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When twenty-fifth century time-travelers Dawkins and Hypatia find a plastic artifact among the Neanderthals, it is an anomaly--but on their next assignment to Japan in 1595 they find much more significant evidence of tampering, using virtual reality to induce belief in a demon tengu, and causing mass hysteria.
On a trip to Japan in 1595, Dawk Faraday who is from the 25th century finds himself befriended by an unpredictable, possibly crazy mountain monk who swears he is being hunted by a demon called a tengu. His sister Hype, meanwhile, bonds with a female samurai who offers her training. These two worlds collide in this eBook when encounters with demons begin to plague the entire castle town, drawing the Faradays into a multi-century mystery.
Re-Viewing the Past: The Uses of History in the Cinema of Imperial Japan analyzes the complicated relationship between history films, audiences, reviewers and censors in Japan for the critically important years from 1925-1945. First contextualizing the history of the popular “Bakumatsu” period (1853-1868), the moment of Japan's emergence as a modern nation, Sean O'Reilly paves the way for a reinterpretation of Japanese pre and postwar cinema. Setting a film in the Bakumatsu period offered 'cultural breathing room' to both filmmakers and viewers, offering a cinematic space where apolitical entertainment and now-forbidden themes like romance still reigned. Some filmmakers-and viewers-even conceived of these films as being a form of resistance against Japan's growing militarism. As comparisons between the popularity of such films versus that of state-sponsored propaganda films show, audiences responded enthusiastically to these glimmers of resistance. O'Reilly argues that we should turn our attention to the much more popular films of the time that were major hits with audiences in order to understand what resonated with wartime spectators, and to speculate about why this might have been the case. Including clips of these rare films, a so-far neglected area of Japanese film history is now firmly situated in context to offer a thought-provoking, multidisciplinary approach.
"Filled with insights, original conclusions, and alternate readings of historical evidence.... What Michele Marra has done is to illuminate the political intent in artistic creation and thus add new depth to our historical understanding." --Japan Times
An epic four-volume adventure in mythical medieval Japan: a world of warriors and assassins, demons and spirits In The Tengu’s Game of Go, the final book of Lian Hearn's epic Tale of Shikanoko--all of which will be published in 2016--the rightful emperor is lost; illness and murder give rise to suspicions and make enemies of allies. Unrest rules the country. Only Shika can end the madness by returning the Lotus Throne to its rightful ruler. As destiny weaves its rich tapestry, a compelling drama plays out against a background of wild forests, elegant castles, hidden temples, and savage battlefields. This is the medieval Japan of Lian Hearn's imagination, where animal spirits clash with warriors and children navigate a landscape as serene as it is deadly. "Expect graphic violence, fairy-tale magic, flights of comedy, and operatic melodrama but also genuine intimacy and tragedy." - Kirkus Reviews The Tale of Shikanoko Book One: Emperor of the Eight Islands Book Two: Autumn Princess, Dragon Child Book Three: Lord of the Darkwood Book Four: The Tengu's Game of Go
The New York Times–bestselling series in one volume Born to a British army officer and a Chinese refugee, Nicholas Linnear grows up in Japan, where he falls in love with the nation’s culture, its history, and its deadliest martial arts. In The Ninja, Linnear quits his job abruptly when he feels himself yearning for the life he led in Japan. Searching for direction, he meets a striking beauty named Justine and is beginning to fall in love when something chilling draws him back into his past: the corpse of a coworker, murdered by a Japanese throwing star. There is a ninja loose in New York City, and as the body count rises, it becomes clear that people close to Linnear are being targeted. Only he has the skill to stop a twisted killer with a personal vendetta. In The Miko, Linnear vows revenge after his best friend dies under suspicious circumstances. But although he may look American, a childhood spent in the dojos of Japan taught Linnear that vengeance must never be hurried. He takes a job for the billionaire industrialist who ordered the murder, planning to befriend his target during a trip to Tokyo. But even for a modern-day ninja, there is such thing as too close for comfort. In White Ninja, a sadist haunts the back alleys and sex clubs of Tokyo, picking up women, horrifically mutilating them, and leaving behind a calling card written in blood: This could be your wife. He kills fearlessly, certain the police will never catch him. The only man who might stop this fiend is Nicholas Linnear, one of the country’s leading practitioners of ninjutsu.
This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Tracing the lion's early use in Mesopotamian art and its cultural symbolism in Greece and Rome, this study includes stylized foxes, tigers, badgers and cats, as well as fanciful creatures like dragons, humanoid birds, water imps, demons and other chimerical beasts. Stories and descriptions are provided along with numerous photographs and drawings, making this work an invaluable resource for art collectors and anyone interested in East Asian culture and history.
This important work fills the need for a reasonably priced yet comprehensive volume on major directors in the history of Japanese film. With clear insight and without academic jargon, Jacoby examines the works of over 150 filmmakers to uncover what makes their films worth watching. Included are artistic profiles of everyone from Yutaka Abe to Isao Yukisada, including masters like Kinji Fukasaku, Juzo Itami, Akira Kurosawa, Takashi Miike, Kenji Mizoguchi, Yasujiro Ozu, and Yoji Yamada. Each entry includes a critical summary and filmography, making this book an essential reference and guide. UK-based Alexander Jacoby is a writer and researcher on Japanese film.
Since its inception in 1933, Toho Co., Ltd., Japan's most famous movie production company and distributor, has produced and/or distributed some of the most notable films ever to come out of Asia, including Seven Samurai, Godzilla, When a Woman Ascends the Stairs, Kwaidan, Woman in the Dunes, Ran, Shall We Dance?, Ringu, and Spirited Away. While the western world often defines Toho by its iconic classics, which include the Godzilla franchise and many of the greatest films of the legendary director Akira Kurosawa and actor Toshiro Mifune, these pictures represent but a tiny fraction of Toho's rich history. The Toho Studios Story: A History and Complete Filmography provides a complete picture of every Toho feature the Japanese studio produced and released—as well as foreign films that it distributed—during its first 75 years. Presented chronologically, each entry in the filmography includes, where applicable, the original Japanese title, a direct translation of that title, the film's international, U.S. release, and alternate titles; production credits, including each film's producers, director, screenwriters, cinematographers, art directors, and composers, among others; casts with character names; production companies, technical specs, running times, and release dates; U.S. release data including distributor, whether the film was released subtitled or dubbed, and alternate versions; domestic and international awards; and plot synopses.
A New York Times bestseller by the author of The Ninja: An American martial artist travels to Tokyo and becomes the target of an international conspiracy. When his best friend dies under suspicious circumstances, martial arts expert Nicholas Linnear vows revenge. And while he may look American, Linnear’s childhood spent in the dojos of Japan taught him that vengeance must never be hurried. He takes a job for the billionaire industrialist who ordered the murder, planning to befriend his target during a trip to Tokyo. But even for a modern-day ninja, there is such a thing as too close for comfort. In the bustling city, Linnear finds far more to worry about than the intricacies of Japanese business. He is being pursued by a miko: a female assassin, part ninja and part sorceress, whose beauty is matched only by her skill in combat. Drawn into a tangle of corporate intrigue, international espionage, and hedonistic sex, Linnear will have to put revenge on hold if he is to leave Japan alive. From the #1 New York Times–bestselling author who currently writes the Jason Bourne novels, this is a “swiftly paced and fascinating” thriller that offers “an intricately designed puzzle” (Chicago Sun-Times).