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Four new tales of Doctors Catt and Fisher… Scholars, shopkeepers, collectors… aficionados. Obtainers of rare antiquities; relic hunters who can’t resist a lead, even when it takes them into terrible danger. There’s always an opportunity to be found amid the confusion, in the wake of the terrible Kinslayer War. There’s always a deal to be done, a tomb to open, a precious thing to… obtain. From encounters with the monstrous Vathesk to exploring new worlds; from wielding great power to do great good, to unearthing dark things best left lost. If you need the experts, if you can find your way to their Cherivell shop, maybe you can hire Doctors Catt and Fisher.
The Tzarkomen necromancers sacrificed a thousand women to create a Bride for the Kinslayer so he would spare them in the war. But the Kinslayer is dead and now the creation intended to ensure his eternal rule lies abandoned by its makers in the last place in the world that anyone would look for it. Which doesn’t prevent someone finding her by accident. Will the Bride return the gods to the world or will she bring the end of days? It all depends on the one who found her, Kula, a broken-hearted little girl with nothing left to lose.
Orec Blackblade missed the fall of the Kinslayer, tasked instead with leading his elite band of warriors on a diversionary battle where he split the head and pulsating crown of the enemy’s sorcerer, causing a blast that killed almost everyone in a 100-meter radius. Just four months later the broken circlet finds its way to Doctors Catt and Fisher, collectors of rare artefacts, and their innate curiosity and tinkering with the crown unleashes a new terror on the land. Only Orec and his surviving men can stop it, but will the black sword he carries be enough to stop the coming darkness?
FIREWALKERS ARE BRAVE FIREWALKERS ARE RESOURCEFUL FIREWALKERS ARE EXPENDABLE The Earth is burning. Nothing can survive at the Anchor; not without water and power. But the ultra-rich, waiting for their ride off the dying Earth? They can buy water. And thanks to their investment, the sun can provide power. But someone has to repair the solar panels when they fail, down in the deserts below. Kids like Mao, and Lupé, and Hotep; kids with brains and guts but no hope. The Firewalkers. “This is a must-read for fans of dystopian and climate change fiction.” - Publishers Weekly, Starred Review
I’M LOST. I’M SCARED. AND THERE’S SOMETHING HORRIBLE IN HERE. My name is Gary Rendell. I’m an astronaut. When they asked me as a kid what I wanted to be when I grew up, I said, “astronaut, please!” I dreamed astronaut, I worked astronaut, I studied astronaut. I got lucky; when a probe exploring the Oort Cloud found a strange alien rock and an international team of scientists was put together to go and look at it, I made the draw. I got even luckier. When disaster hit and our team was split up, scattered through the endless cold tunnels, I somehow survived. Now I’m lost, and alone, and scared, and there’s something horrible in here. Lucky me. Lucky, lucky, lucky. A new standalone novella by the Arthur C Clarke Award-winning author of Children of Time.
From sorcerous bridges that link worlds to the simple traditions of country folk; from the mysterious natures of twins to the dangerous powers of obligation and contract. Laden with perils for both the adventurous and the unsuspecting, magic is ultimately a contradiction: endlessly powerful but never without consequence, and rigidly defined by rules of its own making. Award-winning Jonathan Strahan brings together some of the most exciting and popular writers working in fantasy today to dig into that contradiction, and present you with the strange, the daunting, the mathematical, the unpredictable, the deceptive and above all the fearsome world of magic. Includes stories by Garth Nix, K J Parker, Tony Ballantyne, James Bradley, Isobelle Carmody, Frances Hardinge, Nina Kiriki Hoffman, Ellen Klages, Justina Robson, Christopher Rowe, Robert Shearman, Karin Tidbeck, Genevieve Valentine and Kaaron Warren.
This volume relates the British fiction of the decade to the contexts in which it was written and received in order to examine and explain contemporary trends, such as the rise of a new working-class fiction, the ongoing development of separate national literatures of Scotland, Wales and Ireland, and shifts in modes of attention and reading. From the aftermath of the 2008 global financial crash to the Covid-19 pandemic of 2020, the 2010s have been a decade of an ongoing crisis which has penetrated every area of everyday life. Internationally, there has been an ongoing shift of global power from the US to China, and events and developments such as the election of Donald Trump as US President, the emergence of the Black Lives Matter movement, the rise of the populist right across Europe and very gradually the incipient effects variously of AI. Nationally, there has been a decade of austerity economics punctuated by divisive referendums on Scottish independence and whether Britain should leave or remain in the EU. Balancing critical surveys with in-depth readings of work by authors who have helped define this turbulent decade, including Nicola Barker, Anna Burns, Jonathan Coe, Alys Conran, Bernadine Evaristo, Mohsin Hamid, James Kelman, James Robertson, Kamila Shamsie, Ali Smith, Zadie Smith and Adam Thirlwell, among others, this volume illustrates exactly how their key themes and concerns fit within the social and political circumstances of the decade.
My name is Rex. I am a good dog. Rex is also seven foot tall at the shoulder, bulletproof, bristling with heavy calibre weaponry and his voice resonates with subsonics expecially designed to instil fear. With Dragon, Honey and Bees, he's part of a Multiform Assault Pack operating in the lawless anarchy of Compeche, Mexico. As a genitically engineered Bioform, Rex is a deadly weapon in a dirty war. But all he wants to be is a Good Dog. And to do that he must do exactly what Master says and kill a lot of enemies. But who, exactlym, ar the enemies? What happens when Master is tried as a war criminal? What rights does the Geneva Convention grant weapons? Do Rex and his fellow Bioforms even have a right to exist? And what happens when Rex slips his leash?