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Which is real, your dreams or your waking life? How would you know for sure? Two unlikely space travelers wake up on a spaceship so far from earth that not even the sun is visible. After dreaming in suspended animation for centuries, they no longer remember where they are going or why. They do not even know who they are. Are they passengers or prisoners? Were their dreams memories of a life once lived, or just entertainment implanted in their brains? Exploring the spaceship that is now their home--or prison--in the stars, they wrestle with the question that has no easy answer. What is real?
Society of Illustrators, Dilys Evans Founder's Award Winner A New York Times Best Book of 2020 A Wall Street Journal Best Book of 2020 PRAISE "Electrifying. Extraordinary. Enigmatic and gorgeous." —The Wall Street Journal "An epic dream captured in superbly meticulous detail." —Shaun Tan "Danger, magic, surprise and awe abound in this masterly, wordless debut." —The New York Times "I love Van den Ende's passion." —Brian Selznick, New York Times Book Review STARRED REVIEWS ★ "Marvelously engrossing—a triumph." —Kirkus Reviews, starred review ★ "Remarkable. Absolutely sui generis." —Booklist, starred review Without a word, The Wanderer presents one little paper boat's journey across the ocean, past reefs and between icebergs, through schools of fish, swaying water plants, and terrifying sea monsters. The little boat is all alone, and while its aloneness gives it the chance to wonder at the fairy-tale world above and below the waves, that also means it must save itself when it storms. And so it does. Readers young and old will find the strength and inspiration in this quietly powerful story about growing, learning, and life's ups and downs.
Charles Robert Maturin's well-known novel, Melmoth the Wanderer (1820), occupies a high-point in Gothic literature. Lurid, vivid, sacrilegious, paranoid, anti-Catholic, painfully tortuous and gleefully drawn out in its depictions of suffering, its title character tries to find victims miserable enough to take over his bargain with "the enemy of mankind." Maturin displayed his talents of "darkening the gloomy" by interweaving tales of Melmoth's intended victims: the Englishman Stanton, ensnared into an insane asylum; the Spaniard Moncada, trapped in monasteries and prisons of the Inquisition; Immalee, an innocent child of nature; Elinor, a Puritan maiden crossed in love, blighted by cruel deception. All are confronted with Melmoth's icy seductions. Maturin's uncanny aptitude for alternating vertiginous intensity with brooding melancholy and despair leads the reader to a dark side of the psyche where the heavy price paid for redemption often tests human fortitude and conviction beyond the limits of endurance."
The author offers sixty-two short reflections on self-acceptance and staying positive with oneself.
When Henry Cooper inherits property in Thunder Point, Oregon, the fate of the entire small town rests on whether he decides to stay there or move on, a decision that is influenced by his growing attraction for Sarah Dupree.
In the second book of the Astral Wanderer series, the dread Wanderer screams across a sea of cancerous flesh in a craft of unbridled speed and destruction, bound for the heart of the undying forest, and the daughter he forsook in ages past. On his journey, he must contend with incarnations of his terrifying past; pirates who have abandoned their souls to the ceaseless hunger; the whispers of insanity that claw at his mind; and a star-maddened captain hunting him to the eye of creation itself.
The One Mind: C. G. Jung and the Future of Literary Criticism explores the implications of C. G. Jung's unus mundus by applying his writings on the metaphysical, the paranormal, and the quantum to literature. As Jung knew, everything is connected because of its participation in universal consciousness, which encompasses all that is, including the collective unconscious. Matthew A. Fike argues that this principle of unity enables an approach in which psychic functioning is both a subject and a means of discovery—psi phenomena evoke the connections among the physical world, the psyche, and the spiritual realm. Applying the tools of Jungian literary criticism in new ways by expanding their scope and methodology, Fike discusses the works of Hawthorne, Milton, Shakespeare, Wordsworth, and lesser-known writers in terms of issues from psychology, parapsychology, and physics. Topics include the case for monism over materialism, altered states of consciousness, types of psychic functioning, UFOs, synchronicity, and space-time relativity. The One Mind examines Goodman Brown's dream, Adam's vision in Paradise Lost, the dream sequence in "The Wanderer," the role of metaphor in Robert A. Monroe's metaphysical trilogy, Orfeo Angelucci's work on UFOs, and the stolen boat episode in Wordsworth's The Prelude. The book concludes with case studies on Robert Jordan and William Blake. Considered together, these readings bring us a significant step closer to a unity of psychology, science, and spirituality. The One Mind illustrates how Jung's writings contain the seeds of the future of literary criticism. Reaching beyond archetypal criticism and postmodern theoretical approaches to Jung, Fike proposes a new school of Jungian literary criticism based on the unitary world that underpins the collective unconscious. This book will appeal to scholars of C. G. Jung as well as students and readers with an interest in psychoanalysis, literature, literary theory, and the history of ideas.
She is a prisoner here, but still in the north, far from the fat trader her father would have bargained her away to. Since she manipulated Aed into bringing her along, she cannot complain. Things are not as bad as they could be for Grainne until Ualan takes steps to keep her from his father. Insisting she become the Roman’s woman, Ualan forces them together against all advice. Roman by citizenship, Berber by birth, smith by choice, Aghilas has exchanged one master for another. Ualan gave him no choice. Die or submit, he became Ualan’s man. Forced to take Grainne as his woman, Aghilas is angry and frustrated. The Picts of Corda are an ever-present threat. Torcuil, chief of the mixed band of Scotti and Pict fears all-out war. While he spirits away more settlers from Eire, Ualan is in charge of Eilan Water. The chief of the small band hopes more warriors will equate with victory. Two smiths should help increase the weapons of war for they will need them.