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This handbook celebrates the relaunch of Tate Britain. It includes works from the collection by artists such as Hogarth, Turner and Rosetti.
Providing a concise accessible introduction to British art, this is published to coincide with the new chronological re-hanging of the Tate Collection at Tate Britain. With entries of on over 170 artworks, representing the unrivalled collection at Tate Britain, this is the story of British art over the last five hundred years.
Wyndham Lewis (1882-1957), the self-styled 'Enemy', was arguably the most significant British artist-writer of the twentieth century. As well as creating a unique oeuvre of paintings and drawings, he wrote short stories, novels, essays and books on philosophy, literature, politics and cultural criticism. A draughtsman of exceptional skill and verve, he also pioneered cutting-edge modernism in Britain before the First World War, leading the Vorticist movement and editing its typographically startling journal Blast. Lewis, along wth figures including and sculptor Gaudier-Brzeska and poet Ezra Pound, turned London into an international 'vortex' of creative activity. His cultural revolution was brought to a halt by the First World War, in which he served as an artillery officer and as a major official war artist.
"How many times have you read the caption next to a work of art or a review of a contemporary art exhibition and found yourself none the wiser? For many, the language in which modern art is described can be as mystifying as the art itself. This comprehensive, pocket-sized guide holds the answers. Each term, from the dawn of Impressionism to the latest digital development, is defined with clarity and precision, putting themes, movements, media and art practices at the reader's fingertips."--BOOK JACKET.
This handbook celebrates the relaunch of Tate Britain. It includes works from the collection by artists such as Hogarth, Turner and Rosetti.
In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).
This handbook celebrates the relaunch of Tate Britain. It includes works from the collection by artists such as Hogarth, Turner and Rosetti.
A lavishly illustrated, beautiful collection of highlights from the Tate collection over the past 500 years Tate Britain is the home of British art from 1500 to the present day. This guide to the collection provides an essential introduction to the extraordinary development of British art over the centuries. British art is notable for genres unique to itself: group portraits, known as "conversation pieces," focusing on social relations between friends, family, and allies; themes from British literature, particularly Shakespeare, Milton, and Tennyson; and topical subjects in the late 18th and early 19th centuries reflecting the wars with France and the scientific innovations of the Industrial Revolution. The art from Britain in Tate's collection is rich with imaginative invention and reinvention, and this panoramic book celebrates this aesthetic ingenuity as an ongoing story, revealing how 500 years of art can act as a fascinating lens through which to deepen our understanding of ourselves and society, past and present, in both Britain and in the rest of the world.
This richly illustrated Tiny Folio(TM) volume surveys British painting, watercolors, and sculpture from the sixteenth century to the present. With masters such as William Blake, William Hogarth, George Stubbs, Thomas Gainsborough, Joseph Mallord William Turner, Dante Gabriel Rossetti, James McNeill Whistler, John Singer Sargent, Henry Moore, Francis Bacon, Lucian Freud, and David Hockney, the Tate Gallery offers work to please every taste. The gallery, which was opened in London in the summer of 1897 by the Prince of Wales, is best known for its modern art collections, but-as this little compendium makes wonderfully clear-it encompasses the full sweep of British art, from ornate aristocratic portraits and vivacious hunting scenes to the Pre-Raphaelites languid femmes fatales.
Accompanying our 2020-21 Haegue Yang exhibition at Tate St Ives, this beautiful exhibition book focuses on the context of the Cornish landscape and its ancient archaeological heritage as an important point of departure for Yang. A vital expansion of the ideas that punctuate the Tate St Ives exhibition, the exhibition catalogue brings together installation photography and new texts on the artist. Yang's work combines materials, theories and cultural references to make astute and surprising connections between local contexts and wider geographies and histories. Recurring themes of migration, postcolonial diasporas, political struggle and social mobility underpin Yang's research, culminating in a body of work that is an apposite comment on our own time. Born in South Korea in 1971, Haegue Yang is renowned for creating immersive environments from a diverse range of materials. Yang's sculptures and installations conjure abstract narratives which play with our sensory pre-conceptions of scent, sound, light and tactility. Often using recognisable household objects, her work liberates forms from their functional context and applies new connotations and meanings to them. Interweaving industrially made objects with labour intensive and craft-based processes, Yang articulates her interest in folk and pagan cultures, and their deep connection with seasonal rituals in relation to natural phenomena.