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The idea of covenant was at the heart of early New England society. In this singular book David Weir explores the origins and development of covenant thought in America by analyzing the town and church documents written and signed by seventeenth-century New Englanders. Unmatched in the breadth of its scope, this study takes into account all of the surviving covenants in all of the New England colonies. Weir's comprehensive survey of seventeenth-century covenants leads to a more complex picture of early New England than what emerges from looking at only a few famous civil covenants like the Mayflower Compact. His work shows covenant theology being transformed into a covenantal vision for society but also reveals the stress and strains on church-state relationships that eventually led to more secularized colonial governments in eighteenth-century New England. He concludes that New England colonial society was much more "English" and much less "American" than has often been thought, and that the New England colonies substantially mirrored religious and social change in Old England.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
The first Danbury Fair was held under a borrowed tent in 1869. Over the next 112 years, the fair expanded to a ten-day event, earning a national reputation for its themed villages, giant figures, grandstand shows and wildly popular stock car races. The twelve formal venues for music and entertainment on the fairground included the World of Mirth Theater and the Orange Bowl Stadium. Under the management of oil magnate John W. Leahy, the fair retained its great hometown appeal as city dwellers flocked to the fair by the thousands. Venture back to the autumn days of zany ostrich races and Zembruski's polka music with Andrea Zimmermann as she explores the beloved bygone tradition of the Great Danbury State Fair.