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Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare's status as an unproblematic English or British dramatist.
The United Kingdom has been weakening, and this book helps to explain why. Alvin Jackson examines the UK in the light of the experience of similar union states elsewhere, offering the first sustained comparative study across the long 19th century and beyond. The UK was not in fact the only self-styled 'united kingdom' of the time: Jackson argues strikingly that Britain exported the idea of union through the advocacy or encouragement of other multinational united kingdoms at the beginning of the 19th century. The work is distinctive in its geographical breadth. Jackson draws together the histories of Ireland, Scotland, Wales, and England and explores the links between them and Sweden-Norway, the united Netherlands, Austria-Hungary, and Canada—and many other polities across the globe. United Kingdoms looks too at the institutions and agencies affecting the strength of union—from monarchy, aristocracy, and religion through to class, money, and violence. Jackson offers new overarching arguments about the origins and survival of all union states, and in doing so, sheds new light on the particular history and condition of the UK.
Analyzes the complex role receptions of antiquity had in forging nationalist ideology and literary modernism in Ireland, Scotland and Wales.
Drawing together some of the leading academics in the field of Shakespeare studies, this volume examines the commonalities and differences in addressing a notionally 'Celtic' Shakespeare. Celtic contexts have been established for many of Shakespeare's plays, and there has been interest too in the ways in which Irish, Scottish and Welsh critics, editors and translators have reimagined Shakespeare, claiming, connecting with and correcting him. This collection fills a major gap in literary criticism by bringing together the best scholarship on the individual nations of Ireland, Scotland and Wales in a way that emphasizes cultural crossovers and crucibles of conflict. The volume is divided into three chronologically ordered sections: Tudor Reflections, Stuart Revisions and Celtic Afterlives. This division of essays directs attention to Shakespeare's transformed treatment of national identity in plays written respectively in the reigns of Elizabeth and James, but also takes account of later regional receptions and the cultural impact of the playwright's dramatic works. The first two sections contain fresh readings of a number of the individual plays, and pay particular attention to the ways in which Shakespeare attends to contemporary understandings of national identity in the light of recent history. Juxtaposing this material with subsequent critical receptions of Shakespeare's works, from Milton to Shaw, this volume addresses a significant critical lacuna in Shakespearean criticism. Rather than reading these plays from a solitary national perspective, the essays in this volume cohere in a wide-ranging treatment of Shakespeare's direct and oblique references to the archipelago, and the problematic issue of national identity.
When James VI of Scotland and I of England proclaimed himself King of Great Britain he proposed a merger of parliaments as he had joined two crowns in his own person ascending the throne of England in 1603. For James, the Cambro-Celtic past led to an Anglo-Scottish present, and Wales stood as the ideal. Although the parliamentary union of Great Britain was not initiated for another 100 years, Parliament’s denial failed to deter James from wanting a Great Britain, and R. A.’s play The Valiant Welshman became part of the public spectacle of unity required to nurture James’s dream. The Valiant Welshman, the Scottish James, and the Formation of Great Britain considers national, regional and linguistic identity and explores how R.A.’s play promotes Wales, serves King James and reveals what it means to be Welsh and Scots in a newly forming "Great Britain."
Caleb Howells, author King Arthur: The Man Who Conquered Europe, argues that the legend of Brutus is based on real historical events. Constructing a compelling argument based on a re-examination of original sources, the book offers a fresh perspective on the history of Britain.
This collection of new essays about the earl of Essex, one of the most important figures of the Elizabethan court, resituates his life and career within the richly diverse contours of his cultural and political milieu. It identifies the ways in which his biography has been variously interpreted both during his own lifetime and since his death in 1601. Collectively, the essays examine a wealth of diverse visual and textual manifestations of Essex: poems, portraits, films; texts produced by Essex himself, including private letters, prose tracts, poems and entertainments; and the transmission and circulation of these as a means of disseminating his political views. As well as prising open long-held assumptions about the earl’s life, the authors provide a diachronic approach to the earl’s career, identifying crucial events such as the Irish campaign and the uprising, and re-evaluating their significance and critical reception. Collectively, the essays illuminate the reach and significance of the many roles played by the earl and the impact of his brief, dazzling life on his contemporaries and on those who came after, making this the first volume to offer a comprehensive critical overview of the Earl's life and influence.
In Defiance of Time contends that the antiquarian project, integral to early modern literary and intellectual culture, depended on the antiquaries' capacity to restore - in their imagination at least - the fragments of the past. It offers original readings of important authors such as Leland, Stow, Spenser, Camden, Drayton, and Selden.
From the quarrelling captains in Henry V, to the linguistically challenged lovers in I Henry IV, to the monoglot vocalist Lady Mortimer, to the proud Sir Hugh Evans, Shakespeare offers Welsh characters whose voices, language use, and presence help reflect a sometimes marginalized aspect of British identity. "Speak It in Welsh" Wales and the Welsh Language in Shakespeare seeks to understand why Shakespeare included the Welsh voice in his plays.