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An ever-expanding critical library on fantasy fiction requires an analysis of why the genre is so ubiquitous, enduring and beloved. This work analyzes the mythic elements in foundational fantasy texts, arguing that mythopoeic fantasy reveals timeless truths that link human cultures past and present. Through close readings of works like Phantastes, The King of Elfland's Daughter, The Fellowship of the Ring, The Lion, the Witch, and the Wardrobe, A Wizard of Earthsea, The Neverending Story, A Wrinkle in Time and Out of the Silent Planet, this book explores how mythopoeic fantasy speaks to the deepest concerns of the human heart. It investigates the genre's use of an imagination that is sometimes atrophied by the demands of contemporary life, and explores how fantasy provides restoration, consolation and hope within a cultural context that too often decries such ideas. Each chapter focuses on a representative text, providing author background and engaging relevant scholarship on a variety of relevant thematic issues. Offering new insights on these classic texts by drawing upon post-secular critical approaches, this work is suitable for both new and seasoned students of fantasy.
An ever-expanding critical library on fantasy fiction requires an analysis of why the genre is so ubiquitous, enduring and beloved. This work analyzes the mythic elements in foundational fantasy texts, arguing that mythopoeic fantasy reveals timeless truths that link human cultures past and present. Through close readings of works like Phantastes, The King of Elfland's Daughter, The Fellowship of the Ring, The Lion, the Witch, and the Wardrobe, A Wizard of Earthsea, The Neverending Story, A Wrinkle in Time and Out of the Silent Planet, this book explores how mythopoeic fantasy speaks to the deepest concerns of the human heart. It investigates the genre's use of an imagination that is sometimes atrophied by the demands of contemporary life, and explores how fantasy provides restoration, consolation and hope within a cultural context that too often decries such ideas. Each chapter focuses on a representative text, providing author background and engaging relevant scholarship on a variety of relevant thematic issues. Offering new insights on these classic texts by drawing upon post-secular critical approaches, this work is suitable for both new and seasoned students of fantasy.
This book makes connections between mythopoeic fantasy--works that engage the numinous--and the critical apparatuses of ecocriticism and posthumanism. Drawing from the ideas of Rudolf Otto in The Idea of the Holy, mythopoeic fantasy is a means of subverting normative modes of perception to both encounter the numinous and to challenge the perceptions of the natural world. Beginning with S.T. Coleridge's theories of the imagination as embodied in The Rime of the Ancient Mariner, the book moves on to explore standard mythopoeic fantasists such as George MacDonald, C.S. Lewis, and J.R.R. Tolkien. Taking a step outside these men, particularly influenced by Christianity, the concluding chapters discuss Algernon Blackwood and Ursula Le Guin, whose works evoke the numinous without a specifically Christian worldview.
Phantastes : A Faerie Romance for Men and Women by George MacDonald, first published in 1858, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
"This book is fantastic! David Hogsette has produced a very important work on a very important topic! I'm a huge believer in supplementary solo training. It can do so much to enhance our martial development. However, for many, it can be difficult to know what to do when there is no instructor there to guide us. This is where this awesome book comes in! Not only does the book cover all elements of solo training, in a way that ensures functional relevance and seamless integration with all important partner training, but it does so in a way that excites and motivates! Read this book and you will want to solo train, and you will do so productively. Highly recommended!" --Iain Abernethy, 7th Dan Karate "In the midst of the COVID-19 pandemic, what a timely and fitting book for martial artists throughout the world! Congratulations David Hogsette for bringing forth a book that can help students of the martial arts get back on track with their training, especially training on their own. I Feel this book is also a great resource in the transition back to the dojo and beyond!" --Jerry Figgiani, 8th Dan Matsubayashi-ryu, President, Shorin Ryu Karate Do International Are you sheltering in place due to a pandemic outbreak (like COVID-19) and want to continue your martial arts training at home? Have you moved to a new city and wish to keep training until you find a new dojo? Are you interested in supplementing your partner training with practicing various drills and exercises on your own? Would you like to explore other solo training opportunities while maintaining regular dojo training? If you answered "Yes!" to any one or all of these questions, then Training Ronin Style is perfect for you. This book provides a comprehensive discussion of various training exercises applicable to all martial artists, irrespective of style or system. Topics include: Reasons to engage solo training Importance of warming up and cooling down Specific ways to train practical self-defense techniques Kata practice and solo training practical applications of kata movements Incorporating various types of impact training Combining different solo training drills into comprehensive workouts Basic cardio and strength training to maintain your fitness to fight Understanding and exploring different contexts for solo training
"Presents the genre from a holistic perspective, arguing that this subgenre of fantasy literature is misunderstood as result of decades of incomplete and reductionist literary studies. Asserts mythopoeic fantasy is the most complete literary expression of a worldview based on the existence of supernatural powers and could transform social consciousness with renewed emphasis on anticipating the future"--Provided by publisher.
Readers have repeatedly called The Lord of the Rings the most important book of our age--absorbing all 1,500 of its pages with an almost fanatical interest and seeing the Peter Jackson movies in unprecedented numbers. Readers from ages 8 to 80 keep turning to Tolkien because here, in this magical kingdom, they are immersed in depth after depth of significance and meaning--perceiving the Hope that can be found amidst despair, the Charity that overcomes vengeance, and the Faith that springs from the strange power of weakness. The Gospel According to Tolkien examines biblical and Christian themes that are found in the works of J. R. R. Tolkien. Follow Ralph Wood as he takes us through the theological depths of Tolkien's literary legacy.
Description: Students often face a daunting dilemma in academia when it comes to writing. In their composition courses they are encouraged to express their emotions, find themselves, construct their own meanings, discover their voices, and own their identities through writing. But when they are asked to write lab reports, history papers, sociological studies, or to write discipline specific documents for their majors, their professors aren't much interested in self-expression, self-esteem, identity politics, or endlessly open-ended non-answers in search of a question. Their professors want clear writing that makes sense and that evidences critical thinking. What are students to do? Writing That Makes Sense takes students through the basics of the writing process and critical thinking, and it teaches them how to write various types of academic essays they are likely to encounter in their academic careers. Drawing on nearly twenty years of experience in teaching college composition and professional writing, David S. Hogsette combines relevant writing pedagogy and practical assignments with the basics of critical thinking and logical thought to provide students with step-by-step guides for successful writing in academia. Writing That Makes Sense includes many professional essays and articles from a variety of voices often underrepresented in academia today, thus introducing students to a wider intellectual diversity. Students will also benefit from a chapter on information literacy that provides practical tips on engaging the research process and writing research papers. About the Contributor(s): David S. Hogsette is Associate Professor of English and Writing Coordinator at the Old Westbury campus of the New York Institute of Technology, where he teaches composition, professional writing, and various upper-level literature courses. His teaching directly impacts his scholarship, and he has published articles and delivered lectures at national and international conferences on literary topics related to English Romanticism, Gothic literature, fantasy literature, science fiction, and theocentric approaches to literary studies.
Explores the necessity of enabling the imagination to prevail as part of an anti-reductionist approach, to philosophical theology, if we are to engage with God's action in the world.
How did eighteenth-century aesthetics come to so strongly influence not only the theology but also the practice of Christianity by the late nineteenth century? The twelve essays in Sublimer Aspects seek to answer this question by examining interfaces between literature, aesthetics, and theology from 1715-1885. In doing so, they consider the theological import of canonical writers–such as Daniel Defoe, Alexander Pope, Voltaire, and Immanuel Kant–as well as writers whose work is now experiencing a revival, namely women writers–including Mary Anne Schimmelpenninck, Anne Brontë, Frances Ridley Havergal, Elizabeth Stuart Phelps, and Adelaide Procter. The volume concludes with essays on the possibility for hope within the Christian Romanticism of Samuel Taylor Coleridge, Thomas Carlyle and George MacDonald, whose texts continue to cultivate a sense of wonder in new generations. Divided into five sections, essays by Ben Faber, Katherine Quinsey, Melora G. Vandersluis, Richard J. Lane, Natasha Duquette, Susan R. Bauman, Krista Lysack, Sandra Hagan, Roxanne Harde, Cheri Larsen Hoeckley, Franceen Neufeld, and Monika Hilder address mutually interdependent connections between providence and grace, sublimity and ethics, gender and hymnody, literature and activism, and finally, aesthetics and hope.