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Without opening my eyes I guessed that it must be between five and six in the morning. I was snuggled into something narrow. On moving my knee abruptly it came into contact with an upright board. At the same time the end of my bed rose upward, so that my feet were higher than my head. Then the other end rose, and my head was higher than my feet. A slow, gentle roll threw my knee once more against the board, though another slow, gentle roll swung me back to my former position. Far away there was a rhythmic throbbing, like the beating of a pulse. I knew I was on shipboard, and for the moment it was all I knew. Not quite awake and not quite asleep, I waited as one waits in any strange bed, in any strange place, for the waking mind to reconnect itself with the happenings overnight. Sure of this speedy re-establishment, I dozed again.
It's 1910, and thirteen-year-old Raisa has just traveled alone from a small Polish shtetl all the way to New York City. It's overwhelming, awe-inspiring, and even dangerous, especially when she discovers that her sister has disappeared and she must now fend for herself. She finds work in the Triangle Shirtwaist Factory sewing bodices on the popular shirtwaists. Raisa makes friends and even-dare she admit it?- falls in love. But then 1911 dawns, and one March day a spark ignites in the factory. One of the city's most harrowing tragedies unfolds, and Raisa's life is forever changed. . . . One hundred years after the Triangle Shirtwaist Factory Fire, this moving young adult novel gives life to the tragedy and hope of this transformative event in American history.
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"[...] CHAPTER II Before getting up to make the investigations on which I was so keen I waited to be rid of Jean-Marie. He came in presently—small, black, wiry, not particularly clean, and with an oily smell, but full of an ingratiating kindness. When I had trumped up an explanation of my abnormally long sleep I set him to[...]".
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*NOW A NETFLIX LIMITED SERIES—from producer and director Shawn Levy (Stranger Things) starring Mark Ruffalo, Hugh Laurie, and newcomer Aria Mia Loberti* Winner of the Pulitzer Prize and National Book Award finalist, the beloved instant New York Times bestseller and New York Times Book Review Top 10 Book about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II. Marie-Laure lives with her father in Paris near the Museum of Natural History where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris, and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel. In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the Resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge. Doerr’s “stunning sense of physical detail and gorgeous metaphors” (San Francisco Chronicle) are dazzling. Deftly interweaving the lives of Marie-Laure and Werner, he illuminates the ways, against all odds, people try to be good to one another. Ten years in the writing, All the Light We Cannot See is a magnificent, deeply moving novel from a writer “whose sentences never fail to thrill” (Los Angeles Times).
Excerpt from The Thread of Flame Thout opening my eyes I guessed that it must be between five and six in the morning. I was snuggled into something narrow. On moving my knee abruptly it came into contact with an upright board. At the same time the end of my bed rose upward, so that my feet were higher than my head. Then the other end rose, and my head was higher than my feet. A slow, gentle roll threw my knee once more against the board, though another slow, gentle roll swung me back to my former position. Far away there was a rhythmic throbbing, like the beating of a pulse. I knew I was on shipboard, and for the moment it was all I knew. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.