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Jacob Lane is a ten-year-old girl who's spent her life unaware of her magical heritage. After being sent to Darkbrook, a school of magic, supernatural mysteries seem to spring to life all around her and her new friends. After Jacob Lane's parents mysteriously vanish, she's sent to Darkbrook, the only school of magic in the United States. While there, she and her new friends stumble upon a series of mysterious deaths in the nine ghosts that haunt the halls of Darkbrook. These ghosts were students who died at the school over the past hundred years. Will Jacob become the tenth ghost, or can she stop a witch's reign of terror?
Ten timid ghosts are visited by Santa Claus and learn what Christmas feels like.
Edgar Award Winner Dori Hillestad Butler gives us the tenth—and final!—title in her not-too-scary chapter book mystery series, The Haunted Library, in the form of a super special! It's almost Halloween, and Kaz and Claire are off to Seattle to visit Claire's cousins. They explore the local library...and find a ghost living there! The ghost's family has been missing, so Kaz and Claire decide to investigate. When they discover ghostly activity in the city's subterranean passages, they put their detective skills to work. Kaz and Claire are on the case!
Make storytime a little spookier with the #1 bestselling chapter book series of all time! Every visit to the magic tree house leads to a time-travel adventure! Is this town HAUNTED? Jack and Annie wonder when the Magic Tree House whisks them to the Wild West. But before they can say "Boo!" they rush headlong into an adventure filled with horse thieves, a lost colt, rattlesnakes, and a cowboy named Slim. Will Jack and Annie have time to solve the next Tree House Riddle? The answer may depend on a ghost! Did you know that the Magic Tree House series has two levels? MAGIC TREE HOUSE: Perfect for readers 6-9 who are just beginning to read chapter books—includes this boxed set! MERLIN MISSIONS: More challenging adventures for experienced readers ages 7-10 The Magic Tree House series has been a classroom favorite for over 25 years and is sure to inspire a love of reading—and adventure—in every child who joins Jack and Annie!
Is San Diego’s renowned Tenth Avenue Theater home to an unlikely cast of ghosts — and if so, what has kept the spirits of the dead bound to this venue of entertainment and illusion? From reports of a child’s tragic death on the premises to a suicide stemming from overwhelming guilt, there is grief, turmoil, and unfinished business lingering within these walls. Alex Matsuo, an actress by day and a ghost hunter by night, was granted unlimited access to the haunted property where she has performed as an actor and staged professional readings of her plays. Investigating the popular and thriving theater she has always considered home, Alex must unravel the turbulent history of the building in order to find out why the ghosts of the Tenth never want to leave.
M.J., her partner Gilley, and their client, the wealthy, de-lish Dr. Steven Sable, are at his family's lodge, where his grandfather allegedly jumped to his death from the roof-although Sable says it was foul play. But the patriarch's isn't the only ghost around. The place is lousy with souls, all with something to get off their ghoulish chests. Now M.J. will have to to quell the clamor-and listen for a voice with the answers...
M. J. Holliday has the unusual ability to talk to the dead. But when it comes to a vengeful ghost and a mysterious drowning, this time she may be in over her head…. THAT SINKING FEELING Kidwella Castle in northern Wales is rumored to be haunted by a deadly ghost—the Grim Widow, who allegedly drowns unsuspecting guests in the castle’s moat. Not long after M. J. and her crew arrive at the castle to film their ghost-hunting cable TV show, Ghoul Getters, two new victims are added to the Widow’s grisly roster. Fear ripples through the castle, especially when it’s discovered that the victims may have had help into their watery graves from the land of the living. The local inspector suspects father-son serial killers, but M. J. thinks that theory is all wet. To catch the true culprit she will need to dive deep into the castle’s past and bring some long buried secrets to the surface.
Watch out for ghouls on the dance floor in the tenth book of the Desmond Cole Ghost Patrol series! School dances are tricky. Everybody wants to go, but nobody wants to dance. The music is too loud for anyone to talk. Teachers are there watching kids, but telling them to go out and have a good time. Oh, and at Kersville Elementary…be careful because you’ll have to watch out for ghouls on the dance floor! With easy-to-read language and illustrations on almost every page, the Desmond Cole Ghost Patrol chapter books are perfect for emerging readers.
Ghosts aren’t meant to stick around forever... Shelly and her grandmother catch ghosts. In their hair. Just like all the women in their family, they can see souls who haven’t transitioned yet; it’s their job to help the ghosts along their journey. When Shelly’s mom dies suddenly, Shelly’s relationship to ghosts—and death—changes. Instead of helping spirits move on, Shelly starts hoarding them. But no matter how many ghost cats, dogs, or people she hides in her room, Shelly can’t ignore the one ghost that’s missing. Why hasn’t her mom’s ghost come home yet? Rooted in a Cree worldview and inspired by stories about the author’s great-grandmother’s life, The Ghost Collector delves into questions of grief and loss, and introduces an exciting new voice in tween fiction that will appeal to fans of Kate DiCamillo’s Louisiana’s Way Home and Patrick Ness’s A Monster Calls.
Ghosts haunt the stages of world theatre, appearing in classical Greek drama through to the plays of 21st-century dramatists. Tracing the phenomenon across time and in different cultures, the chapters collected here examine their representation, dramatic function, and what they may tell us about the belief systems of their original audiences and the conditions of theatrical production. As illusions of illusions, they foreground many dramatic themes common to a wide variety of periods and cultures. Arranged chronologically, this collection examines how ghosts represent political change in Athenian culture in three plays by Aeschylus; their function in traditional Japanese drama; the staging of the supernatural in the dramatic liturgy of the early Middle Ages; ghosts within the dramatic works of Middleton, George Peele, and Christopher Marlowe, and the technologies employed in the 18th and 19th centuries to represent the supernatural on stage. Coverage of the dramatic representation of ghosts in the 20th and 21st centuries includes studies of Noël Coward's Blithe Spirit, August Wilson's Pittsburgh Cycle, plays by Sam Shepard, David Mamet, and Sarah Ruhl, Paddy Chayefsky's The Tenth Man, Suzan-Lori Parks' Topdog/Underdog, and the spectral imprint of Shakespeare's ghosts in the Irish drama of Marina Carr, Martin McDonagh, William Butler Yeats, and Samuel Beckett. The volume closes by examining three contemporary American indigenous plays by Anishinaabe author, Alanis King.