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The six essays in this collection were written over the years 2010-2012. Most of the essays are literary in nature. These touch on the works of Ernest Hemingwayhis tragic conservatismof Lionel Trilling, mentor to a generation of teachers of literature, and of Henry Miller. In the case of Miller, the essay is as much a critique of his social and spiritual values as literary. The essay on The Age of the Grand Hotel is a historical and social analysis of the part such hotels have played in the growthand declineof upper class society.
The subject of endless biographies, fictional depictions, and critical debate, Ernest Hemingway continues to command attention in popular culture and in literary studies. He remains both a definitive stylist of twentieth-century literature and a case study in what happens to an artist consumed by the spectacle of celebrity. The New Hemingway Studies examines how two decades of new-millennium scholarship confirm his continued relevance to an era that, on the surface, appears so distinct from his—one defined by digital realms, ecological anxiety, and globalization. It explores the various sources (print, archival, digital, and other) through which critics access Hemingway. Highlighting the latest critical trends, the contributors to this volume demonstrate how Hemingway's remarkably durable stories, novels, and essays have served as a lens for understanding preeminent concerns in our own time, including paranoia, trauma, iconicity, and racial, sexual, and national identities.
The six essays in this collection were written over the years 2010-2012. Most of the essays are literary in nature. These touch on the works of Ernest Hemingway his tragic conservatism of Lionel Trilling, mentor to a generation of teachers of literature, and of Henry Miller. In the case of Miller, the essay is as much a critique of his social and spiritual values as literary. The essay on The Age of the Grand Hotel is a historical and social analysis of the part such hotels have played in the growth and decline of upper class society.
Ernest Hemingway witnessed many of the seminal conflicts of the twentieth century—from his post as a Red Cross ambulance driver during World War I to his nearly twenty-five years as a war correspondent for The Toronto Star—and he recorded them with matchless power. This landmark volume brings together Hemingway’s most important and timeless writings about the nature of human combat. Passages from his beloved World War I novel, A Farewell to Arms, and For Whom the Bell Tolls, about the Spanish Civil War, offer an unparalleled portrayal of the physical and psychological impact of war and its aftermath. Selections from Across the River and into the Trees vividly evoke an emotionally scarred career soldier in the twilight of life as he reflects on the nature of war. Classic short stories, such as “In Another Country” and “The Butterfly and the Tank,” stand alongside excerpts from Hemingway’s first book of short stories, In Our Time, and his only full-length play, The Fifth Column. With captivating selections from Hemingway’s journalism—from his coverage of the Greco-Turkish War of 1919–22 to a legendary early interview with Mussolini to his jolting eyewitness account of the Allied invasion of Normandy on June 6, 1944—Hemingway on War collects the author’s most penetrating chronicles of perseverance and defeat, courage and fear, and love and loss in the midst of modern warfare.
"I'll make it to Europe some way in spite of this optic. I can't let a show like this go on without getting into it." According to Literary Ambulance Drivers Hemingway wrote these words to sister in reference to the eye problem that kept him from enlisting in the general military during World War I. He was determined to see the action through and sought out another way to get to the front and found it as an ambulance driver. He was one of many future writers who worked in the ambulance corps of The Great War, a new role introduced by the advent of automobile ambulances, and open to the educated and upper class. Once there Hemingway was badly injured, as noted by the National Endowment for the Arts' Reader's Guide, and nursed by a woman named Agnes von Kurowsky, who was seven years older than him. He fell in love with her and asked her to marry him five months later, but she refused. These experiences served as a basis for the relationship between his main characters in A Farewell to Arms, Lieutenant Frederic Henry, an ambulance driver for the Italians, and the nurse who cares for him after he is injured, Catherine Barkley.
"The Pen and the Sword: The Life of Ernest Hemingway" delves into the complex and captivating journey of one of the most influential writers of the 20th century. From his early days as a reporter in war-torn Europe to his literary triumphs and personal struggles, this book paints a vivid portrait of Hemingway's adventurous spirit and profound impact on American literature. Through meticulous research and engaging storytelling, readers are invited to explore the triumphs and tragedies that shaped Hemingway's life, and gain a deeper understanding of the man behind the iconic literary works.
''A Farewell to Arms'' is Hemingway's classic set during the Italian campaign of World War I. The book, published in 1929, is a first-person account of American Frederic Henry, serving as a Lieutenant ("Tenente") in the ambulance corps of the Italian Army. It's about a love affair between the expatriate American Henry and Catherine Barkley against the backdrop of the First World War, cynical soldiers, fighting and the displacement of populations. The publication of ''A Farewell to Arms'' cemented Hemingway's stature as a modern American writer, became his first best-seller, and is described by biographer Michael Reynolds as "the premier American war novel from that debacle World War I."
The fully-lived, yet tragically ended life of Ernest Hemingway has attracted nearly as much attention as his extensive canon of writings. This critical study introduces students to both the man and his fiction, exploring how Hemingway confronted in his own life the same moral issues that would later create thematic conflicts for the characters in his novels. In addition to the biographical chapter which focuses on the pivotal events in Hemingway's personal life, a literary heritage chapter overviews his professional developments, relating his distinctive style to his early years as a journalist. With clear concise analysis, students are guided through all of Hemingway's major works including The Sun Also Rises (1926), A Farewell to Arms (1929), For Whom the Bell Tolls (1940), and The Old Man and the Sea (1952). Full chapters are also devoted to examining his collections of short fiction, the African Stories, and the posthumous works. Each chapter carefully examines the major literary components of Hemingway's fiction with plot synopsis, analysis of character development, themes, settings, historical context, and stylistic features. Alternate critical readings are also given for each of the full length works. An extensive bibliography citing all of Hemingway's writings as well as biographical sources, general criticism, and contemporary reviews will help students understand the scope of Hemingway's contributions to American Literature.
The illuminating story of writer and muse—which also examines the cost to a young woman of her association with a larger-than-life literary celebrity—Autumn in Venice is an intimate look at Hemingway’s final years. In the fall of 1948, Ernest Hemingway and his fourth wife traveled for the first time to Venice, which Hemingway called “absolutely god-damned wonderful.” A year shy of his fiftieth birthday, Hemingway hadn’t published a novel in nearly a decade when he met and fell in love with Adriana Ivancich, a striking Venetian girl just out of finishing school. Here Andrea di Robilant re-creates with sparkling clarity this surprising, years-long relationship, during which Adriana inspired a man thirty years her senior to complete his great final work. Hemingway used Adriana as the model for Renata in Across the River and into the Trees, and continued to visit Venice to see her; when the Ivanciches traveled to Cuba, Adriana was there as he wrote The Old Man and the Sea.