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Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
A remarkable cross-cultural history that rescues the swastika, an ancient Buddhist symbol, from its deployment by the forces of hate. The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler's device is in fact a "hooked cross." Rev. Nakagaki's book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.
"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol's fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
“Force[s] even the most sophisticated to rethink and rework their ideas of how images work in the world.” —School Library Journal This is a classic story, masterfully told, in a new, revised and expanded edition about how one graphic symbol can endure and influence life—for good and evil—for generations and never, even today, be redeemed. A nuanced examination of the most powerful symbol ever created, The Swastika and Symbols of Hate explores the rise and fall of the symbol, its mysteries, co-option, and misunderstandings. Readers will be fascinated by the twists and turns of the swastika’s fortunes, from its pre-Nazi spiritual-religious and benign commercial uses, to the Nazi appropriation and criminalization of the form, to its contemporary applications as both a racist, hate-filled logo and ignorantly hip identity. Once the mark of good fortune, during the twentieth century it was hijacked and perverted, twisted into the graphic embodiment of intolerance. If you want to know what the logo for hate looks like, go no further. The Nazi swastika is a visual obscenity and provokes deep emotions on all sides. The Nazis weaponized this design, first as a party emblem, then as a sign of national pride and, ultimately, as the trademark of Adolf Hitler’s unremitting malevolence in the name of national superiority. A skilled propagandist, Hitler and his accomplices understood how to stoke fear through mass media and through emblems, banners, and uniforms. Many contemporary hate marks are rooted in Nazi iconography both as serious homage and sarcastic digital bots and trolls. Given the increasing tolerance for supremacist intolerance tacitly and overtly shown by politicians the world over, this revised (and reconfigured) edition includes additional material on old and new hate logos as it examines graphic design’s role in far-right extremist ideology today.
The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.
The purpose of this monograph on "Evolution of Swastika: Good or Evil," is an attempt to show to the world the real meaning of an ancient symbol Swastika, meaning, 'Well Being', 'Good Existence', and 'Good Luck'. But why is this symbol so important and why did Adolf Hitler decide to use it? The Swastika symbol was not invented by Hitler, he stole it from "Rig Veda" . He made this signal to a most hated signal for his own hatred towards the Jews and the non-Aryan race and his greed to make "Thousand Year Reich" for the German Aryans and as the supreme leader of the world. It should be reminded that Swastika is a sacred symbol of Hindus, Buddhists, Jains. Historically, many other native peoples of several regions the world over have regarded Swastika as a sacred symbol. In Europe use of Swastika is banned as it was used by Hitler and Nazis for Evil purposes. Hitler did not invent Swastika, he just stole it. Hitler and Nazis also used Cross on the chest-pocket. So why ban Swastika and use it for good purpose of life?
Stupa and Swastika examines urban structures in the city of Patan, a UNESCO World Heritage Site in Nepal's Kathmandu Valley. The religious architecture and overall design of the city illustrate the connection between Buddhist symbolism and South Asian concepts of urban design in the Indus Valley, and suggest links with Southeast Asia. -- Back cover.