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Danger brought them together . . . Gislebert, a gentle troubadour seeking the woman who captured his heart; Jonas, a feisty street urchin surviving by his wits and his beautiful drawings. These two uneasy companions agree to join in the search for adventure. But Jonas has a secret-one that will change the troubadour's life. As the two face hardship, imprisonment, and threats to their lives, Gislebert must face the demands of two kinds of love: faithful friendship and devotion to God. A hauntingly beautiful tale, The Troubadour's Quest weaves a tapestry that defines the true nature of love: spiritual, self-giving devotion that springs from a heart committed to God's purposes.
A musician and his young companion share their music and their faith as they travel through the countryside.
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning
Danger brought them together . . . Gislebert, a gentle troubadour seeking the woman who captured his heart; Jonas, a feisty street urchin surviving by his wits and his beautiful drawings. These two uneasy companions agree to join in the search for adventure. But Jonas has a secret-one that will change the troubadour's life. As the two face hardship, imprisonment, and threats to their lives, Gislebert must face the demands of two kinds of love: faithful friendship and devotion to God. A hauntingly beautiful tale, The Troubadour's Quest weaves a tapestry that defines the true nature of love: spiritual, self-giving devotion that springs from a heart committed to God's purposes.
Probing the relationship between modernist literary experimentation and several key strands of occult practice which emerged in Europe from roughly 1894 to 1944, this book sets the work of leading modernist writers alongside lesser known female writers and writers in languages other than English to more fully portray the aesthetic and philosophical connections between modernism and the occult. Although the early decades of the twentieth century-the era of cocktails, motorcars, bobbed hair, and war-are often described as a period of newness and innovation, many writers of the time found inspiration and visionary brilliance by turning to the mysterious occult past. This book's principle intervention is to reimagine the contours and boundaries of literary modernism by welcoming into the conversation a number of significant female writers and writers in languages other than English who are often still relegated to the fringes of modernist studies. Well-remembered poets and novelists such as Ezra Pound, W.B. Yeats, and Aleister Crowley were tied to occult beliefs, and this book sets these leading figures alongside less well-remembered but equally splendid modernists including Paul Brunton, Mary Butts, Alexandra David-Neel, Florence Farr, Dion Fortune, Hermann Hesse, and Rudolf Steiner. From the little magazines where occultism and Fabianism were comfortable companions, to consulting rooms of psychoanalysts where archetypes were revealed to be both mystical and mundane, to the forbidden mountain trails that led to formidable spiritual teachers, the conditions of modernism were invariably those conditions which inspired a return to the occult traditions that many thinkers believed had long evaporated. Indeed, in many ways these traditions were the making of the modern world. By uncovering hidden hopes and anxieties that faced a newly modern Western Europe, this book demonstrates how literary modernists understood occultism as a universal form of cultural expression which has inspired creative exuberance since the dawn of civilisation.
Loupio, a young, thirteenth-century orphan, musician, and poet, travels through Italy with his friends Francis of Assisi and Brother Wolf, encountering dangers and challenges that help impart lessons of faith, hope, and charity. Presented in comic book format.
The Theosophical Society (est. 1875 in New York by H. P. Blavatsky, H. S. Olcott and others) is increasingly becoming recognized for its influential role in shaping the alternative new religious and cultural landscape of the late nineteenth and the twentieth century, especially as an early promoter of interest in Indian and Tibetan religions and philosophies. Despite this increasing awareness, many of the central questions relating to the early Theosophical Society and the East remain largely unexplored. This book is the first scholarly anthology dedicated to this topic. It offers many new details about the study of Theosophy in the history of modern religions and Western esotericism. The essays in Imagining the East explore how Theosophists during the formative period understood the East and those of its people with whom they came into contact. The authors examine the relationship of the theosophical approach with orientalism and aspects of the history of ideas, politics, and culture at large and discuss how these esoteric or theosophical representations mirrored conditions and values current in nineteenth-century mainstream intellectual culture. The essays also look at how the early Theosophical Society's imagining of the East differed from mainstream 'orientalism' and how the Theosophical Society's mission in India was distinct from that of British colonialism and Christian missionaries.
A study of how three modernist poets (Yeats, Jones, and Eliot) at the height of their careers drew on their religious beliefs to transform some of their greatest poems into maps of the relationship between history and eternity.
The legend of Arthur and the Knights of the Round Table dominates the mythology of Britain, but could this story prove more fact than fiction? Recent archaeological findings have lead Geoffrey Ashe to believe there is more truth to Arthurian legend than previously accepted. The Quest for Arthur's Britain examines the historical foundation of the Arthurian tradition, and presents the remarkable results of excavations to date at Cadbury (reputed site of Camelot), Tintagel, Glastonbury and many places known almost exclusively to Arthurian scholars.