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Fiction. THE MAN IN THE STRETCHER brings together 40 previously uncollected stories by this avant-garde playwright, poet, and fictionist, one of the most relentlessly and funnily experimental writers of our time. "Kenneth Bernard is one of the most gloriously antic fiction writers we possess. Think of Salvador Dali or Giorgio de Chirico having written stories instead of painting and you are half way there. His pages have simultaneously awed and delighted me for years"--David Markson.
A teenage assassin kills with a single kiss until she is ordered to kill the one boy she loves. This commercial YA fantasy is romantic and addictive—like a poison kiss—and will thrill fans of Sarah J. Maas and Victoria Aveyard. Marinda has kissed dozens of boys. They all die afterward. It’s a miserable life, but being a visha kanya—a poison maiden—is what she was created to do. Marinda serves the Raja by dispatching his enemies with only her lips as a weapon. Until now, the men she was ordered to kiss have been strangers, enemies of the kingdom. Then she receives orders to kiss Deven, a boy she knows too well to be convinced he needs to die. She begins to question who she’s really working for. And that is a thread that, once pulled, will unravel more than she can afford to lose. This rich, surprising, and accessible debut is based in Indian folklore and delivers a story that will keep readers on the edge of their seats.
New York Times Bestseller: This “shocking” murder mystery addresses homophobia in the military during World War II (Richard Wright, author of Native Son). The men in the barracks, wrenched from the normal pursuits of life, are being molded into warriors in a battle against the “others.” Isolated and fearful, they sometimes relieve their frustrations on the most disenfranchised civilians, namely homosexuals. But one weekend, one of them loses control and commits murder. This tale of suspense is also a story ahead of its time, written by a young marine stationed at Quantico who would go on to become an Academy Award–winning director of such films as Elmer Gantry and The Blackboard Jungle. Sinclair Lewis, writing in Esquire, called Richard Brooks “a really important new writer” and The Brick Foxhole was acclaimed in the Saturday Reviewof Literature as “angry, rapid, stream-lined, and beautifully written . . . the best of the new stuff coming out of this war”—though the US Marines threatened the author with court-martial. Eventually, the story was made into the movie Crossfire (with the hate crime in question changed to an act of anti-Semitic rather than antigay violence), which earned Brooks an Edgar Award for Best Motion Picture. Today, The Brick Foxhole remains both a twisting thriller and an early landmark of gay-themed fiction.
'Last year I lost my cat Gattino. He was very young, at seven months barely an adolescent. He is probably dead but I don't know for certain.'
A revolutionary exploration of the relationship between human energy and color, visualized through more than 200 photographs from the “the Annie Leibovitz of aura photography” (New York Times) and a “Dutch painter on acid” (Vogue). The prodigal daughter of a visionary painter mother and a two-time commune founding father, Christina Lonsdale was raised by her parents on a commune in Taos, New Mexico, at the dawn of the digital age in the 1990s—formative years when science (the advent of the worldwide web, the introduction of the cell phone) and spiritualism (New Age) occupied equal bandwidth. Having her aura photograph taken awoke a passion that combined her spiritual and technological interests (an aura is an energy field emanating around a living being comprised of mental, spiritual, and emotional levels; an aura camera captures the colors of the aura on Polaroid film). With her first aura camera—the Auracam 6000—she began photographing and analyzing family and friends, then in 2014, took her skills and equipment on the road. Radiant Human includes hundreds of Polaroids selected from the author’s vast archives of some 45,000 images she has taken over a six-year period. The book explores the nature of the human aura, and the notion that aura images may not only capture a person’s essence in that moment, but reveal characteristics of their overall disposition. As Lonsdale describes what all the colors suggest, considering their many variations and nuances, and in relationship to each other. To illuminate her discoveries, she shares her subjects’ stories throughout the book, sometimes accompanied by a single shot, other times by a series of images taken over a period of year. She also includes profiles of well-known people she has photographed including Chloë Sevigny, Joseph Altuzarra, Busy Philipps, and SZA. Lonsdale makes clear that we are not just physical bodies, but collections of energy as well—giving consideration to the relationship of how we present ourselves to the world and who we are as well as the potential reality of the space in between. Her aura work is a study of humanity, and the energy we radiate and receive—the good, the bad, and the weird vibes—helping us understand better who we are.
Thirty-five years in the making, and destined to be the last word in fanta-film references! This incredible 1,017-page resource provides vital credits on over 9,000 films (1896-1999) of horror, fantasy, mystery, science fiction, heavy melodrama, and film noir. Comprehensive cast lists include: directors, writers, cinematographers, and composers. Also includes plot synopses, critiques, re-title/translation information, running times, photographs, and several cross-referenced indexes (by artist, year, song, etc.). Paperback.
Jacqueline Woodson's National Book Award and Newbery Honor winner is a powerful memoir that tells the moving story of her childhood in mesmerizing verse. A President Obama "O" Book Club pick Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become. Includes 7 additional poems, including "Brown Girl Dreaming." Praise for Jacqueline Woodson: "Ms. Woodson writes with a sure understanding of the thoughts of young people, offering a poetic, eloquent narrative that is not simply a story . . . but a mature exploration of grown-up issues and self-discovery.”—The New York Times Book Review
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