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Despite the enormous amount of material about Nazism, there has been no substantial work on its emblem, the swastika. This original contribution examines the popular appeal of the archaic image of the swastika: the tradition of the symbol.
"Forces even the most sophisticated to rethink and rework their ideas of how images work in the world."--School Library Journal.* Traces the history of the swastika, from religious symbol to reviled symbol * More than 175 illustrations * Powerful examination of the impact of one graphic symbol on society. This acclaimed examination of the most powerful symbol ever created is now available in paperback. The rise and fall of the swastika, and its mysteries and misunderstandings, are fully explained and explored. Readers will be captivated by the twists and turns of the symbol's fortunes, from its pre-Nazi religious and commercial uses, to the Nazi appropriation and misuse of the form, to its contemporary applications as both a racist and an apolitical logo. In a new afterword, author Steven Heller discusses the controversy around ideas to ban the symbol and public reaction to the book since it was first published. This is a classic story, masterfully told, about how one graphic symbol can endure and influence culture for generations. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.
The first theoretically informed study of the relationship between an academic discipline and what the Nazis termed their Weltanschauung. The first study of Sinnbildforschung, German ideograph or swastika studies, though more broadly it tells the tale of the development of German antiquarian studies (ancient Germanic history, archaeology, anthropology, folklore, historical linguistics and philology) under the influence of radical right wing politics, and the contemporary construction of 'Germanicness' and its role in Nazi thought. The swastika and similar symbols were employed by the ancestors of the modern day Germans. As these had also become emblematic symbols of the forces of German reaction, Sinnbildforschung became intrinsically connected with the National Socialist regime after 1933 and disappeared along with the Third Reich in 1945.
This book examines and establishes connections between Italian Fascism and Hindu nationalism, connections which developed within the frame of Italy’s anti-British foreign policy. The most remarkable contacts with the Indian political milieu were established via Bengali nationalist circles. Diplomats and intellectuals played an important role in establishing and cultivating those tie-ups. Tagore’s visit to Italy in 1925 and the much more relevant liaison between Subhas Chandra Bose and the INA were results of the Italian propaganda and activities in India. But the most meaningful part of this book is constituted by the connections and influences it establishes between Fascism as an ideology and a political system and Marathi Hindu nationalism. While examining fascist political literature and Mussolini’s figure and role, Marathi nationalists were deeply impressed and influenced by the political ideology itself, the duce and fascist organisations. These impressions moulded the RSS, a right-wing, Hindu nationalist organisation, and Hindutva ideology, with repercussions on present Indian politics. This is the most original and revealing part of the book, entirely based on unpublished sources, and will prove foundational for scholars of modern Indian history.
While Adolf Hitler’s National Socialist government was persecuting Jews and Jehovah’s Witnesses and driving forty-two small German religious sects underground, the Church of Jesus Christ of Latter-day Saints continued to practice unhindered. How some fourteen thousand Mormons not only survived but thrived in Nazi Germany is a story little known, rarely told, and occasionally rewritten within the confines of the Church’s history—for good reason, as we see in David Conley Nelson’s Moroni and the Swastika. A page-turning historical narrative, this book is the first full account of how Mormons avoided Nazi persecution through skilled collaboration with Hitler’s regime, and then eschewed postwar shame by constructing an alternative history of wartime suffering and resistance. The Twelfth Article of Faith and parts of the 134th Section of the Doctrine and Covenants function as Mormonism’s equivalent of the biblical admonition to “render unto Caesar,” a charge to cooperate with civil government, no matter how onerous doing so may be. Resurrecting this often-violated doctrinal edict, ecclesiastical leaders at the time developed a strategy that protected Mormons within Nazi Germany. Furthermore, as Nelson shows, many Mormon officials strove to fit into the Third Reich by exploiting commonalities with the Nazi state. German Mormons emphasized a mutual interest in genealogy and a passion for sports. They sent husbands into the Wehrmacht and sons into the Hitler Youth, and they prayed for a German victory when the war began. They also purged Jewish references from hymnals, lesson plans, and liturgical practices. One American mission president even wrote an article for the official Nazi Party newspaper, extolling parallels between Utah Mormon and German Nazi society. Nelson documents this collaboration, as well as subsequent efforts to suppress it by fashioning a new collective memory of ordinary German Mormons’ courage and travails during the war. Recovering this inconvenient past, Moroni and the Swastika restores a complex and difficult chapter to the history of Nazi Germany and the Mormon Church in the twentieth century—and offers new insight into the construction of historical truth.
A remarkable cross-cultural history that rescues the swastika, an ancient Buddhist symbol, from its deployment by the forces of hate. The swastika has been used for over three thousand years by billions of people in many cultures and religions—including Buddhism, Jainism and Hinduism—as an auspicious symbol of the sun and good fortune. However, beginning with its hijacking and misappropriation by Nazi Germany, it has also been used, and continues to be used, as a symbol of hate in the Western World. Hitler's device is in fact a "hooked cross." Rev. Nakagaki's book explains how and why these symbols got confused, and offers a path to peace, understanding, and reconciliation. Please note: Photographs in the digital edition of the books are in color. Photographs in the print edition are in black and white.
"Judas is a dark journey through the murderousness of Christian Anti-Semitism, culminating in the mass slaughter of more than a and their associated European butchers. Lucid, study is close to definitive on the fictive figure of Judas."-Harold Bloom
Stupa and Swastika examines urban structures in the city of Patan, a UNESCO World Heritage Site in Nepal's Kathmandu Valley. The religious architecture and overall design of the city illustrate the connection between Buddhist symbolism and South Asian concepts of urban design in the Indus Valley, and suggest links with Southeast Asia. -- Back cover.
In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.
In 1995, we published the 1st Edition of The Pink Swastika to counter historical revisionism by the homosexual political movement which had been attempting since the 1970s to fabricate a "Gay Holocaust" equivalent to that suffered by the Jews in Nazi Germany. Fifteen years have passed, but our research into this topic has never stopped.