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Signed in 1848, the Treaty of Guadalupe Hidalgo ended the war between the United States and Mexico and gave a large portion of Mexico’s northern territories to the United States. The language of the treaty was designed to deal fairly with the people who became residents of the United States by default. However, as Richard Griswold del Castillo points out, articles calling for equality and protection of civil and property rights were either ignored or interpreted to favor those involved in the westward expansion of the United States rather than the Mexicans and Indians living in the conquered territories.
This title addresses the deeper questions of how remembrance of the U.S.-Mexican War has influenced the complex relationship between these former enemies now turned friends.
One method of American territory expansion in the U.S.-Mexico borderlands was the denial of property rights to Mexican landowners, which led to dispossession. Many historical accounts overlook this colonial impact on Indigenous and Mexican peoples, and existing studies that do tackle this subject tend to privilege the male experience. Here, Karen R. Roybal recenters the focus of dispossession on women, arguing that gender, sometimes more than race, dictated legal concepts of property ownership and individual autonomy. Drawing on a diverse source base—legal land records, personal letters, and literature—Roybal locates voices of Mexican American women in the Southwest to show how they fought against the erasure of their rights, both as women and as landowners. Woven throughout Roybal's analysis are these women's testimonios—their stories focusing on inheritance, property rights, and shifts in power. Roybal positions these testimonios as an alternate archive that illustrates the myriad ways in which multiple layers of dispossession—and the changes of property ownership in Mexican law—affected the formation of Mexicana identity.
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The definitive history of the often forgotten U.S.-Mexican War paints an intimate portrait of the major players and their world—from Indian fights and Manifest Destiny, to secret military maneuvers, gunshot wounds, and political spin. “If one can read only a single book about the Mexican-American War, this is the one to read.” —The New York Review of Books Often overlooked, the U.S.-Mexican War featured false starts, atrocities, and daring back-channel negotiations as it divided the nation, paved the way for the Civil War a generation later, and launched the career of Abraham Lincoln. Amy S. Greenberg’s skilled storytelling and rigorous scholarship bring this American war for empire to life with memorable characters, plotlines, and legacies. Along the way it captures a young Lincoln mismatching his clothes, the lasting influence of the Founding Fathers, the birth of the Daughters of the American Revolution, and America’s first national antiwar movement. A key chapter in the creation of the United States, it is the story of a burgeoning nation and an unforgettable conflict that has shaped American history.
The U.S. war with Mexico was a pivotal event in American history, it set crucial wartime precedents and served as a precursor for the impending Civil War. With a powerful introduction and rich collection of documents, Ernesto Ch‡vez makes a convincing case that as an expansionist war, the U.S.-Mexico conflict set a new standard for the acquisition of foreign territory through war. Equally important, the war racialized the enemy, and in so doing accentuated the nature of whiteness and white male citizenship in the U.S., especially as it related to conquered Mexicans, Indians, slaves, and even women. The war, along with ongoing westward expansion, heightened public debates in the North and South about slavery and its place in newly-acquired territories. In addition, Ch‡vez shows how the political, economic and social development of each nation played a critical role in the path to war and its ultimate outcome. Both official and popular documents offer the events leading up to the war, the politics surrounding it, popular sentiment in both countries about it, and the war’s long-term impact on the future development and direction of these two nations. Headnotes, a chronology, maps and a selected bibliography enrich student understanding of this important historical moment.
María Ruiz de Burton's novel 'Who Would Have Thought It?' is a groundbreaking work that delves into issues of race, identity, and social class in post-Civil War America. Written in the unique style of a roman à clef, the book challenges traditional literary conventions through its critique of American society and its exploration of the complexities of cultural hybridity. Set against the backdrop of a changing nation, the novel offers a powerful commentary on the experiences of Mexican Americans during a time of upheaval and transformation. With its intricate narrative structure and thought-provoking themes, 'Who Would Have Thought It?' stands as a testament to Ruiz de Burton's innovative approach to storytelling and her commitment to shedding light on the marginalized voices of her time. María Ruiz de Burton's own background as a Mexican American woman living in the 19th century undoubtedly influenced her decision to write a novel that confronts issues of prejudice and discrimination. Her unique perspective and personal experiences bring a sense of authenticity to the narrative, making 'Who Would Have Thought It?' a compelling and enlightening read for anyone interested in exploring the complexities of identity and social justice in historical fiction.
Lewis Adelbert Norton (b. 1819) grew up in Canada and western New York. Banished from Canada for taking the Patriot side in the Rebellion of 1837-1838, Norton settled in Illinois, where he raised a regiment for the Mexican War. On his return home, he led an overland party to California. Life and adventures of Col. L.A. Norton (1887) describes Norton's early life and his journey west. Of his life in California, he chronicles careers as miner, lawyer, and merchant in Placerville. In 1856 he moves to Healdsburg, where his law practice involves him in the Squatter War on the Russian River. The book closes with his account of an 1874 rail trip east, revisiting Canada, New York, and New England before returning to Healdsburg.
The postborder metropolis of Bajalta California stretches from Los Angeles in the north to Tijuana and Mexicali in the south. Immigrants from all over the globe flock to Southern California, while corporations are drawn to the low wage industry of the Mexican border towns, echoing developments in other rapid growth areas such as Phoenix, El Paso, and San Antonio. This incredibly diverse, transnational megacity is giving birth to new cultural and artistic forms as it rapidly evolves into something unique in the world. Postborder City is a genuinely interdisciplinary investigation of the hybrid culture on both sides of the increasingly fluid U. S.-Mexico border, spanning the disciplines of art and art history, urban planning, geography, Latina/o studies, and American studies.
_______________________ A DRAMATIC FICTIONAL PORTRAIT OF THE US-MEXICO BORDER, MIGRATION, AND ITS IMPACT ON PEOPLE'S LIVES _______________________ Through this network of nine personal stories, Carlos Fuentes sets out to explain Mexico and America to each other – and to the rest of the world. He presents a dramatic fictional portrait of the relationship between the United States and Mexico, as played out in a Mexican dynasty led by a powerful Mexican oligarch with complex ties north of the border. It is the story of Mexican families who send their sons north to provide for whole villages with dollars and of Mexican tycoons who exploit their own people. Young Jose Francisco grows up in Texas, determined to write about the border world – the immigrants and illegals, Mexican poverty and Yankee prosperity – stories to break the stand-off silence with a victory shout, to shatter at last the crystal frontier.