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Seventeen-year-old Lessie Morrison has endured her fair share of car accidents, falls, and house fires, but not in the ways one would think. She is gifted with the unique-and unwanted-ability to leave her body behind as her spirit assists a departing soul to The Other Side if they're dying alone. As if high school isn't hard enough for an unpopular teen. The passing of her only mentor, her grandmother, who happened to share her ability, leaves Lessie with nobody to answer her endless questions as she navigates life with her strange ability. Especially the questions that arise when she's faced with a rather serious situation of being called to a reluctant soul: can she bring someone back to their body, and defy death? As it would turn out, she can. But coming back from the dead comes with a cost-not only a broken body, but broken dreams. Lessie is faced with the question: was bringing someone back to life their second chance, or did she meddle in cosmic forces she should have known better than to touch?
“Breathtaking . . . brilliantly conducted . . . Far-future philosophic space opera and near-future eco-thriller combine effectively.”—Locus It is the year 2047, and nuclear engineer Michael Poole is mourning the death of his beloved wife and doubting his own sanity. But he must stave off a looming catastrophe: vast reservoirs of toxic gases lie beneath the melting poles, threatening to contaminate the atmosphere and destroy all life on Earth. Though born five hundred thousand years after the death of Michael Poole, Alia knows him intimately. Every person in Alia’s world is entrusted with Witnessing one life from the past by means of a technology able to traverse time. Alia’s subject is Michael Poole. Chosen to become a Transcendent, a member of the group mind that is shepherding humanity toward an evolutionary apotheosis, Alia discovers a dark side to the Transcendent’s plans. Somehow, Michael holds the fate of the future in his hands, and to save that future, Alia must undertake a desperate journey into the past. “Stunning . . . engaging . . . a contrasting mix of Baxter’s customary skill at presenting a very realnear future, and his talent for high-level hardscience fiction.”—Starburst
NEW YORK TIMES BEST SELLER • A TODAY SHOW #ReadWithJenna BOOK CLUB PICK! • Finalist for the WOMEN'S PRIZE Yaa Gyasi's stunning follow-up to her acclaimed national best seller Homegoing is a powerful, raw, intimate, deeply layered novel about a Ghanaian family in Alabama. Gifty is a sixth-year PhD candidate in neuroscience at the Stanford University School of Medicine studying reward-seeking behavior in mice and the neural circuits of depression and addiction. Her brother, Nana, was a gifted high school athlete who died of a heroin overdose after an ankle injury left him hooked on OxyContin. Her suicidal mother is living in her bed. Gifty is determined to discover the scientific basis for the suffering she sees all around her. But even as she turns to the hard sciences to unlock the mystery of her family's loss, she finds herself hungering for her childhood faith and grappling with the evangelical church in which she was raised, whose promise of salvation remains as tantalizing as it is elusive. Transcendent Kingdom is a deeply moving portrait of a family of Ghanaian immigrants ravaged by depression and addiction and grief—a novel about faith, science, religion, love. Exquisitely written, emotionally searing, this is an exceptionally powerful follow-up to Gyasi's phenomenal debut.
A timely work of contemporary magical realism, about a world plagued by violence, and the girl called upon to be a hero. When terrorists bomb Disney World, seventeen-year-old Iris Spero is as horrified as anyone else. Then a stranger shows up on her stoop in Brooklyn, revealing a secret about the mysterious circumstances surrounding Iris’s birth, and throwing her entire identity into question. Everything she thought she knew about her parents, and about herself, is a lie. Suddenly, the press is confronting Iris with the wild notion that she might be “special.” More than just special: she could be the miracle the world now so desperately needs. Families all across the grieving nation are pinning their hopes on Iris like she is some kind of saint or savior. She’s no longer sure whom she can trust—except for Zane, a homeless boy who long ago abandoned any kind of hope. She knows she can’t possibly be the glorified person everyone wants her to be… but she also can’t go back to being safe and anonymous. When nobody knows her but they all want a piece of her, who is Iris Spero now? And how can she—one teenage girl—possibly heal a broken world?
Schuon asserts that to transcend religious differences, we must explore the esoteric nature of the spiritual path back to the Divine Oneness at the heart of all religions.
Mina is seventeen. A virgin. And pregnant. Mina is top of her class, girlfriend to the most ambitious guy in school, able to reason and study her way through anything. But when she suddenly finds herself pregnant—despite having never had sex—her orderly world collapses. Almost nobody believes Mina’s claims of virginity. Her father assumes that her boyfriend is responsible; her boyfriend believes she must have cheated on him. As news of Mina’s story spreads, there are those who brand her a liar. There are those who brand her a heretic. And there are those who believe that miracles are possible—and that Mina’s unborn child could be the greatest miracle of all.
The transcendent function is the core of Carl Jung's theory of psychological growth and the heart of what he called individuation, the process by which one is guided in a teleological way toward the person one is meant to be. This book thoroughly reviews the transcendent function, analyzing both the 1958 version of the seminal essay that bears its name and the original version written in 1916. It also provides a word-by-word comparison of the two, along with every reference Jung made to the transcendent function in his written works, his letters, and his public seminars.
Abstract painting meets theosophical spirituality in 1930s New Mexico: the first book on a radical, astonishingly prescient episode in American modernism Founded in Santa Fe and Taos, New Mexico, in 1938, at a time when social realism reigned in American art, the Transcendental Painting Group (TPG) sought to promote abstract art that pursued enlightenment and spiritual illumination. The nine original members of the Transcendental Painting Group were Emil Bisttram, Robert Gribbroek, Lawren Harris, Raymond Jonson, William Lumpkins, Florence Miller Pierce, Agnes Pelton, Horace Towner Pierce and Stuart Walker. They were later joined by Ed Garman. Despite the quality of their works, these Southwest artists have been neglected in most surveys of American art, their paintings rarely exhibited outside of New Mexico. Faced with the double disadvantage of being an openly spiritual movement from the wrong side of the Mississippi, the TPG has remained a secret mostly known only to cognoscenti. Another World: The Transcendental Painting Group aims to address this slight, claiming the group's artists as crucial contributors to an alternative through-line in 20th-century abstraction, one with renewed relevance today. This volume provides a broad perspective on the group's work, positioning it within the history of modern painting and 20th-century American art. Essays examine the TPG in light of their international artistic peers; their involvement with esoteric thought and Theosophy; the group's sources in the culture and landscape of the American Southwest; and the experience of its two female members.
A grand space adventure of exploration, intrigue, redemption, and the universal spirit that unites all beings
The most neglected sector of Kant's Critical Philosophy is his collec tion of remarks about biological phenomena in the second part of the Critique of Judgment, the Critique of Teleological Judgment. The reasons for this are numerous, but since in Kant, everything comes in threes, a three-fold collection will suffice. The Critique of Teleological Judgment itself is one reason. More than most of his writings, this segment of the Critical corpus suffers from what can most charitably be termed "mistakes of exposition. " In this part of the third Critique, it is commonplace to find sub-arguments in Kant's general position somewhere other than their logical niche. The result is that the general theme behind his remarks about living phenomena is obscured. This difficulty has done much to discourage even the most enthusiastic of Kant admirers from investing their time on this work. Secondly, in this century, until very recently, there has been little interest in philosophical questions about biology. Twenty-one out of thirty-one sections of the Critique of Teleological Judgment (sections #61 and 63-83) deal either directly or indirectly with issues of interest in the philosophy of biology. Finally, the Critique of Teleological Judgment has been placed among the last on that list "of writings thought to formulate Kant's Critical system. This is not merely because of its temporal position.