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In The Enlightened Joseph Priestley Robert Schofield completes his two-volume biography of one of the great figures of the English Enlightenment. The first volume, published in 1997, covered the first forty years of Joseph Priestley’s life in England. In this second volume, Schofield surveys the mature years of Priestley, including the achievements that were to make him famous—the discovery of oxygen, the defenses of Unitarianism, and the political liberalism that characterized his later life. He also recounts Priestley’s flight to Pennsylvania in 1794 and the final years of his life spent along the Susquehanna in Northumberland. Together, the two volumes will stand as the standard biography of Priestley for years to come. Joseph Priestley (1733–1804), a contemporary and friend of Benjamin Franklin and Thomas Jefferson, exceeded even these polymaths in the breadth of his curiosity and learning. Yet Priestley is often portrayed in negative terms, as a restless intellect, incapable of confining himself to any single task, without force or originality, and marked by hasty and superficial thought. In The Enlightened Joseph Priestley, he emerges as a man who was more than a lucky empiricist in science, more than a naive political liberal, more than an exhaustive compiler of superficial evidence in militant support of Unitarianism. In fact, he was learned in an extraordinary variety of subjects, from grammar, education, aesthetics, metaphysics, politics, and theology to natural philosophy. Priestley was, in fact, a man of the Enlightenment.
This engagingly written new work highlights Britain's long-underestimated and pivotal role in disseminating the ideas and culture of the Enlightenment. Moving beyond the numerous histories centered on France and Germany, the acclaimed social historian Roy Porter explains how monumental changes in thinking in Britain influenced worldwide developments. Here is a "splendidly imaginative" work that "propels the debate forward ... and makes a valuable point" (New York Times Book Review).
Horgan analyses the importance of songs in British eighteenth-century culture with specific reference to their political meaning. Using an interdisciplinary methodology, combining the perspectives of literary studies and cultural history, the utilitarian power of songs emerges across four major case studies.