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G.B. Shaw Is A Literary Mohican Who Bestrode Modern Thought Like A Colossus, But He Was Not A Historian In A Popular Sense. He Wrote Many Plays On Historical Themes, And The Success Of His Historical Plays Shows What He Could Have Achieved If He Had Devoted Himself To Historical Drama.The Present Book Major History Plays Of Shaw: A Fresh Look Presents A Close Study Of Shaw S Select History Plays, Especially The Shavian Notion Of Historical Truth. Shaw, Perhaps, Does Not Believe That History Is Only A Storehouse Of Past Records. He Views The Past Critically As A Step Towards Changing The Present. For Shaw, Historical Truth Is Intensely Related To The Growth Of His Mind, His Firm Faith In The Creed Of Creative Evolution.It Is A Well Conceived And Lucidly Written Book And Commends Itself For Academic Respectability. In This Scholarly Endeavour, Readers Interested In Shaw S Works Will Find Much To Engage Their Attention. It Is Particularly Useful For The Students, Researchers And Teachers Of English Literature.
The American classic—as you’ve never experienced it before. This multimedia edition, edited by William Davies King, offers an interactive guide to O’Neill’s masterpiece. -- Hear rare archival recordings of Eugene O’Neill reading key scenes. -- Discover O’Neill’s creative process through the tiny pencil notes in his original manuscripts and outlines. -- Watch actors wrestle with the play in exclusive rehearsal footage. -- Experience clips from a full production of the play. -- Tour Monte Cristo Cottage, the site of the events in Long Day’s Journey Into Night, and Tao House, where the play was written. -- Delve into O’Neill’s world through photographs, letters, and diary entries. And much, much more in this multimedia eBook.
Celebrated for their books on Eugene O’Neill and enjoying access to a trove of previously sealed archival material, the Gelbs deliver their final volume on the stormy life and brilliant oeuvre of this Nobel Prize–winning American playwright. This is a tour through both a magical moment in American theater and the troubled life of a genius. Not a peep show or a celebrity gossip fest, this book is a brilliant investigation of the emotional knots that ensnared one of our most important playwrights. Handsome, charming when he wanted to be: O’Neill was the flame women were drawn to—all, that is, except his mother, who never let him forget he was unwanted. By Women Possessed follows O’Neill through his great successes, the failures he was able to shrug off, and the long eclipse, a twelve-year period in which, despite the Nobel, nothing he wrote was produced. But ahead lay his greatest achievements: The Iceman Cometh and Long Day’s Journey into Night. Both were ahead of their time and both received lukewarm receptions. It wasn’t until after his death that his widow, the keeper of the flame, began a fierce and successful campaign to restore his reputation. The result is that today, just over 125 years after his birth, O’Neill is a towering presence in the theater, his work—always in performance here and abroad—still electrifying audiences. Perhaps of equal importance, he is the acknowledged father of modern American theater, the man who paved the way for the likes of Arthur Miller, Tennessee Williams, Edward Albee, and a host of others. But, as Williams has said, at a cost: “O’Neill gave birth to the American theater and died for it.”