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This book results from a collaborative effort to reconstruct the 15th-century BC tomb of three foreign wives of Tuthmosis III, discovered and robbed by villagers near Luxor in 1916. A general account was published by Herbert Winlock in 1948 (The Treasure of Three Egyptian Princesses, New York, The Metropolitan Museum of Art). The present volume differs substantially in the type and extent of documentation provided and in interpretation. Verification is provided of tomb provenance for a number of objects, for example, while other objects previously thought to have come from the tomb are now considered forgeries. The text explores and documents the location of the tomb in the southwest valleys at Thebes; field work conducted by The Metropolitan Museum of Art at the site in 1988; art market finds alleged to have come from the tomb; and the names of the foreign wives and the life they might have led.
A selection of 24 papers by Kate Bosse-Griffiths (1910-1998), curator of the large Egyptian collection in Swansea University's Wellcome Museum. First published between 1955 and 1996, the papers are divided into two sections: material relating to Amarna and material from other eras. The varied contents include discussions of objects and artworks in the Wellcome Museum, including the Shrine of Tiye', beads, stelae, amulets, and a prehistoric stone figure, as well as reviews and more general discussions of Egyptian artwork.
Discover the fascinating story behind the most famous archaeological discovery of all time - the tomb of Tutankhamun. In 1922, Egyptologist Howard Carter led an excavation in the Valley of the Kings and uncovered the largely intact royal burial of the young pharaoh. The discovery of the tomb's opulent contents sparked a media frenzy and popularized ancient Egyptian-inspired designs with the Western public. Despite revealing little about Tutankhamun's reign, the tomb's discovery shed light on the material culture of ancient Egypt and inspired efforts to train Egyptians in Egyptology.
At the end of the 19th century W.M.F. Petrie excavated a series of assemblages at the New Kingdom Fayum site of Gurob. These deposits, known in the Egyptological literature as 'Burnt Groups', were composed by several and varied materials (mainly Egyptian and imported pottery, faience, stone and wood vessels, jewellery), all deliberately burnt and buried in the harem palace area of the settlement. Since their discovery these deposits have been considered peculiar and unparalleled. Many scholars were challenged by them and different theories were formulated to explain these enigmatic 'Burnt Groups'. The materials excavated from these assemblages are now curated at several Museum collections across England: Ashmolean Museum, British Museum, Manchester Museum, and Petrie Museum. For the first time since their discovery, this book presents these materials all together. Gasperini has studied and visually analysed all the items. This research sheds new light on the chronology of deposition of these assemblages, additionally a new interpretation of their nature, primary deposition, and function is presented in the conclusive chapter. The current study also gives new information on the abandonment of the Gurob settlement and adds new social perspective on a crucial phase of the ancient Egyptian history: the transition between the late New Kingdom and the early Third Intermediate Period. Beside the traditional archaeological sources, literary evidence ('The Great Tomb Robberies Papyri') is taken into account to formulate a new theory on the deposition of these assemblages.