPR, San Francisco Chronicle, Entertainment Weekly, The Huffington Post, BuzzFeed, Grantland Booklist, St. Louis Post-Dispatch, Shelf Awareness, Book Riot, School Library Journal, Bustle, and Time Our New York The acclaimed debut novel by the author of Little Fires Everywhere and Our Missing Hearts “A taut tale of ever deepening and quickening suspense.” —O, the Oprah Magazine “Explosive . . . Both a propulsive mystery and a profound examination of a mixed-race family.” —Entertainment Weekly “Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos. A profoundly moving story of family, secrets, and longing, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.
Imaginary friend Budo narrates this heartwarming story of love, loyalty, and the power of the imagination—the perfect read for anyone who has ever had a friend . . . real or otherwise Budo is lucky as imaginary friends go. He's been alive for more than five years, which is positively ancient in the world of imaginary friends. But Budo feels his age, and thinks constantly of the day when eight-year-old Max Delaney will stop believing in him. When that happens, Budo will disappear. Max is different from other children. Some people say that he has Asperger's Syndrome, but most just say he's "on the spectrum." None of this matters to Budo, who loves Max and is charged with protecting him from the class bully, from awkward situations in the cafeteria, and even in the bathroom stalls. But he can't protect Max from Mrs. Patterson, the woman who works with Max in the Learning Center and who believes that she alone is qualified to care for this young boy. When Mrs. Patterson does the unthinkable and kidnaps Max, it is up to Budo and a team of imaginary friends to save him—and Budo must ultimately decide which is more important: Max's happiness or Budo's very existence. Narrated by Budo, a character with a unique ability to have a foot in many worlds—imaginary, real, child, and adult— Memoirs of an Imaginary Friend touches on the truths of life, love, and friendship as it races to a heartwarming . . . and heartbreaking conclusion.
This New York Times bestseller by the author of Blue Highways is “a majestic survey of land and time and people in a single county of the Kansas plains” (Hungry Mind Review). William Least Heat-Moon travels by car and on foot into the core of our continent, focusing on the landscape and history of Chase County—a sparsely populated tallgrass prairie in the Flint Hills of central Kansas—exploring its land, plants, animals, and people until this small place feels as large as the universe. Called a “modern-day Walden” by the Chicago Sun-Times, PrairyErth is a journey through a place, through time, and into the human mind from the acclaimed author of Here, There, Elsewhere: Stories from the Road. “A sense of the American grain that will give [PrairyErth] a permanent place in the literature of our country.” —Paul Theroux, The New York Times
FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD This sumptuous oral biography of Eugene Walter, the best-known man you’ve never heard of, is an eyewitness history of the heart of the last century—enlivened with personal glimpses of luminaries from William Faulkner and Martha Graham to Judy Garland and Leontyne Price—and a pitch-perfect addition to the Southern literary tradition that has critics cheering. In his 76 years, Eugene Walter ate of “the ripened heart of life,” to quote a letter from Isak Dinesen, one of his many illustrious friends. Walter savored the porch life of his native Mobile, Alabama, in the the l920s and ‘30s; stumbled into the Greenwich Village art scene in late-1940s New York; was a ubiquitous presence in Paris’s expatriate café society in the 1950s (where he was part of the Paris Review at its inception); and later, in 1960s Rome, participated in the golden age of Italian cinema. He was somehow everywhere, bringing with him a unique and contagious spirit, putting his inimitable stamp on the cultural life of the twentieth century. “Katherine Clark…has edited Eugene Walter’s oral history into a book as amazing as the man himself.” JONATHAN YARDLEY, WASHINGTON POST BOOK WORLD “Milking the Moon has perfect pitch and flawlessly captures Eugene’s pixilated wonderland of a life…. I love this book—and I couldn’t put it down.” PAT CONROY “Surprising and serendipitous.” NEW YORK TIMES BOOK REVIEW “Anecdotes so frothy they ought to be served with a paper parasol over crushed ice.” PEOPLE “A rare literary treat…the temptation is to wolf it down all at once, but it’s much more satisfying to take your sweet time. The most unique oral history of the mid-twentieth century.” TIMES-PICAYUNE (NEW ORLEANS) “An exceptionally fun read.” ATLANTA JOURNAL-CONSTITUTION
For fans of authors like Barbara Kingsolver and Leif Enger, a stunning new voice in contemporary literary fiction. "Tragedy and blessing. Leave them alone long enough, and it gets real hard to tell them apart." Elena Alvarez is living a cursed life. From the deadly fire she accidentally set as a child, to her mother's abandonment, and now to an unwanted pregnancy, she knows better than most that small actions can have terrible consequences. Driven to the high mountains surrounding Leadville, Colorado by her latest bad decision, she's intent on putting off the future. Perhaps there she can just hide in her grandmother's isolated cabin and wait for something–anything–to make her next choice for her. But instead of escape, she finds reminders of her own troubles reflected from every side–the recent widower and his two children adrift in a changed world, Elena's own mysterious family history, and the interwoven lives within the town itself. Bit by bit, Elena begins to reconsider her role in the tragedies she's held on to and the wounds she's refused to let heal. But then, in a single afternoon, when threads of cause and effect tangle, Elena's fragile new peace is torn apart. It's only at the prospect of fresh loss and blame that she will discover the truth of the terrible burdens we take upon ourselves, the way tragedy and redemption are inevitably bound together–and how curses can sometimes lead to blessings, however disguised.