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As millions of viewers across the globe thrill to the assembly room exploits of the Bridgerton family and wait with bated breath for Lady Whistledown’s latest dispatch from Almack’s, scandal has never been so delicious. In a world where appearances were everything and gossip was currency, everyone had their price. From a divorce case that hinged on a public demonstration of masturbation to the irresistible exploits of the New Female Coterie, via the Prince Regent’s dropped drawers and Lady Hamilton’s diaphanous unmentionables, The Real Bridgerton pulls back the sheets on the eighteenth century’s most outrageous scandals. Within these pages Lord Byron meets his match, the richest commoner in England falls for a swindler with a heart of stone, and forbidden love between half-siblings leaves a wife and her children reeling. Behind the headlines and the breathless whispers in Regency ballrooms were real people living real lives in a tumultuous, unforgiving era. The fall from the very pinnacle of society to the gutter could be as quick as it was brutal. If you thought that Bridgerton was as shocking as the Georgians got, it’s time to think again.
Raises fresh questions about how Katherine Parr actually died and why she was buried so quickly, painting a vivid picture of the last days of a powerful queen. What killed Katherine Parr? She was the ultimate Tudor survivor, the queen who managed to outwit and outlive Henry VIII. Yet just over eighteen months after his passing, Katherine Parr was dead. She had been one of the most powerful people in the country, even ruling England for her royal husband, yet she had died hundreds of miles from court and been quickly buried in a tiny chapel with few royal trappings. Her grave was lost for centuries only for her corpse to be mutilated after it was rediscovered during a tea party. The death of Katherine Parr is one of the strangest of any royals – and one of the most mysterious. The final days of Henry VIII’s last queen included a faithless husband and rumours of a royal affair while the weeks after her funeral swirled with whispers of poison and murder. The Mysterious Death of Katherine Parr dives into the calamitous and tumultuous events leading up to the last hours of a once powerful queen and the bizarre happenings that followed her passing. From the elaborate embalming of her body, that left it in a state of perfect preservation for almost three centuries despite a burial just yards from her place of death, to the still unexplained disappearance, without trace, of her baby, the many questions surrounding the death of Queen Katherine are examined in a new light. This brand new book from royal author and historian June Woolerton brings together, for the first time, all the known accounts of the strange rediscovery of Katherine’s tomb and the even odder decision to leave it open to the elements and graverobbers for decades to ask – how did Katherine Parr really die?
Mary Queen of Scots (1542-1587) was active as monarch of Scotland for just six years between 1561 and 1567, but her impact as a ruler in Scotland is much less important than her subsequent role in popular culture and imagination. Her story has enjoyed perpetual retelling and reached a global audience over the past four and a half centuries. This collection surveys the exceptionally varied range of objects, literature, art and media that have been produced to commemorate Mary between her own time and the present day. Why is her story so enduring, pervasive, and of such interest to so many different audiences? How have the narratives associated with these objects evolved in response to shifting cultural attitudes? The collection offers a much-needed novel perspective on the Queen of Scots, using an approach at the intersection of early modern, gender and cultural history, museum and heritage studies, and memory studies.
Capturing Dorothy Hartley’s point that there was "a dislocation of the food supply" during the Industrial Revolution, which occurred through the enclosure movement, the poor laws, the game and corn laws (qtd. in Consuming Fictions 8), this section would begin with the date of Thomas Malthus’s "Principle of Population" (1798) to capture voices invoked during the lead up to the Reform Bill of 1832.
This book considers the relationships between British Romantic-era novelist, poet and writer of educational works for children, Charlotte Smith (1749-1806), and a number of visual artists of the eighteenth century with whom she had connections. By exploring these associations with artists such as George Smith of Chichester, George Romney, James Northcote, John Raphael Smith and Emma Smith, the book demonstrates how the artwork of these individual artists influenced Charlotte Smith’s literary corpus. It also shows a mutual influence: how the literary works of Charlotte Smith impacted the corpora of these artists. This study uncovers information which was not heretofore known regarding these artists: it reveals a mistaken attribution of a sketch which accompanied the second volume of Smith’s Elegiac Sonnets (1797) and sheds light on a print, held by the British Museum, which was previously shrouded in mystery. The artworks also enhance the existing scholarly knowledge about Smith’s biography. This book analyses the tropes and motifs employed by Smith’s artist-associates in the context of the popular aesthetics of the period and undertakes parallel readings between such visual artistry and Smith’s literary works. The book deliberates on how Smith utilises these aesthetics as narrative devices, making use of the tropes of the picturesque, the sublime and the beautiful, as well as that of a national British heraldic artwork, in order to produce and enhance meaning in her literary oeuvre. Thus, Smith uses aesthetic structures as vehicles for social critique, commentating on political, gender, moral and class concerns in addition to enhancing the perceived authenticity of her own artistry. The scholarship aims to correct the common misperception that Smith was a lonely marginal figure of Romanticism and instead asserts her central position in an enormous network of key artistic figures of British Romanticism.
Experience life in Britain’s “long eighteenth-century” with this collection of 25 real tales from history by the authors of An Infamous Mistress. Marvel at the Queen’s Ass, gaze at the celestial heavens through the eyes of the past, and be amazed by the equestrian feats of the Norwich Nymph. Journey to the debauched French court at Versailles, travel to Covent Garden and take your seat in a box at the theatre, and, afterwards, join the mile-high club in a new-fangled hot air balloon. Meet actresses, whores and high-born ladies, politicians, inventors, royalty, and criminals as we travel through the Georgian era in all its glorious and gruesome glory. In roughly chronological order, covering the reign of the four Georges (1714-1830), and set within the framework of the main events of the era, these tales are accompanied by over 100 stunning color illustrations.
‘Lucy Locket lost her pocket, Kitty Fisher found it, not a penny was there in it, only ribbon round it.’ Generations of children have grown up knowing Kitty Fisher from the nursery rhyme, but who was she? Remembered as an eighteenth-century ‘celebrated’ courtesan and style icon, it is surprising to learn that Kitty’s career in the upper echelons of London’s sex industry was brief. For someone of her profession, Kitty had one great flaw: she fell in love too easily. Kitty Fisher managed her public relations and controlled her image with care. In a time when women’s choices were limited, she navigated her way to fame and fortune. Hers was a life filled equally with happiness and tragedy, one which left such an impact that the fascinating Kitty Fisher’s name still resonates today. She was the Georgian era’s most famous – and infamous – celebrity. This is more than just a biography of Kitty Fisher’s short, scandalous and action-packed life. It is also a social history of the period looking not just at Kitty but also the women who were her contemporaries, as well as the men who were drawn to their sides... and into their beds. In this meticulously researched, lively and enjoyable book we discover the real woman at the heart of Kitty Fisher’s enduring myth and legend.