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Josephine Tulip is definitely a smart chick, a twenty-first century female MacGyver who writes a helpful hints column and solves mysteries in her spare time. Her best friend, Danny, is a talented photographer who longs to succeed in his career...perhaps a cover photo on National Geographic? When Jo's next-door neighbor is accused of murder, Jo realizes the police have the wrong suspect. As she and Danny analyze clues, follow up on leads, and fall in and out of trouble, she recovers from a broken heart and he discovers that he has feelings for her. Will Danny have the courage to reveal them, or will he continue to hide them behind a façade of friendship?
Mindy Starns Clark's first two books in the Smart Chick Mystery series—The Trouble with Tulip and Blind Dates Can Be Murder—are followed with more love and adventure in this final, suspense-filled book. When someone tries to push Jo Tulip in front of a New York train, her ex-fiance, Bradford, suffers an injury while saving her—and the unintentional sleuth is thrown onto the tracks of a very personal mystery. Jo's boyfriend, Danny Watkins, is away in Paris, so she begins a solo investigation of her near-murder. What secret was Bradford about to share before he took the fall? And when Jo uncovers clues tied to Europe, can she and Danny work together in time to save her life?
Sixteen-year-old Lorena Leland’s dreams of a rich and fulfilling life as a writer are dashed when the stock market crashes in 1929. Seven years into the Great Depression, Rena’s banker father has retreated into the bottle, her sister is married to a lazy charlatan and gambler, and Rena is an unemployed newspaper reporter. Eager for any writing job, Rena accepts a position interviewing former slaves for the Federal Writers’ Project. There, she meets Frankie Washington, a 101-year-old woman whose honest yet tragic past captivates Rena. As Frankie recounts her life as a slave, Rena is horrified to learn of all the older woman has endured—especially because Rena’s ancestors owned slaves. While Frankie’s story challenges Rena’s preconceptions about slavery, it also connects the two women whose lives are otherwise separated by age, race, and circumstances. But will this bond of respect, admiration, and friendship be broken by a revelation neither woman sees coming?
In a riveting exploration of the power the past wields over the present, critically acclaimed author Antoinette van Heugten writes the story of a woman whose child's life hangs in the balance, forcing her to confront the roots of her family's troubled history in the dark days of World War II… It's the stuff of nightmares: Nora de Jong returns home from work one ordinary day to find her mother has been murdered. Her infant daughter is missing. And the only clue is the body of an unknown man on the living-room floor, clutching a Luger in his cold, dead hand. Frantic to find Rose, Nora puts aside her grief and frustration with the local police to start her own search. But the contents of a locked metal box she finds in her parents' attic leave her with as many questions as answers—and suggest the killer was not a stranger. Saving her daughter means delving deeper into her family's darkest history, leading Nora half a world away to Amsterdam, where her own unsettled past and memories of painful heartbreak rush back to haunt her. As Nora feverishly pieces together the truth from an old family diary, she's drawn back to a city under Nazi occupation, where her mother's alliances may have long ago sealed her own–and Rose's—fate.
Reissued for the Originals series of powerful teen fiction. Nobody wants Tulip in their gang. She skives off school, cheeks the teachers and makes herself unpopular with her classmates by telling awful lies. None of this matters to Natalie who finds Tulip exciting. At first she doesn't care that other people are upset and unnerved by Tulip's bizarre games, but as the games become increasingly sinister and dangerous, Natalie realises that Tulip is going too far. Much too far. Racing, in fact, to the novel's shocking ending.
A gripping debut mystery set in contemporary London with roots in 17th century Holland and the mysterious tulip trade In 1636 Alkmaar, Holland, Wouter Winckel's brutally slaughtered body is found in the barroom of his inn, an antireligious pamphlet stuffed in his mouth. Winckel was a respected tulip-trader and owned the most beautiful collection of tulips in the United Republic of the Low Countries, including the most coveted and expensive bulb of them all, the Semper Augustus. But why did he have to die and who wanted him dead? In 2007 London, history seems to be repeating itself. Dutchman Frank Schoeller is found in his home by his nephew, Alec. Severely wounded, he is holding a 17th-century book about tulips, seemingly a reference to the reason for his death moments later. With the help of his friend Damien Vanlint, an antique dealer from Amsterdam, Alec tries to solve the mystery, but soon comes to realize that he and his friend's own lives are now in danger. The Tulip Virus is a fast-paced, fascinating mystery based on the real-life events surrounding the collapse of the tulip bubble in 17th century Holland—the first such occurrence in history—a story that plunges readers deeply into questions of free will, science, and religion, while showing the dark fruits of greed, pride, and arrogance.
Calvinism: A Southern Baptist Dialogue holds a theological conversation among followers of Christ about issues on which they often disagree. And while such controversial points of doctrine cannot be ignored, neither should they put up impenetrable walls between groups committed to the same essential Christian beliefs. New presentations from Daniel Akin, Tom Ascol, David Dockery, Charles Lawless, Ed Stetzer, and others address misperceptions, stereotypes, and caricatures of the debate over Reformed theology, each one seeking a deeper understanding of the gospel, improved health of our churches, and the kingdom of Christ above all. Book jacket.
Francesca’s father is a well-known painter in the bustling port city of Amsterdam; he is also a gambler. Though their household is in economic chaos, thankfully the lessons she learned in his studio have prepared her to study with Johannes Vermeer, the master of Delft. When she arrives to begin her apprenticeship, Francesca is stunned to find rules, written in her father’s hand, insisting that she give up the freedoms she once enjoyed at home- including her friendship with Pieter van Doorne, a tulip merchant. Unaware of a terrible bargain her father has made against her future, Francesca pursues her growing affection for Pieter even as she learns to paint like Vermeer, in layers of light. As her talent blooms, “tulip mania” sweeps the land, and fortunes are being made on a single bulb. What seems like a boon for Pieter instead reveals the extent of the betrayal of Francesca’s father. And as the two learn the true nature of the obstacles in their path, a patron of Francesca’s father determines to do anything in his power to ensure she stays within the limits that have been set for her. The Golden Tulip brings one of the most exciting periods of Dutch history alive, creating a page-turning novel that is as vivid and unforgettable as a Vermeer painting.
Alice Bullock is a young newlywed whose husband, Charlie, has just joined the Union Army, leaving her on his Iowa farm with only his formidable mother for company. Equally talented at sewing and gossip, and not overly fond of hard work, Alice writes lively letters to her sister filled with accounts of local quilting bees, the rigors of farm life, and the customs of small-town America. But no town is too small for intrigue and treachery, and when Alice finds herself accused of murder, she must rely on support from unlikely sources. Rich in details of quilting, Civil War-era America, and the realities of a woman's life in the nineteenth century, Alice's Tulips is Sandra Dallas at her best, a dramatic and heartwarming tale of friendship, adversity, and triumph.
Simple solutions are my speciality-- so why's my love life so complicated? When my blind date drops dead, why does it turn into a murder investigation?