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In 17th- and 18th-century Europe, especially in Holland, England, and Germany, many women chose to dress and live as men. Based upon 119 well-documented Dutch cases of female transvestism, this study reveals how these women adapted to male life and why. Special attention is devoted to transvestism by one partner as the only way in which lesbian love was conceivable during the time.
For women at the early modern courts, clothing and jewellery were essential elements in their political arsenal, enabling them to signal their dynastic value, to promote loyalty to their marital court and to advance political agendas. This is the first collection of essays to examine how elite women in early modern Europe marshalled clothing and jewellery for political ends. With essays encompassing women who traversed courts in Denmark, England, France, Germany, Habsburg Austria, Italy, Portugal, Spain and Sweden, the contributions cover a broad range of elite women from different courts and religious backgrounds as well as varying noble ranks.
Discusses the legal, social, and religious position of women in the Greco-Roman world, Middle Ages, Renaissance, Industrial Revolution, and modern era.
This book explores medieval society's fascination with the cross-dressed woman and examines a wide variety of sources which record attempts to overcome gender hierarchy and illustrate a desire to re-examine social gender identities.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Over the past twenty years, historians have overturned nearly everything we once took for granted about human sexuality. Gender, sexual orientation, "deviance," and even the biology of sex have been unmasked for what they are-historically specific, culturally contested, and above all, unstable constructions.
When Europeans settled in the early South, they quarrelled fiercely over land. Contested areas became known as "the devil's lane". This work highlights important new work on sexuality, race, and gender in the South from the 17th to the 19th centuries.
Through a series of biographical sketches of female performers and managers, Dudden provides a discussion of the conflicted messages conveyed by the early theatre about what it meant to be a woman. It both showed women as sex objects and provided opportunities for careers.