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This monograph comprises the final publication of a study supported by the British Institute of Persian Studies and undertaken by Seth Priestman and Derek Kennet at the University of Durham. The work presents and analyses an assemblage of just under 17,000 sherds of pottery and associated paper archives resulting from one of the largest and most comprehensive surveys ever undertaken on the historic archaeology of southern Iran. The survey was undertaken by Andrew George Williamson (1945–1975), a doctoral student at Oxford University between 1968 and 1971, at a time of great progress and rapid advance in the archaeological exploration of Iran. The monograph provides new archaeological evidence on the long-term development of settlement in Southern Iran, in particular the coastal region, from the Sasanian period to around the 17th century. The work provides new insights into regional settlement patterns and changing ceramic distribution, trade and use. A large amount of primary data is presented covering an extensive area from Minab to Bushehr along the coast and inland as far as Sirjan. This includes information on a number of previously undocumented archaeological sites, as well as a detailed description and analysis of the ceramic finds, which underpin the settlement evidence and provide a wider source of reference. By collecting carefully controlled archaeological evidence related to the size, distribution and period of occupation of urban and rural settlements distributed across southern Iran, Williamson aimed to reconstruct the broader historical development of the region. Due to his early death the work was never completed. The key aims of the authors of this volume were to do justice to Williamson’s remarkable vision and efforts on the one hand, and at the same time to bring this important new evidence to ongoing discussions about the development of southern Iran through the Sasanian and Islamic periods.
Glazed ceramics, through their physical resilience and social relevance, have become a persistent indicator of cultural contact in Southeast Asia for over a millennium of the region's history. This lavishly illustrated historical survey includes introductions to technical and stylistic aspects of the ceramic traditions of China, Vietnam, and Thailand, over two hundred illustrations of stoneware and porcelain ceramics, and an extensive biography.
These conference proceedings cover topics including technology and provenance; stoneware and porcelain; Han, Tang and contemporary ceramics; production and distribution; and Khmer ceramics.
Europe's place in history is re-assessed in this first comprehensive history of the ancient world, centering on the Indian Ocean and its role in pre-modern globalization. Philippe Beaujard presents an ambitious and comprehensive global history of the Indian Ocean world, from the earliest state formations to 1500 CE. Supported by a wealth of empirical data, full color maps, plates, and figures, he shows how Asia and Africa dominated the economic and cultural landscape and the flow of ideas in the pre-modern world. This led to a trans-regional division of labor and an Afro-Eurasian world economy. Beaujard questions the origins of capitalism and hints at how this world-system may evolve in the future. The result is a reorienting of world history, taking the Indian Ocean, rather than Europe, as the point of departure. Volume I provides in-depth coverage of the period from the fourth millennium BCE to the sixth century CE.
Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware, edited by Patricia Frick and Annette Kieser, focuses on various aspects of East Asian lacquer art ranging from the 2nd century BC to the 17th century. Recent excavations in China, the distribution of lacquer objects throughout the Eurasian region, the significance of lacquer ware in everyday life, technical aspects of lacquer production in Korea, and the appreciation of Japanese lacquer in Asia and Europe are analysed in six chapters by international experts in the field: Patricia Frick; Annette Kieser; Nanhee Lee; Yan Liu; Margarete Prüch and Anton Schweizer. Production, Distribution and Appreciation: New Aspects of East Asian Lacquer Ware is published in association with the European Association for Asian Art and Archaeology.
China has become accessible to the west in the last twenty years in a way that was not possible in the previous thirty. The number of westerners travelling to China to study, for business or for tourism has increased dramatically and there has been a corresponding increase in interest in Chinese culture, society and economy and increasing coverage of contemporary China in the media. Our understanding of China’s history has also been evolving. The study of history in the People’s Republic of China during the Mao Zedong period was strictly regulated and primary sources were rarely available to westerners or even to most Chinese historians. Now that the Chinese archives are open to researchers, there is a growing body of academic expertise on history in China that is open to western analysis and historical methods. This has in many ways changed the way that Chinese history, particularly the modern period, is viewed. The Encyclopedia of Chinese History covers the entire span of Chinese history from the period known primarily through archaeology to the present day. Treating Chinese history in the broadest sense, the Encyclopedia includes coverage of the frontier regions of Manchuria, Mongolia, Xinjiang and Tibet that have played such an important role in the history of China Proper and will also include material on Taiwan, and on the Chinese diaspora. In A-Z format with entries written by experts in the field of Chinese Studies, the Encyclopedia will be an invaluable resource for students of Chinese history, politics and culture.
A thought-provoking book on the archaeology of power, knowledge, social memory, and the emergence of classical tradition in early China.
A compelling examination of the ultimate global commodity, blue and white porcelain, from kiln to consumers across the globe.
Chinese pottery has long been esteemed not only for its beauty and delicacy but also for the utility and efficiency evident in the potter's skill.