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The Technique of the Photoplay by Epes Winthrop Sargent, first published in 1913, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
VOLUME 2: "Movies and Methods," Volume II, captures the developments that have given history and genre studies imaginative new models and indicates how feminist, structuralist, and psychoanalytic approaches to film have achieved fresh, valuable insights. In his thoughtful introduction, Nichols provides a context for the paradoxes that confront film studies today. He shows how shared methods and approaches continue to stimulate much of the best writing about film, points to common problems most critics and theorists have tried to resolve, and describes the internal contraditions that have restricted the usefulness of post-structuralism. Mini-introductions place each essay in a larger context and suggest its linkages with other essays in the volume. A great variety of approaches and methods characterize film writing today, and the final part conveys their diversity--from statistical style analysis to phenomenology and from gay criticisms to neoformalism. This concluding part also shows how the rigorous use of a broad range of approaches has helped remove post-structuralist criticism from its position of dominance through most of the seventies and early eighties. -- Publisher description.
Within the pages of 'Writing the Photoplay' by Arthur Leeds and J. Berg Esenwein, readers are offered a comprehensive exploration of the early 20th-century silent film scriptwriting. This anthology is rich in its diverse representation of the nascent cinematic narrative forms, highlighting the unique blend of literary and visual storytelling that defined the era. The collection provides an unparalleled window into the interplay between written narrative and visual spectacle, pulling from a variety of stylistic approaches to give a well-rounded perspective on silent film scriptwriting techniques and the broader cultural implications of this transformative period in cinematic history. The contributing authors, Leeds and Esenwein, bring a profound depth of expertise and historical knowledge to this collection. Their backgrounds as respected figures in the early film industry and as educators in the art of writing for the screen lend the anthology a considerable authority. This volume stands at the confluence of several critical cultural and literary movements of the early 20th century, synthesizing the intellectual milieus of silent era cinema, literature, and the visual arts into a cohesive whole that enriches our understanding of early filmic storytelling. 'Writing the Photoplay' is recommended for anyone with an interest in cinema history, storytelling, or screenplay writing. Beyond its historical significance, the anthology offers readers the unique opportunity to immerse themselves in the foundational aspects of cinematic narrative, seeing how textual stories were translated into visual masterpieces. This collection serves not only as an educational tool but also as an inspiration for aspiring writers and filmmakers who wish to understand the roots of cinematic storytelling and the myriad ways in which a story can be told through the silent interplay of images.