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The Tastes and Tales of Mo'ili'ili features more than 200 favorite recipes compiled by the members, volunteers, and friends of the Mo'ili'ili Community Center. Sprinkled in to add some spice and flavor are stories about this historical O'ahu neighborhood written by well-known and much-loved storyteller, the late Glen Grant.
Among the many groups of Chinese who migrated from their ancestral homeland in the nineteenth century, none found a more favorable situation that those who came to Hawaii. Coming from South China, largely as laborers for sugar plantations and Chinese rice plantations but also as independent merchants and craftsmen, they arrived at a time when the tiny Polynesian kingdom was being drawn into an international economic, political, and cultural world. Sojourners and Settlers traces the waves of Chinese immigration, the plantation experience, and movement into urban occupations. Important for the migrants were their close ties with indigenous Hawaiians, hundreds establishing families with Hawaiian wives. Other migrants brought Chinese wives to the islands. Though many early Chinese families lived in the section of Honolulu called "Chinatown," this was never an exclusively Chinese place of residence, and under Hawaii's relatively open pattern of ethnic relations Chinese families rapidly became dispersed throughout Honolulu. Chinatown was, however, a nucleus for Chinese business, cultural, and organizational activities. More than two hundred organizations were formed by the migrants to provide mutual aid, to respond to discrimination under the monarchy and later under American laws, and to establish their status among other Chinese and Hawaii's multiethnic community. Professor Glick skillfully describes the organizational network in all its subtlety. He also examines the social apparatus of migrant existence: families, celebrations, newspapers, schools--in short, the way of life. Using a sociological framework, the author provides a fascinating account of the migrant settlers' transformation from villagers bound by ancestral clan and tradition into participants in a mobile, largely Westernized social order.
A collection of legends of the various Hawaiian Islands.
At the forefront of the postwar phenomenon known as tropical modernism, Vladimir Ossipoff (1907-1998) won recognition as the "master of Hawaiian architecture.” Although he practiced at a time of rapid growth and social change in Hawaii, Ossipoff criticized large-scale development and advocated environmentally sensitive designs, developing a distinctive form of architecture appropriate to the lush topography, light, and microclimates of the Hawaiian islands. This book is the first to focus on Ossipoff’s career, presenting significant new material on the architect and situating him within the tropical modernist movement and the cultural context of the Pacific region. The authors discuss how Ossipoff synthesized Eastern and Western influences, including Japanese building techniques and modern architectural principles. In particular, they demonstrate that he drew inspiration from the interplay of indoor and outdoor space as advocated by such architects as Frank Lloyd Wright, applying these to the concerns and vernacular traditions of the tropics. The result was a vibrant and glamorous architectural style, captured vividly in archival images and new photography. As the corporate projects and private residences that Ossipoff created for such clients as IBM, Punahou School, Linus Pauling, Jr., and Clare Boothe Luce surpass their fiftieth anniversaries, critical assessment of these structures, offered here by distinguished scholars in the field, will illuminate Ossipoff’s contribution to the universal challenge of making architecture that is delightfully particular to its place and durable over time.
Waikiki:A History of Forgetting and Remembering presents a compelling cultural and environmental history of the area, exploring its place not only in the popular imagination, but also through the experiences of those who lived there. Employing a wide range of primary and secondary sources—including historical texts and photographs, government documents, newspaper accounts, posters, advertisements, and personal interviews—an artist and a cultural historian join forces to reveal how rich agricultural sites and sacred places were transformed into one of the world’s most famous vacation destinations. The story of Waikiki’s conversion from a vital self-sufficient community to a tourist dystopia is one of colonial oppression and unchecked capitalist development, both of which have fundamentally transformed all of Hawai‘i. Colonialism and capitalism have not only changed the look and function of the landscape, but also how Native Hawaiians, immigrants, settlers, and visitors interact with one another and with the islands’ natural resources. The book’s creators counter this narrative of displacement and destruction with stories—less known or forgotten—of resistance and protest.