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Set in the American Southwest, "desert terror" films combine elements from horror, film noir and road movies to tell stories of isolation and violence. For more than half a century, these diverse and troubling films have eluded critical classification and analysis. Highlighting pioneering filmmakers and bizarre production stories, the author traces the genre's origins and development, from cult exploitation (The Hills Have Eyes, The Hitcher) to crowd-pleasing franchises (Tremors, From Dusk Till Dawn) to quirky auteurist fare (Natural Born Killers, Lost Highway) to more recent releases (Bone Tomahawk, Nocturnal Animals). Rare stills, promotional materials and a filmography are included.
The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.
Poetry. Asian & Asian American Studies. Brandon Shimoda's THE DESERT, a sequel to his William Carlos Williams Award-winning book EVENING ORACLE, guides us deep into, and then back out of, a rich yet desolate North American landscape. Divided into seven sections--featuring poems, letters, diary entries, and photographs--the desert's multiplicity emerges through a ranging exploration of its Japanese American incarceration sites, homeless population, flora and fauna, violence, beauty, and how they combine to reflect this poet's contemporary view of history. Written over three years in the deserts of Arizona, the poet introduces us to the souls of the living and dead, their shadows still residing over the landscape and its mythology.
Michael Scott Moore, a journalist and the author of Sweetness and Blood, incorporates personal narrative and rigorous investigative journalism in this profound and revelatory memoir of his three-year captivity by Somali pirates—a riveting,thoughtful, and emotionally resonant exploration of foreign policy, religious extremism, and the costs of survival. In January 2012, having covered a Somali pirate trial in Hamburg for Spiegel Online International—and funded by a grant from the Pulitzer Center on Crisis Reporting—Michael Scott Moore traveled to the Horn of Africa to write about piracy and ways to end it. In a terrible twist of fate, Moore himself was kidnapped and subsequently held captive by Somali pirates. Subjected to conditions that break even the strongest spirits—physical injury, starvation, isolation, terror—Moore’s survival is a testament to his indomitable strength of mind. In September 2014, after 977 days, he walked free when his ransom was put together by the help of several US and German institutions, friends, colleagues, and his strong-willed mother. Yet Moore’s own struggle is only part of the story: The Desert and the Sea falls at the intersection of reportage, memoir, and history. Caught between Muslim pirates, the looming threat of Al-Shabaab, and the rise of ISIS, Moore observes the worlds that surrounded him—the economics and history of piracy; the effects of post-colonialism; the politics of hostage negotiation and ransom; while also conjuring the various faces of Islam—and places his ordeal in the context of the larger political and historical issues. A sort of Catch-22 meets Black Hawk Down, The Desert and the Sea is written with dark humor, candor, and a journalist’s clinical distance and eye for detail. Moore offers an intimate and otherwise inaccessible view of life as we cannot fathom it, brilliantly weaving his own experience as a hostage with the social, economic, religious, and political factors creating it. The Desert and the Sea is wildly compelling and a book that will take its place next to titles like Den of Lions and Even Silence Has an End.
The inside story of the covert operation that took down the heads of ISIS No Shadows in the Desert reveals the untold story of the behind-the-scenes fight against ISIS—one coordinated by heads of state and ultimately fought in the alleyways and open deserts of the Middle Eastern battlefield by spies and soldiers. Samuel M. Katz draws upon his sources within the global intelligence and counterterrorism community, as well as the international special operations and espionage fraternity, to tell the story of the covert campaign against ISIS by the operatives who ventured deeply and secretly into enemy territory. In this first-ever look at the secret inner workings of an Arab secret service, Katz tells the story of Jordan’s GID, the masters of human intelligence on the espionage battlefields of the Middle East, who proved pivotal and crucial go-to allies of the CIA and America’s other intelligence agencies in the war against ISIS and the war on terror. With the revealing and intimate insight of the intelligence officers who fought ISIS, No Shadows in the Desert is a rare glimpse into how a strategic partnership helped change how terrorism is fought in the Middle East and beyond.
The compelling true story of Col. Cliff Acree and Cynthia Acree, two high school sweethearts whose lives were torn apart by the Gulf War.
Does Bolaño's masterpiece hint at his own life, or is the author himself a literary invention? Literary Nonfiction. After Devouring 2666 by Roberto Bola�o on the New York City subway, Jonathan Russell Clark does what any good literary critic would do�he reads everything by Bola�o he can get his hands on. But the more he learns about the writer's unlikely life, the less it makes sense. Bola�o cultivated ambiguities and false identities, almost as if he were laying a trap for his future biographers. Clark's investigation into Bola�o's magnum opus is a stumble through a labyrinth where fiction and self-mythologizing converge. This book is part of a new series from Fiction Advocate called Afterwords. "A Sontag-worthy encapsulation of another writer."--Christopher Wood, The Quarterly Conversation "If you have read 2666 and loved it, like most people who've read 2666, then AN OASIS OF HORROR IN A DESERT OF BOREDOM is something of a must-read."--D. F. Lovett
HE RAISED AN ARMY AGAINST THOSE WHO TOOK EVERYTHING FROM HIM They should have picked their enemies more carefully. Five centuries from now, on a remarkably Earthlike planet that is mankind's sole colony in space, religious fanatics called the "Salafi Ikhwan" have murdered the uncle of former colonel Patrick Hennessey. That was their first mistake, because uncle was rich and Hennessey was rather a good colonel. But they also murdered Hennessey's wife, Linda, and their three small children, and that was their worst mistake for she was the only restraint Hennessey had ever accepted. From the pile of rubble and the pillar of fire that mark the last resting place of Linda Hennessey and her children arises a new warrior¾Carrera, scourge of the Salafis. He will forge an army of ruthless fanatics from the decrepit remains of failed state's military. He will wage war across half a world. He will find those who killed his family. He will destroy them, and those who support them, utterly, completely, without restraint or remorse. Only when he is finished will there be peace: the peace of an empty wind as it blows across a desert strewn with the bones of Carrera's enemies. At the publisher's request, this title is sold without DRM (Digital Rights Management).