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Exploring Music as Worship and Theology invites greater attention to the diverse cultural music emerging in our Christian assemblies and underscores the need for more dialogue between our theories of liturgy-music and the actual practice of local communities."--BOOK JACKET.
How do we help our friends who have just become Christians or are young in the faith? In this concise and accessible book, Mike Patton unpacks the basics of the Christian faith, helping new believers think rightly about God and live fully for God as they begin their new life in Christ. In ten easy-to-read chapters, Patton introduces readers to the foundational teachings and life-giving practices of Christianity—from the doctrine of the Trinity to reading and understanding the Bible. Designed for individual use or small group discussion, this handbook on the Christian faith has the potential to become the go-to guide for new believers wanting to follow Jesus with their heads and their hands.
Analyzes the forms of music, performing groups, and performance practice found within the Book of Revelation. Each of these aspects is traced historically through the early pagan, Jewish, Greek, Roman, and early church periods.
This book explores how making and listening to music can be an act of prayer. From an impressive range of perspectives, theologians, poets, musicians, even scientists all give witness to the deeper dimensions of music.
"Christian musicians know of the obligation to make music as agents of God's grace. They make music graciously, whatever its kind or style, as ambassadors of Christ, showing love, humility, servanthood, meekness, victory, and good example . . . Music is freely made, by faith, as an act of worship, in direct response to the overflowing grace of God in Christ Jesus." Co-sponsored by the Christian College Coalition, this thought-provoking study of music-as-worship leads both students and experienced musicians to a better understanding of the connections between music making and Christian faith. "Christian music makers have to risk new ways of praising God. Their faith must convince them that however strange a new offering may be, it cannot out-reach, out-imagine, or overwhelm God. God remains God, ready to swoop down in the most wonderful way, amidst all of the flurry and mystery of newness and repetition, to touch souls and hearts, all because faith has been exercised and Christ's ways have been imitated. Meanwhile, a thousand tongues will never be enough." Best relates musical practice to a larger theology of creation and creativity, and explores new concepts of musical quality and excellence, musical unity, and the incorporation of music from other cultures into today's music.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
Beyond sound equipment and music charts, eleven noted worship leaders from around the United States write about the ministerial part of their work as it relates to the gospel, mission, disciple-making, liturgy, the Trinity, justice, creativity, family, and more.
Nothing is more essential than knowing how to worship the God who created us. This book focuses readers on the essentials of God-honoring worship, combining biblical foundations with practical application in a way that works in the real world. The author, a pastor and noted songwriter, skillfully instructs pastors, musicians, and church leaders so that they can root their congregational worship in unchanging scriptural principles, not divisive cultural trends. Bob Kauflin covers a variety of topics such as the devastating effects of worshiping the wrong things, how to base our worship on God's self-revelation rather than our assumptions, the fuel of worship, the community of worship, and the ways that eternity's worship should affect our earthly worship. Appropriate for Christians from varied backgrounds and for various denominations, this book will bring a vital perspective to what readers think they understand about praising God.