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The Topography of Remembrance deals with different forms of remembrance and collective memory in Mesopotamia, discussing both its public (national) and private (family) aspects. The Introduction offers a history of modern, European memory in comparison with the Mesopotamian mode. The research adds to the recent discussion on collective memory. The Mesopotamians found tools for the construction and passing on of common remembrance in liturgical repetition, in the preservation of buildings and monuments, and in communication channels. To describe these processes the author deals with different texts written between 2300-300 BC, which transport memory from a historical, administrational or religious perspective. According to this study, the need to remember was prompted by the search for identity, a dynamic process in which forgetting played an essential part. The description of this process is also relevant to modern society. It offers an important contribution to the discussion of acculturation and identity.
Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785–90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful) (1788). In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816–17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism. In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz’s work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz’s thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres.
Murder in California: Rage and Revenge Murders profiles some of California’s most infamous murder cases. The edition photographically transports you to actual murder sites along with images related to the case and perpetrator(s). The images and accompanying profiles offer a descriptive account and follow-up aftermath providing an important understanding into the far-reaching effects of each crime. The captured snapshots portray visual testimonies of extinguished lives removed by acts of violence. Crime scenes often revert back into unremarkable landscape or unassuming buildings over the ensuing years and decades. Several have altered little since their moment of infamy. Many are passed daily by pedestrian and vehicular traffic unaware of a location’s unique significance. California has been the site for many notorious homicides. The following are portrayed in this edition: South of the Border Escapade Funded By A Murder Victim’s Credit Card McDonald’s San Ysidro Restaurant Massacre Site: Artie and Jim Mitchell: Contemporary Cain and Abel Playboy playmate Dorothy Stratten’s killing and perpetrator suicide Ewell Family Killings: Delayed gratification thwarts a near perfect killing John Morency: A Vindictive Collapse To An Illusionary Refinement Laci Peterson: When motive convicts beyond the body of evidence Lyle and Erik Menendez: The sins of the son’s bury their parents The Nicole Brown-Simpson and Ronald Goldman Murders: An American travesty The Marin County barbeque murders A convincing performance behind the killing of Bonnie Lee Bakley Vincent Brothers: The convicting insects on the radiator An Illusionary Friendship That Stimulated an Embezzlement Murder A Bondage Murder With An Unconsensual Victim A Gunfight That Ultimately Becomes A Supreme Court Precedent Diane Whipple: Defining accountability with vicious pet owners Eastside Salinas: An invisible war Rages streetside Slaying of Ennis Cosby on an isolated freeway off ramp Father Eric Freed’s Brutal Slaying: A Lost Coast of fractured souls The Silent and Senseless Murder of Lindsay Cutshall and Jason Allen Haing Ngor: An extended and consequential journey curtailed by a random killing Huey P. Newton: A tarnished messenger with feet of clay Johnny Stompanato: Lana Turner’s fatal attraction Barbara Graham: An unsympathetic film portrayal Marvin Gaye: A visionary dishonored within his household Ned Doheny and Hugh Plunkett: The Greystone Mansion murder-suicide The Unexplainable Orcutt freeway sniper attack Phil Hartman: The shocking murder-suicide from an unanticipated source Phil Spector: The Crumbling legacy of a musical genius Ramon Novarro: The gruesome torture of a closeted screen idol Ronni Chasen Shooting: When two divergent worlds collided Sal Mineo: A career comeback curtailed The Abrupt departure of Soul Music legend Sam Cooke in his prime Ryan Jenkins: Jealousy Consumes A Reality Television Contestant A Convicted Killer Finds Conjugal Affection But Never Release The Covina Christmas Eve massacre by a Santa impersonator Edward Allaway: The questionable case for cured insanity Mel and Elizabeth Grimes: The consequences behind a one-ton stone The Helzer Brothers: Children of Thunder slayings The disintegrating mind and schoolyard entrance massacre by Brenda Spencer Dr. Victor Ohta: The execution and incendiary of the house on the hill The vindictive rampage of Elliot Rodger The Golden Dragon massacre: The gang who didn’t shoot straight Lynwood Jim Drake: A loose wire springs a rampage Marcus Wesson: The cult and tragic murder consequence traced to family abuse Scott Dekraai: Revenge for a punitive divorce settlement Holzer Family stabbing spree: Spiraling out of control mental illness The Oikos University Massacre: Piecing together a disjointed puzzle San Diego State Engineering graduate student’s rage against his perceived academic tormentors Santana High School: Adolescence angst with a gunfire solution A Synagogue Shooting By A Self-Deluded Solider
“The Architectural Elevation of Technology” is a photographic survey of 75 prominent Silicon Valley corporate headquarters buildings. The 134-page edition is photographed and authored by California artist Marques Vickers. The geographical territory included with the book is framed to the north by Redwood City and extended to the south until Cupertino. Corporate headquarters are included within the cities of Palo Alto, Santa Clara, Mountain View, Menlo Park, San Jose, Sunnyvale, Milpitas and Fremont. Notable structures include the Oracle, Samsung and the Apple 2 campus, currently under construction. Background is provided on each building’s history and when each present tenant began their occupancy. “The photo project’s motivation was based on my curiosity as to the public face of the information technology sector,” notes Vickers. “Did the more prominent companies mirror the aesthetic polish of their online renown and presence? Would their architecture reflect the affluence and prosperity many of these industry icons have come to represent?” “Silicon Valley technology parks, corporate campuses and headquarters appear indistinguishable from other more traditional office construction. Their appearance is generally consistent with contemporary design trends favoring reflective glass framed by steel and masonry.” Vickers observes in his accompanying commentary several distinctive traits regarding high-tech constructions. Among those include decentralized layouts, lack of streetfront parking and the significant shielding of inside views by landscaped trees and foliage. “The true innovation and resources appear to have been concentrated on interior space management schematics and novelty design.” Vickers adds, “The intention is purposeful. By creating a playful and aesthetic interior environment for employees, many are inclined and stimulated to spend significant additional hours on work-related projects in the facility. Social bondings are encouraged, creating a synergy of professional comradery. Working hours assimilate into lifestyle preferences.”
Gerald of Wales was among the most dynamic and fascinating churchmen of the twelfth century. A member of one of the leading Norman families involved in the invasion of Ireland, he first visited there in 1183 and later returned in the entourage of Henry II. The resulting Topographia Hiberniae is an extraordinary account of his travels. Here he describes landscapes, fish, birds and animals; recounts the history of Ireland's rulers; and tells fantastical stories of magic wells and deadly whirlpools, strange creatures and evil spirits. Written from the point of view of an invader and reformer, this work has been rightly criticized for its portrait of a primitive land, yet it is also one of the most important sources for what is known of Ireland during the Middle Ages.
Shadowlands is a photographic concept edition accentuating contours, silhouettes and dominant color compositions of 150 photographic images. Many of the images are recognizable icons and landmarks. They are transformed into graphic arts appearance by employing photo imaging software. The accompanying shadows create a foreboding and often sinister impression. The result is a glimpse into the unconscious white space that frames and lightens photography. Photographer Marques Vickers has assembled a diverse portfolio of internationally compiled images. Their reverse lighting reinvents the impression, often upsetting our conventional interpretation of their substance and matter. The effect mirrors the surrealists’ notion of superficially unseen structures that open the portal for interpretative meanings. Imagery is enabled to transcend precise and simplistic definition.