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This immensely likeable satire of the American civilizing mission in Okinawa was a phenomenon when it was published in 1951. The many-layered novel retains its charm and power today; beneath the comical mayhem that engulfs the village Tobiki we see the pitfalls and possibilities of cultural exchange and nation-building.
This study examines economic, social, political, and cultural changes as funneled through the teahouses of Chengdu during the first half of the twentieth century.
“Like attending seasons of elegant tea parties—each one resplendent with character and drama. Delicious.”—Maxine Hong Kingston The story of two women whose lives intersect in late-nineteenth-century Japan, The Teahouse Fire is also a portrait of one of the most fascinating places and times in all of history—Japan as it opens its doors to the West. It was a period when wearing a different color kimono could make a political statement, when women stopped blackening their teeth to profess an allegiance to Western ideas, and when Japan’s most mysterious rite—the tea ceremony—became not just a sacramental meal, but a ritual battlefield. We see it all through the eyes of Aurelia, an American orphan adopted by the Shin family, proprietors of a tea ceremony school, after their daughter, Yukako, finds her hiding on their grounds. Aurelia becomes Yukako’s closest companion, and they, the Shin family, and all of Japan face a time of great challenges and uncertainty. Told in an enchanting and unforgettable voice, The Teahouse Fire is a lively, provocative, and lushly detailed historical novel of epic scope and compulsive readability.
The old tea house on Mulberry Street in Belfast hasn't changed much over the years. But it's about to bear witness to some significant transformations ... Daniel Stanley might make the most glorious deserts in the whole of Ireland, but he won't support his wife Penny's desire to have at least one bun in the oven. And the owners of Muldoon's Tea Rooms are just two of the people inside hoping for change. Struggling artist Brenda sits penning letters to Nicholas Cage and dreaming of a better life. Sadie finds refuge from her diet and her husband's infidelity in Daniel's famous cherry cheesecake. Clare returns home from twenty years in New York, still cherishing the memory of the one night she truly loved - and lost. And Penny herself discovers a secret from the past - and a sexy estate agent very much in her present. They all want their lives to change - but are they willing to face the consequences? And the possibility that you might not always be able to have your cake - and eat it.
This text explores urban public life through the microcosm of the Chengdu teahouse. Like most public spaces, the teahouse was and still is an enduring symbol of Chinese popular culture, stemming back centuries and prevailing through political transformations, modernization, and globalization. The time period covered begins basically with the establishment of the People's Republic in 1949-50, goes through the end of the Cultural Revolution and into the post-Mao reform era.
Tales of the Teahouse Retold is based on the author's original translation of Feng Shen Yan Yi, an important volume of Chinese mythology first published during the Ming Dynasty (1368-1644). It is the story of the overthrow the Shang Dynasty (circa 1766-1122 BC) and the founding of the Chou Dynasty (1122-249 BC). Combining historical facts, folklore, mythology, and legends, these tales describe a time when gods and men, beasts and monsters, and spirits and specters mingled with each other in peace and war. The saga begins when King Zhou of Shang offends the Snail Goddess, who sends three specters to bewitch the king in retribution. The kingdom falls into chaos and civil war ensues, with gods and other supernatural beings taking sides. In the end, many of the slain heroes are invested as gods. For centuries, the tale was told in successive story-telling sessions as teahouse entertainment. The author has faithfully kept to the original style and ambience in retelling these tales. Tales of the Teahouse Retold will be of interest to fans of oriental mythology, philosophy, and literature. It is suitable for recreational reading as well as supplemental reading for students of Chinese history and culture.
All about the architecture and design principles of a very private place to communicate and meditate from its origins until today.
A National Poetry Series winner, chosen by Edward Sanders. “What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.”—Marvin Bell “I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judge From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation’s premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade—a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry’s liberating power.
When a series of fires in Japan's capital points to foul-play, the famous samurai Judge Ooka puts 14-year-old Seikei on the case to discover who's behind them. Determined to prove his worth, Seikei poses as a teahouse attendant to gather information, and winds up entering the mysterious worlds of geishas and revenge.