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On Nāṭyaśāstra, a treatise on ancient Indian dramaturgy and histrionics, by Bharata Muni.
John Calvin saw this world as God's theater where his glory is always on display. Just as "day and night pour forth speech," the universe and history are not silent either; they tell the glory of God. Reflecting on over 500 years of Calvin's legacy, John Piper and this book's other contributors invite us to join Calvin in the theater of God. Stemming from the Desiring God 2009 National Conference, this volume includes chapters by Julius Kim, Douglas Wilson, Marvin Olasky, Mark Talbot, Sam Storms, and John Piper. It touches on topics such as Calvin's life, the Christian meaning of public life, sin and suffering, the joy of the last resurrection, and Jesus Christ as the dénouement of God's story. Editors John Piper and David Mathis, along with the contributors, make John Calvin's Christ-exalting perspective on the glory of God accessible to today's readers. Both Calvinists and other evangelicals interested in the life and work of Calvin will find these essays refreshing and instructive, leading to a robust understanding of the world as the theater of God.
The first comprehensive study of the leading American avant-garde theatre director Robert Wilson.
An encyclopedic dictionary of technical and theoretical terms, the book covers all aspects of a semiotic approach to the theatre, with cross-referenced alphabetical entries ranging from absurd to word scenery.
Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.
This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
Volume 1 of Theaters and Public Sphere in a Global and Digital Society inquires theatre, in all of its accepted meanings, in its relationship with society, institutions, cultural and local norms, and the collective imagination which these reveal.
Cixous' work as a playwright - working mainly with Theatre du Soleil and their director Ariane Mnouchkine - establishes her as a participant in some of the most adventurous European theatre making of the last 40 years. This collection brings together for the first time, four translations into English of Helene Cixous' plays. It is a unique and extraordinary resource for scholars, students and theatre-makers. The collection includes: *The Perjured City, translated by Bernadette Fort *Black Sail, White Sail, translated by Donald Watson *Portrait of Dora, translated by Ann Liddle *Drums on the Dam, translated by Judith G. Miller and Brian J. Mallet This exciting new anthology will disseminate her work to a wide and receptive English-speaking audience.