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Andrei Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art. The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.
The fact cannot be overlooked that we are in the midst of a sociological crisis of orientation on the grand scale. New problems and needs have become insistent, new fears and longings have come to light. Many are looking for a new foothold, a fundamental certainty, a compass for their life and the life of other human beings. The inconsistencies and ambivalence of the phenomena cannot conceal the fact that religion is attracting greater attention: the old religion and many new ones, the Christian religion as well as the Islamic, Hindu, and Buddhist religions. In East and West anyway the God Progress seems to have lost rapidly something of its credibility; belief in a continually better life with the aid of science and technology and also through revolution and socialism has been shaken by serious doubts. And, while the elderly have not been able - with all the aids of psychology - to come to terms with the meaning of death, younger people - supposedly a Òno futureÓ generation, apathetic, noncommittal, nervous, and self-destructive - are asking afresh about the missing sense of life. Meanwhile, though science did the most in the last century to destroy belief in immortality and made stupendous efforts to prolong life, it is medicine today that has broken through the taboos in regard to death and with its research into dying has given new life to the question of death and survival. But has medicine - or perhaps parapsychology - proved that there is life after death?
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Border Theory was first published in 1997. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Challenging the prevailing assumption that border studies occurs only in "the borderlands" where Mexico and the United States meet, the authors gathered in this volume examine the multiple borders that define the United States and the Americas, including the Mason-Dixon line, the U.S.- Canadian border, the shifting boundaries of urban diasporas, and the colonization and confinement of American Indians. The texts assembled here examine the way border studies beckons us to rethink all objects of study and intellectual disciplines as versions of a border problematic. These writers-drawn from anthropology, history, and language studies-critique the terrain, limits, and possibilities of border theory. They examine, among other topics, the "soft" or "friendly" borders produced by ethnic studies, antiassimilationist or "difference" multiculturalisms, liberal anthropologies, and benevolent nationalisms. Referring to a range of theory (anthropological, sociological, feminist, Marxist, European postmodernist and poststructuralist, postcolonial, and ethnohistorical), the authors trace the genealogical and logical links between these discourses and border studies. A timely critique of a field just now revealing its explosive potential, this volume maps the intellectual topography of border theory and challenges the epistemological and political foundations of border studies. Contributors are Russ Castronovo, Elaine K. Chang, Louis Kaplan, Alejandro Lugo, Benjamin Alire Sáenz, and Patricia Seed. Scott Michaelsen is assistant professor of English at Michigan State University. David E. Johnson is lecturer in the Department of Modern Languages at the State University of New York at Buffalo.
A young man's journey to find a new home for his family after they lose their farm. Set in the eary 1900's, this book contains very controversial opinions about health, animal rights, human rights, government and injustice. Many of these discussions are with a toad. While eloquent and cute, this book is a serious picaresque novel filled with Socratic dialogue. Get a better quality eBook version with flowing text at HoboJack.com
In 1929, Ronald Knox, a prominent member of the English Detection Club, included in his tongue-in-cheek Ten Commandments for Detective Novelists the rule that "No Chinaman must figure in the story." In 1983, Ruth Rendell published Speaker of Mandarin, reflecting not only a change in British detective fiction but also a dramatic change in the British cultural landscape. Like much of the rest of British popular culture, the detective novel became more and more ethnically diverse and populated by characters with increasingly varied religious backgrounds. Ten essays examine the changing nature of British detective fiction, focusing on the shifting view of "otherness" of such authors as Ruth Rendell, Elizabeth George, Peter Ackroyd, Caroline Graham, Christopher Brookmyer, Denise Mina and John Mortimer. Unlike their American counterparts, British detective writers have been until recently, overwhelmingly white, and the essays here explore how these authors delve into ethnic diversity within a historically homogeneous culture. Religion has also played an important role in the genre, ranging from the moral certainty of the early part of the 20th century to the skepticism and hostility that is part of contemporary fiction. How this transition was made and how it reflects the changing nature of British culture are detailed here.
Forced to move with his mother to the US from France, a young man finds a new life and solves the riddles of his past.
Eternity clearly means forever. It is a physical place, a destination, as well as a state of being. Heaven is the forever life destination. Hell is the forever death destination. Questions arise when you consider these forever destinations. For instance, why does a person go to heaven? How does he get there? You can ask the same questions about hell. Defining eternal life will help answer these questions. Jesus defined eternal life when He said: “This is eternal life, that they may know You, the only true God, and Jesus Christ whom You have sent.” (John 17:3) What Jesus is referring to is a personal relationship between man and God that lasts forever. God created man for relationship. Taking relationship into account, the answer to the above questions becomes: You go to heaven because you have a relationship with God and you go to hell because you don’t. Choice is required for relationships to exist. You must choose whether to enter into a relationship. In this book I examine how choices in relationships leads to the eternal destinations of either heaven or hell. God has placed humans into a world of choice from which it is impossible to escape. You cannot choose to not choose because even that is a choice! Overall, this book is about what it means to be a Christian.
In the Skid Row area of downtown Los Angeles, Malachi has become the stuff of legend, his influence, for good or ill, felt by not only the men and women who sleep on the streets but by the lawyers, police officers and shopkeepers who spend their days there. No one knows who Malachi is, though some people think he may be responsible for the murder of an unidentified man. But who is Malachi and what is it about him that could have left such an indelible impression on eight people who attempt to answer these questions; and, in so doing, tell the story of a city, a city imploding under the weight of its neuroses, the neuroses of people with too many questions and not enough answers. It's a nightmare world where all enemies are invisible and all friends suspect; a world where death lurks around the corner and comes only when it's least expected. But is it death that Malachi has in store for these people? Or do their fates depend on each other?