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TRUTH OF THE HEART Erin MacKenzie considers herself a candidate for the Dumped by Cowboys Hall of Fame. Especially since she was stood up by rodeo cowboy Abe Cockburn, the father of her baby daughter, Maeve. And then there's another cowboy—Erin's own father, rancher Kip Kay, whom she's never even met. Who's never acknowledged her. Erin makes a risky choice: she goes to Colorado to tell Abe about his daughter. And to tell Kip about his. She goes to Colorado to find the truth about cowboys…and about fathers.
Steamy, sexy, and laugh-out-loud funny, THE TRUTH ABOUT COWBOYS is a new contemporary novel that will pull your heartstrings and steam up your e-reader... While I was off pitching in the big leagues, my family was back in the small town of Sweetwater, Texas, running the family ranch. Then tragedy hit and I discovered there were secrets that my family kept, problems they hid. I went home, left behind the money, women, and fame. I took over the ranch and took care of my grandmother. I took over hiding the secrets. Then she came to town. A smart-mouthed, clumsy, too-smart-and-too-pretty-for-my-own-good city girl hiding out to write a book. She's right here, on my property, in the cottage my grandmother rented her without my permission, and she sees too much. She knows too much. Now suddenly my world is spinning, and she's shoving a baseball back in my hand while baking cookies with my grandmother. She's the devil and an angel all in one fiery little package. I decide I'll wait her out. She'll go back to the city. Only suddenly I don't want her to leave, and everything I’ve settled for in my life isn't enough. I want to play ball and I want her, but there's that secret that won't let go, but neither will she. Each book in the Texas Heat series is STANDALONE: * The Truth About Cowboys * Tangled Up In Christmas
Surveys the past and present-day activities, character, and ways of life of the cowboy and the history of the American cattle industry
This book is about the real Old West. The research presented here comes from what I've found during my more than forty-five years of researching American history, but especially what I've learned in regards to the other side of the myths and legends of the Old West. In 2010, I started a blog, The American Cowboy Chronicles, to share what I've learned and celebrate the virtues of America. My articles on the Old West have never been meant to dispel the myths or attack legends but to simply explain what I've found after taking a hard look, an honest look, an objective look, at the evidence that's available. Since evidence proves or disproves what we've all been told about the Old West by Hollywood and writers who are not objective researchers, this is my attempt at taking a fresh look at Wyatt Earp, Tom Horn, and others. But mostly, this book is about why the American Cowboy became America's quintessential role model. This book looks at why the American Cowboy represents American toughness, independence, and resilience to the rest of the World.
The lives of American cowboys have been both real and mythic; hence our continuing fascination with their history and culture. In sixteen essays and an annotated bibliography, scholars explore cowboy music, dress, humor, films, and literature. Some examine the cowboy’s powerful symbolic life. Others look at African American, Hispanic, Native American, French, and English cowboys, the great cowboy strike of 1883, and even the origins of the term cowboy itself. Celebrating the cowboy way, the essays also come to grips with false images and the make-believe world that surrounds cowboy culture. Nonetheless, these essays demonstrate, the American cowboy is destined to remain the most easily recognized of all western character types, a knight of the road who, with a large hat, tall boots, and a big gun, rode justifiably into legend and into the history books.“Cowboys—both mythic and real—have become part of an American epic that is commemorated from Denver to Dresden, from Montreal to Melbourne. Their image is burned deep into America’s collective consciousness. . . .“The abiding interest has a long history. It can be seen first in the attraction of dime novels and Buffalo Bill’s Wild West Exhibition, then in the enormous popularity of Owen Wister’s The Virginian (1902), and subsequently in the success of popular western novels of the type by Zane Grey and Max Brand, in western films (made in Italy and Germany and Hollywood and elsewhere), in television programs, in public television documentaries, and in other formats, including the highly effective use of cowboys as advertising symbols. Serious scholars, including historians, sociologists, literary critics, and others, have studied cowboys and the symbols and myths that surround them.“In the popular view cowboys were men on horseback. In fact, most of the time they spent their days on foot working at such farm-related chores as repairing fences and cutting hay. Even in Wister’s defining cowboy novel, for example, the hero of the story—the prototypal cowboy—herded neither cows nor cattle of any kind.“Nonetheless, in both his actual and his imagined life the cowboy has become a popular hallmark for defining what it means to be a ‘real’ American male. Perceived as a tough, mobile, and independent outdoorsman, he has become a symbolic yardstick against which modern men might measure their own manhood.” —Paul Carlson“Few readers of The Cowboy Way will be surprised that real cowboys of the late nineteenth century differed markedly from their twentieth-century mythical counterparts, but they may learn much about the nature and extent of that difference.” —Western Historical Quarterly. “[Helps] us distinguish the historical reality of the cowhand from the myths that now surround the cowboy. . . . Both a general audience and scholars will appreciate this volume.” —Southwestern Historical Quarterly.“Whether discussing the myth or the reality of the cowboy, his work clothes, his place in film history, his humor, or his songs, these essays once again demonstrate the strength of the cowboy as cultural icon.” —Roundup Magazine. “Promises to get at the truth behind the cowboy myth . . . [and suggests] all kinds of reasons why the cowboy should have held his place in the American imagination for so long.” —Bloomsbury Review.Sixteen essays explore cowboy music, dress, humor, films, and literature. Some examine the cowboy’s powerful symbolic life. Others look at African American, Hispanic, Native American, French, and English cowboys, the great cowboy strike of 1883, and even the origins of the term cowboy itself.Paul H. Carlson is professor of history at Texas Tech University. He has published many articles and several books, including Deep Time and the Texas High Plains (Texas Tech 2005).
Leroy Webb represents the vanishing era of the open-range cowboy. For six decades he has rounded up, roped, chased, wrestled, and cajoled cattle while riding over vast ranchlands and sleeping under the stars in New Mexico and Texas. Besides tackling the daily back-breaking chores of the cowboy, he has tirelessly worked to breed, train, and show horses while keeping up with the rodeo circuit. And despite frequent moves from ranch to ranch, his devotion to family has remained unquestioned. He may not have filled his pockets with the life he chose, but his heart is filled with riches.
From nuggets of sage advice--"Never approach a bull from the front, a horse from the rear, or a fool from any direction"--to campfire fare, Morris presents the truth about America's most enduring and intriguing "life-style". Features lists of the best rodeos, dude ranches, trail rides, and festivals. 67 photos. 51 line drawings.