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A dazzling mixture of crime, romance, magic and myth from the author of the bestselling The Psychology of Time Travel. The Kendricks have been making world-famous dolls for over 200 years. But their dolls aren't coveted for the craftmanship alone. Each has an emotion laid on it; a magic that can provoke bucolic bliss or consuming paranoia at a single touch. Persephone Kendrick longs to learn her ancestors' craft, but only men may know the secrets of the workshop. So when a handsome stranger arrives claiming doll-making talent and blood ties to the family she sees a chance to grasp all she desires. But then, one night, the firm's most valuable doll is stolen. Only someone with knowledge of magic could have taken her. Only a Kendrick could have committed this crime... 'Captivating, inventive and tender' ADELE PARKS 'An atmospheric examination of gender inequality' GUARDIAN 'A magical tale that blends very human people with a hidden world of enchantment' WOMAN & HOME 'An addictive fantasy with a smart feminist twist' iNEWS
“For fans of The Handmaid’s Tale...a debut novel with a dark setting and an unforgettable heroine...is a riveting depiction of hard-won female empowerment” (The Washington Post). The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater—a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. “Very much reminiscent of The Handmaid’s Tale…it transcends its historical roots to give us a modern heroine” (Kirkus Reviews). “A novel as strange as it is captivating” (BuzzFeed), The Sin Eater “is a treat for fans of feminist speculative fiction” (Publishers Weekly) and “exactly what historical fiction lovers have unknowingly craved” (New York Journal of Books).
Amid the crumbling splendour of wintertime Venice, two orphans are on the run. The mysterious Thief Lord offers shelter, but a terrible danger is gathering force...
Emily and her companions, including the winged horse, Pegasus, must confront a legion of Olympic enemies in this third book of an action-packed series. When Emily’s father and the goddess Diana return from a visit to Earth, they bring with them disturbing news. There’s a horse called Tornado Warning that’s winning all the races, with times faster than anyone’s ever seen. What could this mean? Emily, Joel, Paelen, Pegasus, and the sphinx Alexis return to Earth to investigate—and discover a CRU plot to clone Olympians and Nirads using DNA retrieved from their previous time in the human realm. The CRU has already created dozens of Nirad warriors, Dianas, Paelens, Cupids, and Pegasuses. Now they want to create their own Emily clone—even if the original is killed in the process. Can Emily and her friends put a stop to the CRU’s plans before Jupiter finds out and carries through on his own threat to destroy the Earth?
Reborn as the Flame, thirteen-year-old Emily has saved Olympus from destruction but when the gruesome Nirads begin a new invasion, Emily and her friends become entangled in the conflict as old grudges are unearthed and new enemies are discovered.
Emily and her winged horse face a war of Olympic proportions in this second book of the Pegasus series. Emily, newly recognized as the Flame, is living in Jupiter’s palace on Mt. Olympus. Her friends, Joel, Paelen, and—of course—Pegasus, are there as well. The only person missing is Emily’s father, who is still being held prisoner by the CRU back in the human world. Emily wants to go find him, but Jupiter won’t allow her to leave. However, Emily does have access to a winged horse… Determined to rescue her father, Emily and her friends make plans to sneak away from Olympus and back to New York. Then Cupid, Emily’s sort-of crush, decides to come along as well. It will be hard enough to hide a winged horse from the prying eyes of the CRU, but a winged boy as well? And when the gruesome Nirads begin a new invasion, old grudges are unearthed, new enemies are discovered, and Emily and her friends become entangled in a conflict more dangerous than they ever anticipated.
Upon its original publication in 1962, Edward Wagenknecht's The Movies in the Age of Innocence immediately earned recognition as a classic in the history of early cinema. A tribute to American silent film from the first-person perspective of one who grew up with the medium, the volume surveys the pre-feature and feature era of silent films from a distinctly literary standpoint and considers the careers of directors like D. W. Griffith and Erich von Stroheim, and actors such as Charlie Chaplin, Mary Pickford and Lillian Gish. With nearly 90 illustrations from early films, fan magazines and brochures, indices of film titles and names, and an appendix containing Wagenknecht's otherwise unavailable 1927 pamphlet Lillian Gish: An Interpretation, this third edition retains its significance today.
'An astonishing debut... Breathtakingly tender and wryly understated' NEW YORK TIMES. 'Genre-defying... Witty and inventive' GUARDIAN. 1967. Four female scientists invent a time travel machine. But then one of them suffers a breakdown and puts the whole project in peril... 2017. Ruby knows her Granny Bee was the scientist who went mad, but they never talk about it. Until they receive a message from the future, warning of an elderly woman's violent death... 2018. Odette found the dead women at work – shot in the head, door bolted from the inside. Now she can't get her out of her mind. Who was she? And why is everyone determined to cover up her murder? 'A page-turning temporal safari. Part murder mystery, part extrapolation of a world in which time travel has become a commercial reality, it is written with an acute sense of psychological nuance' GUARDIAN. 'Intriguing and multi-layered' DAILY MAIL. 'Captivating, delightful and thoroughly original' JENNIE MELAMED. 'Troubling and inspiring, comforting and horrifying' SCIFINOW.
Aenid -- Aeschylus -- Matthew Arnold -- ballads -- William Blake -- Beowulf -- Robert Browning -- Robert Burns -- Lord Byron -- Canterbury Tales -- Geoffrey Chaucer -- Dante -- Emily Dickinson -- Divine Comedy -- Elizabethan poetry -- epic poetry -- Faery Queen -- Greek poetry -- Homer -- Horace -- The Iliad -- Ben Jonson -- John Keats -- Rudyard Kipling -- Laura -- Leaves of Grass -- Christopher marlowe -- meter -- John Milton -- William Morris -- narrative poetry -- pastoral poetry -- Francesco Petrarch -- Edgar Allan Poe -- Alexander Pope -- rhyme -- Dante Gabriel Rossetti -- satire -- William Shakespeare -- Percy Bysshe Shelley -- Shepherd's calendar -- sonnet -- Edmund Spencer -- Alfred Lord Tennyson -- tragedy -- Virgil -- Walt Whitman -- William Wordsworth -- poetry history and criticism.
A haunted house tour-de-force from the creator of THE MAGNUS ARCHIVES podcast. GOING UP? A dinner party is held in the penthouse of a multimillion-pound development. All the guests are strangers - even to their host, the billionaire owner of the building. None of them know why they were selected to receive his invitation. Whether privileged or deprived, they share only one thing in common - they've all experienced a shocking disturbance within the building's walls. By the end of the night, their host is dead, and none of the guests will say what happened. His death has remained one of the biggest unsolved mysteries - until now. But are you ready for their stories? * * * * * * * * * * 'A modern horror classic' Starburst Magazine 'Astonishing' SFX 'Nerve-jangling' Guardian 'A wonderfully creepy climax, hitting that perfect spot of uncanny horror' Grimdark Magazine 'Steals your sleep, not only because it's such a page turner but it is very very creepy' NetGalley reviewer 'Chilling and so creepy' NetGalley reviewer 'This book literally has it all: simply faultless' NetGalley reviewer