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RADIO TIMES OF INDIA used to serve the listener as a Bradshaw of broadcasting, and used to give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information about major changes in the policies and services of the organisation round the world. NAME OF THE JOURNAL: RADIO TIMES OF INDIA LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 01-01-1948 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 52 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-42 VOLUME NUMBER: Vol. III, No. 1 ARTICLE: 1.Through a distant eye 2. Radio can Do it 3. Short waves for pleasure AUTHOR: 1.Sydney Ralli 2 .R. S. Bhatnagar 3.Thomas Radam KEYWORDS: 1. Radio and School education.BBC celebrated silver jubilee. 2. Community Radio as stop gap.Common language essential. 3. The receiver market in Europe is for British receivers.Europeans do listen to the BBC, as they want to improve their English Document ID: IRT-1948(J-D)-VOL-I-1
Reports for 1958-1970 include catalogues of newspapers published in each state and Union Territory.
When in 1925 the initiative was taken by the Kern Institute Leiden to start the publica tion of an Annual Bibliography of Indian Archaeology, the Board of the Institute could do so with confidence, as it was sure of the assistance of scholars all over the world as to the supply of publications as well as of information. With the help of this material a bibliography could be compiled by a small team of highly skilled archaeologists who could devote part of their time and attention to such a task for the benefit of their colleagues in all parts of the world. Times since then have changed, and circumstances have become less and less favourable. To find classified labour for the compilation and editing of such a bibliography has become extremely difficult, and this the more so as this work cannot be paid in accordance with the standards for this branch of classified documentation. The work has to be done as a part of the daily routine work even a scholar in today's time is expected to perform, and which he cannot but consider as being detrimental to the performing of those parts of his work, that demand the use of those qualifications that actually make him the expert.
The classic reference work that provides annually updated information on the countries of the world.
The classic reference work that provides annually updated information on the countries of the world.
This book examines the relationship between the newly independent Indian state and its New Cinema movement. It looks at state formative practices articulating themselves as cultural policy. It presents an institutional history of the Film Finance Corporation (FFC), later the National Film Development Corporation (NFDC), and their patronage of the New Cinema in India, from the 1960s to the 1990s, bringing into focus an extraordinary but neglected cultural moment in Indian film history and in the history of contemporary India. The chapters not only document the artistic pursuit of cinema, but also the emergence of a larger field where the market, political inclinations of the Indian state, and the more complex determinants of culture intersect — how the New Cinema movement faced external challenges from the industrial lobby and politicians, as well as experienced deep rifts from within. It also shows how the Emergency, the Janata Party regime, economic liberalization, and the opening of airwaves all left their impact on the New Cinema. The volume will be of great interest to scholars and researchers of film studies, politics and public policy, especially cultural policy, media and culture studies, and South Asian studies.